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Suprematism
A uniquely Russian innovation and contribution to the international art world
European cultural life
Ever since the late 1700s, there was an effort in Russia to connect with the rest of ______ (3 words)
western influenced
There was a concerted effort of Russian artists to be more “_____” in their work
avant garde
The art movement the World of Art Magazine (b. 1898) was devoted to
World of Art Magazine
One of the most important steps to Russian artists’ incorporation of “western influence” in their work. Responsible for introducing avant garde movements into Russian art life (culture)
Fauvism and Cubism
The two avant garde movements that the World of Art Magazine published works on
collection of French modernism
By 1915/1914, there began to appear a _______ in Russia (_ of _)
Communist takeover
Russia’s exposure to the avant garde led to Suprematism, beginning after the _____
Soviet Union
The name of Russia after it became a communist state
Malevich
Largely responsible for the ideas of Suprematism
Suprematist, political
_____ ideas regarding art and ____ ideas at the time before, during, and after the formation of the Soviet Union are inseparable
communist, philosophical, cutting edge
Suprematism, similarly to the early years of _____ thinking, was highly ____, well read, and had an eye toward being on the ______ (2 words)
new, old
Malevich quote: “civil war between ___ and ___ art is still going on”
press, censorship
Malevich claimed the rear guard had been waging a struggle with the innovators by means of ____ and ____
old state, innovators
Malevich claimed the October Revolution smashed the foundations of the _____, recognizing the ______ in art
October Revolution
The event that led to the formation of the Soviet Union. Very much connected with ideas of Suprematism
very interested
Malevich was ______ (2 words) in both Fauvism and Cubism
Black Square
Piece by Malevich, having taken the extreme conclusions of Fauvism and Cubism. Done before the revolution in anticipation
reeducated
Malevich’s simple, non-representational pieces were based on his idea that the everyday working class needed to be ______
ignorance
Malevich believed the working class had been kept in ____ by the czarist state, exploiting their labor and compromising their ability to think or learn new information
revolution
Suprematists saw the ____ as a way to break free of what they considered an outdated Russian mindset stuck int he 1500-1600s
intended audience
Black Square can be difficult for us to understand because we are not Malevich’s ______. Meant to teach basic blocks, shapes, and colors
secular
Malevich considered his non-representational, simple pieces as the ___ equivalents of Russian orthodox icons
church, reintroduce
Because many Russians were exposed to art through the ___, Malevich decided to _____ art in a similar way
building blocks
Malevich sequenced his non-representational pieces as _____ of art, progressing from a black square to a piece with 8 red blocks
The World of Non-Objectivity
Malevich’s big book
“pure feeling in form”
What Malevich’s The World of Non-Objectivity defines Suprematism as (4 words)
arrangement
In the case of Malevich’s pieces, form constitutes an ___ of color and shape
religious icons
Malevich believed he could replace ______ with simple blocks: not so far-fetched considering the recent revolution and new government, culture, and world
artistic purity
What much of Modernism strives toward. Removing anything artificial to make a distilled version of art. Each artist’s specific version differs
Suprematist Painting (Eight Red Rectangles)
Another piece by Malevich, more complex than his Black Square
non-representational art
Art with no identifiable subject matter, not referencing anything beyond itself
internal, inward
Non-representational art is entirely ____ or ____ focusing, not representing anything more than itself
beyond, mirror
Non-representational art subverts the idea that art must always point ____ itself and hold up a ____ to what it is saying, reflecting a real thing from the real world
formal interest
Dada as a movement has very little ____ to it (focus on colors, shapes, expressing through colors and shapes)
outgrowth
Dada is an ____ or response to WWI
deeply
Artistic and intellectual communities were ____ impacted by the tragedies and political turmoil of WWI
phoenix
Metaphor for what many thought WWI would be prior to the conflict
European
WWI entirely upended ___ culture
under scrutiny
Traditional forms of culture, society, and politics came _____ (2 words) after WWI
reason/logic
Dada artists concluded that there was no ____ behind the war after searching, and that it was irrational
Switzerland
The country where Dada was born. Neutral during WWI and where many artists fled when the war began
randomly
The name “Dada” was chosen ____
“hobby horse” or “yes yes”
The two translations of Dada
nonsense
“Dada” is meant to be a ____ word
unclear
It is ____ which language dictionary Dada artists used to name themselves
frivolous, critique
Dada is not entirely ____; there is always an element of social/political ___ to it
irrationality
Dada sought to speak out against the _____ or the world through performances and artworks
radical, institutions
Although humorous, the Dada were a ____ questioning and the established _____ of art and politics
war
Dada answered the question of, “now following the ___, what art will you make?”
irrational
Dada’s conclusion: If art is meant to reflect society, and we know society to be ____ following this war, shouldn’t art be _____? (the same word in both blanks)
let us down
Inbuilt to Dada is this idea that traditional institutions of power in society have _____ (3 words), so we must question them, because something is wrong
Hugo Ball
One of the leaders of first wave Dada
Zurich Dada
Name for the first wave of Dada
Cabaret Voltaire
Where Hugo Ball performed his sound poem, Carlotta
Carlotta
Hugo Ball’s nonsense performance with a recitation of nonsense words. Pronunciation would differ based on speaker or day
chants, incantations
Carlotta recalled shamanistic practices, ___, and _____
audience
An important component to Carlotta - becomes part of the work at random. Part of the irrational spontaneity of the work
Collage Arranged According to the Laws of Chance
Zurich Dada piece by Jean Arp. Another example of spontaneity, where colored paper was dropped on another piece of paper and glued wherever they fell
artistic production
Arp’s spontaneous collage sought to remove the act of _____ (2 words) as much as possible from the artist
Marcel Duchamp
The big name in Dada and the one we most readily associate with the movement. Had some connections with Zurich Dada but launched into his own career following Armory Shows
Armory Shows
Series of very famous modern art shows, considered America’s first introduction to avant garde European art with all the big hitters, including Duchamp
Nude Descending a Staircase
Piece by Duchamp. Received unfavorable reviews. Intended to be a sly critique of Cubism and claimed he wanted such reactions
explosion in a shingle factory
One critic described Nude Descending a Staircase as an ________ (___ in a ___)
negative responses
Following ______ to his Nude Descending a Staircase, Duchamp switches to a form of art he called “readymades”
Readymade
According to Duchamp, an everyday object elevated to the status of art through the choice of the artist. Often “found objects” claimed to be chosen at random
Bicycle Wheel and Bottle Drying Rack
Two examples of objects Duchamp used in his Readymades. Found them outside and did little or nothing to them before putting them on display
found objects
Pieces that the artist did not have any part in making
revisit
Duchamp had the tendency to ____ his work, where he would return to some of his older themes and replace the original date on the objects with a more recent one
Fountain
Duchamp’s most famous work
Salon des Independents
Its organizers claimed they would accept anyone who paid a fee - very avant garde at the time - but nonetheless rejected Duchamp’s Fountain, proving they still clung to traditional ideas of what is art despite being avant garde modernists
“What makes something art?”
Duchamp is all about this question
art, artist
Duchamp exposes the truth that the only thing that qualifies something as ___ is an ____ claiming it to be so
assumptions
Although we rarely acknowledge it, art is bound by the same cultural and socioeconomic _____ as everything else
conceptual art
Duchamp’s exposure of what constitutes art will become essential for this movement. Ties right back to Duchamp and his works
conceptual gymnastics
Duchamp’s subject matter
French, New York
Duchamp’s Dada is sometimes referred to as the ___ Dada or the _____ Dada (it’s just Duchamp)
Berlin Dada
The third iteration of Dada
Berlin Dada
Much more explicitly political in its subject matter and goals
Heartfield
Berlin Dada artist who made works criticizing Hitler and the rise of the Nazi party in Germany
photo montage
Using layering and multiple exposures of different photographic images to create a disjointed, humorous result
Have no Fear, He’s a Vege-tarian
Piece by Heartfield criticizing Hitler and France’s ignorance of him and the Nazis based off the assumption that they won’t go after them
rooster
Animal traditionally associated with France, represents France in Heartfield’s photo montage
Hitler
The figure depicted sharpening a blade in Heartfield’s photo montage
Nazi, obsession
Once Nazis assumed complete control of Germany, Heartfield fled Berlin, as he had done a lot of works criticizing ___ ideas and ____ around Hitler
found images, political work
Heartfield uses Dada through this strange mash-up of ____ (2 words) to create a ______ (2 words)
Surrealism
A literary and artistic movement that grew out of the Dada movement in Paris
Litterature
The journal that wrote about and discussed Surrealism - where authors wrote down their thoughts and ideas
Andre Breton
Credited as one of the leaders of Surrealism
predictable, academic
Breton was connected with French Dada, but felt it had become too ____ and almost “_____,” so he called for a new source of inspiration
the irrational, unconscious mind
Breton’s new source of inspiration after parting with Dada
Sigmund Freud
The psychologist that the Surrealists take many of their ideas from
struggles
Freud proposed that the rational, conscious mind _____ against the irrational, unconscious mind - the hypothesis is the basis for Surrealist art
tap into
The primary goal of Surrealism was to ____ (2 words) the irrational, unconscious mind - their version of achieving artistic purity
automatism
Stream of consciousness
stream of consciousness
Getting a paper and writing until you began thinking about what you’re writing about. Has a Dadaist impulse: even if done irrationally, it can be art because I call it so
superior, dreams
Breton: “Surrealism is based on the belief in the ____ reality of certain forms or associations that are neglected, such as ____ and the disinterested play of thought”
Dreams
Played an enormous role in Surrealist art - the idea that they allowed you to tap into the irrational, unconscious mind was prominent
Salvador Dali
Readily associated with Surrealism, pioneered his paranoiac-critical method
paranoiac-critical method
When a sane person creates a visionary reality from their own visions/dreams and psychological/pathological distortions. Very much inspired Freud’s psychoanalysis. A sane person creating art as if they were insane