Sensation and Perception (Cognition)

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Not nearly as long, this is a fun unit. By the way, I forgor to mention that one side of the brain controls the other side of the body. Also, terms in this unit r a lot shorter than previous so yeah

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83 Terms

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Sensation

The process by which our sensory receptors and nervous system receive and represent stimulus energies from our environment

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Sensory receptors

Sensory nerve endings that respond to stimuli

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Perception

The process by which our brain organises and interprets sensory information, enabling us to recognise objects and events as meaningful

Allows us to draw meaningful conclusions of the stimuli we are taking in from the external environment

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Bottom-up processing

Information processing that begins with the sensory receptors and works up to the brain’s integration of sensory information

New ambiguous stimuli that builds to conclusion from the senses

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Top-down processing

Information processing that begins with the sensory receptors and works up to the brain’s integration of sensory information

Expectation or assumption about what we are sensing is used to validate predictions

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Transduction

The transforming of physical energy from sensations into neural impulses the brain can interpret

More formally it’s the conversion of one form of energy into another

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Psychophysics

The study of relationships between physical characteristics of stimuli, such as their intensity, and our physical experiences of them

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Absolute threshold

The minimum stimulus energy needed to detect a particular stimulus 50% of the time

Found by Gustav Fechner

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Signal detection theory

A theory predicting how and when we detect the presence of a faint stimulus (signal) amid background stimulation;

Assumes there is no single absolute threshold

Detection depends partially on a person’s experience, expectations, motivation, and alertness

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Subliminal

Below one’s absolute threshold for conscious awareness

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Difference threshold

The minimum difference between 2 stimuli required for detection 50% of the time

We experience the difference threshold as a Just Noticeable Difference

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Weber’s law

To be perceived as different, 2 stimuli must differ by a constant minimum PERCENTAGE instead of amount

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Sensory adaptation

Diminished sensitivity as a consequence of constant stimulation

When constantly exposed to an unchanging stimuli, nerve cells fire less frequently and we become less aware of it

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Wavelength

The distance from the peak of one light wave or sound wave to the peak of the next

Electromagnetic wavelengths vary from short gamma waves to the long pulses of radio transmission

Short wavelengths: blue
Long wavelengths: red

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Hue

The dimension of colour that is determined by the wavelength of light; what we know as the colour names

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Intensity

The amount of energy in a light or sound wave, which influences what we perceive as brightness or loudness

Determined by amplitude of wave (height)

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Cornea

Eye’s clear, protective outer layer, covering the pupil and iris

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Pupil

The adjustable opening in the centre of the eye through which light enters

It dilates or constricts with the help of the iris to allow light for the eye so further transformation can occur

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Iris

A ring of muscular tissue that forms the coloured portion of the eye around the pupil and controls the size of the pupil opening

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Lens

The transparent structure behind the pupil that changes shape to help focus images on the retina

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Accommodation

The process by which the eye’s lens changes shape to focus images of near and far objects on the retina

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Retina

The light-sensitive back inner surface of the eye, containing the receptor rods and cones, plus layers of neurons that begin the processing of visual information

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Cones

Retinal receptors that are concentrated near the centre of the retina and function in daylight or well-lit conditions

Detect fine detail and give rise to colour sensations

Cone = Colour

<p>Retinal receptors that are concentrated near the centre of the retina and function in daylight or well-lit conditions</p><p>Detect fine detail and give rise to colour sensations</p><p>Cone = Colour</p>
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Rods

Retinal receptors that detect black, white, and grey (shadows and depth), and are sensitive to movement. Rods aren’t necessary for peripheral vision and twilight vision, when cones don’t respond

<p>Retinal receptors that detect black, white, and grey (shadows and depth), and are sensitive to movement. Rods aren’t necessary for peripheral vision and twilight vision, when cones don’t respond</p>
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Fovea

The central focal point in the retina, around which the eye’s cones cluster

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Bipolar cells

Stimulated to begin firing neural impulses after rods and cones detect and activate ganglion cells

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Ganglion cells

Cells where the axons form together the optic nerve

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Optic nerve

The nerve that carries neural impulses from the eye to the brain

The first stop after the processing is the thalamus, which then directs the information onto the visual cortex within the occipital lobe of the cerebrum

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Blind spot

The point at which the optic nerve leaves the eye, leaving a “blind” spot because no receptor cells are located here

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Young-Helmholtz trichromatic (3 colour) theory

The theory that the retina contains 3 different types of colour receptors - one most sensitive to red, one to green, and one to blue

When they are stimulated they can produce the perception of any colour

Helped explain the global theory of colourblindness

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Opponent-process theory

The theory that opposing retinal processes (Red to green, blue to yellow, white to black) enable colour vision

Neurons in the thalamus and visual cortex are turned on and off by the opposing processes which explains why we don’t see reddish-green mix, but a reddish-blue mix like magenta

When one pair gets tired, the other produces a hazy afterimage in the opposing colour

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Feature detectors

Nerve cells in the brain’s visual cortex that respond to specific features of the stimulus, such as shape, angle, or movement

Deconstruct and reassemble visual images

The eye receives disassembled bits of information that must be reassembled like a puzzle in order to process it

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Fusiform face area

Helps recognise faces from various viewpoints after rearranging the angles, colours, size, and shape

Allows us to detect whether the faces are friend or foe

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Parallel processing

Processing multiple aspects of a stimuli or problem simultaneously

Allows us to analyse multiple aspects of any sensory signals coming its way

Handles a variety of incoming messages and mostly happens unconsciously

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Audition

The sense or act of hearing

Normal hearing has a wide range, with people’s voices being the best heard

Neural responses to sounds are transmitted much faster than vision

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Frequency

The number of complete wavelengths that pass a point in a given time

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Pitch

A tone’s experience highness or lowness

Depends on frequency, which is measured in hertz

Amplitude connects to loudness; the higher it is, the louder it is, and it’s measured in decibels

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Middle ear

The chamber between the eardrum and the cochlea containing 3 tiny bones which concentrate the vibrations of the eardrum on the cochlea’s oval window

Hammer, anvil, and stirrup transmit vibrations onto the oval window

<p>The chamber between the eardrum and the cochlea containing 3 tiny bones which concentrate the vibrations of the eardrum on the cochlea’s oval window</p><p>Hammer, anvil, and stirrup transmit vibrations onto the oval window</p>
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Cochlea

A coiled, bony, fluid-filled tube in the inner ear; sound waves travelling through the cochlear fluid trigger nerve impulses

Fluid in the cochlea move in response to vibrations and hair cells on the lower part of the cochlea on the basilar membrane bend

Hair cell movement triggers neural firing and the impulses travel down the auditory nerve into the auditory cortex in the temporal lobe

Loudness is determined by how many stimulated hair cells

<p>A coiled, bony, fluid-filled tube in the inner ear; sound waves travelling through the cochlear fluid trigger nerve impulses</p><p>Fluid in the cochlea move in response to vibrations and hair cells on the lower part of the cochlea on the basilar membrane bend</p><p>Hair cell movement triggers neural firing and the impulses travel down the auditory nerve into the auditory cortex in the temporal lobe</p><p>Loudness is determined by how many stimulated hair cells</p>
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Inner ear

The innermost part of the ear, containing the cochlea, semicircular canals, and vestibular sacs

<p>The innermost part of the ear, containing the cochlea, semicircular canals, and vestibular sacs</p>
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Sensorineural hearing loss

The most common form of hearing loss caused by damage to the cochlea’s receptor cells or to the auditory nerve

Nerve deafness

Hair cells damaged

Caused by over-exposure to loud noises and damage from illness, but also genetics and aging play factor in this

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Conduction hearing loss

A less common form of hearing loss by damage to the mechanical system that conducts sound waves to the cochlea

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Cochlear implant

A device for converting sounds into electrical signals and stimulating the auditory nerve through electrodes threaded into the cochlea

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Place theory/coding

The theory that links the pitch we hear with the place where the cochlea’s membrane is stimulated

Best describes how high pitches are sensed

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Frequency/matching/temporal/volley theory/coding

The theory that the rate of nerve impulses travelling up the auditory nerve matches the frequency of a tone, thus enabling us to sense pitch

Sound locating happens with 2 ears

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Touch

A tactile sense that people need from the beginning of life

Skin is the largest sense receptor and contains different cells for various touch sensations: pressure, warmth, cold, and pain

Other sensations are evoked by different combinations and intensity

Cognition can affect how we interpret the sensations of touch

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Gate-control theory

The theory that the spinal cord contains a neurological gate that blocks pain signals or allows them to pass on to the brain

The gate is opened by activity of pain signals travelling up small nerve fibres and is closed by activity in larger fibres or by information coming from the brain

<p>The theory that the spinal cord contains a neurological gate that blocks pain signals or allows them to pass on to the brain</p><p>The gate is opened by activity of pain signals travelling up small nerve fibres and is closed by activity in larger fibres or by information coming from the brain</p>
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Nocireceptors(pain)

Biopsychosocial phenomenon

The receptors detect harmful temperatures, pressure, or chemicals

Pain is adaptive and helps us to know when something is wrong

Genetically, some people produce more endorphins that decrease pain responsiveness

Motivation and distraction can influence how much pain we feel

In memories, pain is often distorted or diminished

Affected by socio-cultural variables

Experience with pain can vary in social situations and be influenced by cultural norms through empathy or sympathy

Treatments include medicine, surgery, electrical stimulation, acupuncture, massage, exercise, and hypnosis

Placebos and distractions also help reduce pain

<p>Biopsychosocial phenomenon</p><p>The receptors detect harmful temperatures, pressure, or chemicals</p><p>Pain is adaptive and helps us to know when something is wrong</p><p>Genetically, some people produce more endorphins that decrease pain responsiveness</p><p>Motivation and distraction can influence how much pain we feel</p><p>In memories, pain is often distorted or diminished</p><p>Affected by socio-cultural variables</p><p>Experience with pain can vary in social situations and be influenced by cultural norms through empathy or sympathy</p><p>Treatments include medicine, surgery, electrical stimulation, acupuncture, massage, exercise, and hypnosis</p><p>Placebos and distractions also help reduce pain</p>
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Phantom limb sensations

Pain sensations in amputees that occur in nonexistent limbs, show that biological signals aren’t needed for someone to experience pain

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Gustation

Our sense of taste

Chemical sense that is also adaptive and helps us survive and thrive

5 basic tastes: sweet, salty, sour, bitter, and umami

Taste protects from bad food but also attracts us to pleasurable food

Psychological factors like expectations and framing can also influence how good something tastes to us

<p>Our sense of taste</p><p>Chemical sense that is also adaptive and helps us survive and thrive</p><p>5 basic tastes: sweet, salty, sour, bitter, and umami</p><p>Taste protects from bad food but also attracts us to pleasurable food</p><p>Psychological factors like expectations and framing can also influence how good something tastes to us</p>
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Taste buds

Cells located on tongue and in mouth to process the chemicals that allow us to taste

Receptors are sensitive but decrease in sensitivity aging

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Olfaction

Our sense of smell

Oldest chemical sense and bypasses the thalamus directly to the olfactory bulb in the brain

Smell requires molecules to be processed by the receptor cells in nasal cavity. It helps us protect ourselves from damaging substances

20 million olfactory receptors that can detect a large amount of smells

Each smell triggers multiple neurons and is strongly connected to memory, as each smell can evoke a strong emotional memory of objects

Inability to smell is called Anosmia and is affected by age, gender, and experience

<p>Our sense of smell</p><p>Oldest chemical sense and bypasses the thalamus directly to the olfactory bulb in the brain</p><p>Smell requires molecules to be processed by the receptor cells in nasal cavity. It helps us protect ourselves from damaging substances</p><p>20 million olfactory receptors that can detect a large amount of smells</p><p>Each smell triggers multiple neurons and is strongly connected to memory, as each smell can evoke a strong emotional memory of objects</p><p>Inability to smell is called Anosmia and is affected by age, gender, and experience</p>
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Kinesthesis

Our movement sense

Our system for sensing the position and movement of individual body parts

Simple tasks may require hundreds of muscles and sensors to send information to your brain and back out with commands

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Vestibular sense

Our balance sense

Our sense of body movement and position that enables our sense of balance; works in conjunction to kinesthetic sense

Both also use receptors in the fluid filled semicircular canals and the calcium crystal filled vestibular sacs that both send information to the cerebellum to monitor sense of balance

Vision also plays a role in both

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Proprioceptors

Position and motion sensors to send information to the brain and back out with commands

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Senses chart

knowt flashcard image
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Sensory interaction

The principle that one sense can influence another as when the smell of food influences its taste

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Embodied cognition

The influence of bodily sensations, gestures, and other states on cognitive preferences and judgements

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Selective attention

Focusing conscious awareness on a particular stimulus

Past experiences, emotions, attention, and expectations influence how we perceive the stimuli received by our sensory systems

Generally limited to one thing at a time, and is decided by importance

Focus shifts between tasks; no one can truly consciously multitask

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Cocktail party effect

How we can perceive our own names amongst a cacophony of other sounds

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Inattentional blindness

Failure to see visible objects when our attention is directed elsewhere

<p>Failure to see visible objects when our attention is directed elsewhere</p>
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Change blindness

Failing to notice changes in the environment and is a form of inattentional blindness

<p>Failing to notice changes in the environment and is a form of inattentional blindness</p>
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Perceptual set

A mental predisposition or stereotype or expectation to perceive one thing and not another

Brain’s explanation of incoming sensations is influenced by experience, expectations, context, motivation, and emotion

Can influence what the senses think they sense

Perceptions can also be influenced by context, motivation, and emotion

<p>A mental predisposition or stereotype or expectation to perceive one thing and not another</p><p>Brain’s explanation of incoming sensations is influenced by experience, expectations, context, motivation, and emotion</p><p>Can influence what the senses think they sense</p><p>Perceptions can also be influenced by context, motivation, and emotion</p>
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Gestalt

An organised whole

Gestalt psychologists emphasised our tendency to integrate pieces of information into meaningful wholes

To create meaning, sensations must be organised and interpreted, and it all happens unconsciously

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Figure-ground

The organisation of the visual field into objects that stand out from their surroundings

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Grouping

The tendency perceptually to organise stimuli into coherent groups

Default way we organise the world around us

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Proximity

Nearby figures grouped together

<p>Nearby figures grouped together</p>
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Similarity

Similar figures grouped together

<p>Similar figures grouped together</p>
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Closure

Brain fills in gaps to create a complete, whole object

<p>Brain fills in gaps to create a complete, whole object</p>
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Depth perception

The ability to see objects in 3D although the images that strike the retina are 2 dimensional, which allows us to judge distance

Develops over time and with the advent of independent movement

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Visual cliff

A laboratory device for testing depth perception in infants and young animals

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Monocular cues

A depth cue such as interposition or linear perspective available to either eye alone

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Binocular cues

A depth cue, such as retinal disparity, that depends on the use of both eyes

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Convergence

A cue to a nearby object’s distance, enabled by the inward angle of the eyes

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Retinal disparity

A binocular cue for perceiving depth

Differences between what each eye sees, and the more there is, the closer the object is

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Interposition

Use an object’s surrounding environment to determine how far away it is

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Relativity

Use location, dimensions, and movement of an object to determine its distance

Shrinking objects are perceived as moving further away

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Stroboscopic movement

An illusion of continuous movement as in motion picture experienced when viewing a rapid series of slightly varying still images

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Phi phenomenon

An illusion of movement created when 2 or more adjacent lights blink on and off in succession

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Autokinetic effect

The illusory movement of a still spot of light in a dark room

Affected by eye movement

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Perceptual constancy

Perceiving objects as unchanging, having consistent properties even as illumination and retinal images change

<p>Perceiving objects as unchanging, having consistent properties even as illumination and retinal images change</p>
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Colour constancy

Perceiving familiar objects as having consistent colour, even if changing illumination alters the wavelengths reflected by the object

<p>Perceiving familiar objects as having consistent colour, even if changing illumination alters the wavelengths reflected by the object</p>
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Perceptual adaptation

The ability to adjust changed sensory input, including an artificially displaced or even inverted visual field

When sensations are restored, perception doesn’t always follow