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Context, Ghost Ship, Parachute, Virgin Shroud
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Born where/when, education, how multidisciplinary artist
Cork, 1956
Crawford College, Leicester Polytechnic, San Fransisco Art Institute
“poetic amalgamation” of found objects
sculpture, photography, video, installation
Virgin Shroud - Year
1993
Virgin Shroud - Media
found object piece
cowhide, udders included, stitched to grandmother’s wedding dress.
steel structure creates the human form underneath.
Virgin Shroud - Subject Matter
women’s role in society and how they are viewed
motherhood, feminitity and virginity
draws immediate parallel with cows - mothers to their calves, common comparison to women
Virgin Shroud - Composition
human like frame - resembles a bride. udders - resemble crown
Virgin Shroud - Colour
white - purity, virginity
black - unsettling contrast
Parachute - Year
2005
Parachute - Location
IMMA, Dublin
Parachute - Composition
gannet hung upside down - emphasises lifelessness - from “parachute” (blue fabric) resembling the sky, from ceiling
Parachute - Media
parachute
gannet - found washed up on Ireland’s Atlantic Coast, ad preserved, to prevent decay
Parachute - Subject Matter
loss, remembrance
irony - birds don’t need parachutes - highlights death
reflects on death and former existance
Parachute - Colour
natural colours from gannet
blue parachute - blue sky
cream/white gannet - delicacy, lightness
Ghost Ship - Year
1998
Ghost Ship - Location
Scotsman’s Bay, Dun Laoighaire - temporary
ten minute video and two scale models (one painted) available at the IMMA
Ghost Ship - Media
140 foot lightship, the Albatros, painted in phosphorescent paint - glow in the dark
three hour cycle
recharged with UV lights