Major scale - Created using a pattern for whole and half steps. It’s asymmetrical.
Church mode - A scale containing five whole steps and two half steps. There are seven of them.
Ionian mode - First rotation, it is a major scale pattern.
Aeolian mode - Sixth rotation, it’s a minor scale pattern.
Key - A specific series of pitches based on a pattern of whole and half steps that define a tonality.
Tonality - The principle of organizing a composition around that keynote or tonic.
Mode - An issue of scale type.
There are 15 major scales, 3 of these are enharmonic:
Key signature - A form of shorthand that dispenses with the writing of accidentals (sharps and flats) for the notes affected by the pattern.
The key signature is always written on the staff between the clef and the meter signature. The placement of sharps alternates in a down-up pattern.
The placement of flats on the staff alternates direction in an up-down pattern in both treble and bass clefs.
The circle of fifths - Demonstrates the relationship of the tonal centers to each other.
Natural minor scale - The sixth scale in the rotation of church modes.
There are three forms of the minor scale and they all come from the natural minor scale which is:
Relative - Major and minor scales that have the same pitches and key signature.
Three forms of minor - Natural, harmonic, and melodic.
Parallel - Major and minor keys with different key signature but same tonic.
Natural form of minor - No alterations to the key signature.
Harmonic form of minor - The 7th scale degree is raised both ascending and descending.
Melodic form of minor - The 6th and 7th scale degrees are raised.
Circle of Fifths
Scalar variance - The use of natural, harmonic, and melodic minor within one composition.
Artificial scales - When forms of the minor vary from the key signature and require the use of additional accidentals to create the scale.
Full Circle of Fifths
Scale degree - Each step of the scale.
Tonic - The beginning pitch of the scale.
Scale degree 1 - The tone on which the scale is built, the tonal center.
Scale degree 2 - Above the tonic.
Scale degree 3 - Halfway between the tonic and dominant.
Scale degree 4 - A fifth below the tonic
Scale degree 5 - Perfect fifth above the tonic
Scale degree 6 - In between the subdominant and the tonic
Scale degree 7 - Half step below Do.
Natural minor scale
The 7th scale degree is a whole step below tonic, meaning it’s subtonic.
Harmonic minor scale
The 7th scale degree is raised and a leading tone, it is one-half step below the tonic.
Melodic minor scale
The 7th scale degree is leading and the 6th scale is the raised submediant.
Active tones - Scale degrees 4, 6, and 7.
Within the major scale, the 4th and 7th scale degrees are the most active tones and have half-steps relationships to the most stable tones which are the 3rd and the tonic. Scale degrees 1 and 3 are resolution tones are the notes to which the active tones move.
The 6th scale degree resolves down to the 5th.
Ionian mode - Same pattern as the major scale
Aeolian mode - Same pattern as the natural minor scale
Phrygian, Aeolian, and Dorian are minor modes.
Lydian, Mixolydian, and Ionian are major modes.
Locrian is used less. It has a diminished tonic triad, so it’s not a major or minor.