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Anthimeria
Using a different part of speech to act as another, such as a verb for a noun, or a noun for a verb
Aporia
Talking about not being able to talk about something
Apostrophe
A figure of speech in which a person not present or a personified abstraction is addressed; referring to death, Einstein would be proud
Catachresis
Completely impossible figure of speech, closely related to hyperbole and synaesthesia
Erotema
Asking a rhetorical question as a transition or thought-provoking tool
Euphemism
A substitution of less pungent words for harsh ones, resulting in an excellent ironic effect
Irony
The writer takes on another voice or role that states the opposite of what is expressed, as verbal, situational, dramatic, or socratic irony,
Meiosis
Understatement (opposite of exaggeration)
Metaphor
An implied comparison between two unlike things by identification or by the substitution of one for the other; when something is something else
Metonymy
Using a vaguely suggestive, physical object to embody a more general idea; the crown is royalty, pen is mightier than the sword
Onomatopoeia
Words that sound like what they mean
Oxymoron
Greek for pointedly foolish; figure of speech made of two apparently contradictory terms that express a startling paradox; using contradiction in a manner that oddly makes sense
Paradox
A statement which contains a basis of truth that reconciles the seeming opposites
Personification
Giving human qualities to inanimate objects
Prosopopeia
Powerful personification in which an inanimate object gains the ability to speak
Paronomasia (Puns)
Twisting the meaning of words, often to create a humorous effect
Simile
An explicit comparison between two unlike things signaled by the use of “like” or “as”
Synæsthesia
Mixing one type of sensory input with another in an impossible way, how a color sounds, how a smell looks
Synecdoche
Using a part of a physical object to represent the whole object (twenty eyes watching = 10 people)
Zeugma
Artfully using one verb with two or more different objects; If we don’t hang together, we shall hang separately
Syllepsis
zeugma that changes the original meaning of the verb
Alliosis
Presenting alternatives in a balanced manner Ex: You’re either with us or against us
Alliteration
Repetition of a sound in multiple words
Consonance
Repetition of consonant sounds
Assonance
Repetition of vowel sounds
Anaphora
Repetition of beginning clauses
Anadiplosis
Repeating the last word of a clause at the beginning of the next clause Ex: Talent is an adornment; an adornment is also a concealment
Anapodoton
Deliberately creating a sentence fragment by the omission of a clause Ex: When in Rome…
Anastrophe
Deliberate inversion of word order from what one expects
Antimetabole (Epanoados)
Repetition in reverse order, similar to chiasmus Ex: Fair is foul and foul is fair
Antithesis
Contrary ideas expressed in a balanced sentence; contrast of opposites (evil men fear authority, good men cherish it) or contrast of degree (one small step for a man, one giant leap for all mankind)
Aposiopesis
Breaking off as if unable to continue Ex: “The fire surrounds them while - I cannot go on.”
Appositive
The placing next to a noun another noun or phrase that explains it Ex: John, my brother, is coming home.
Asyndeton
Using no conjunctions to create an effect of speed or simplicity
Chiasmus
Placing crosswise, two balanced parts that have their elements reversed; taking parallelism and turning inside out creating a “crisscross” pattern Ex: Naked I rose from the earth; to the grave I fall clothed
Climax (Auxesis and Crescendo)
Arrangement in order of increasing importance Ex: Let a man acknowledge his obligations to himself, his family, his country, and his God
Ellipsis
Omitting a word implied by the previous clause Ex: The European soldiers killed six of the remaining villagers, the American soldiers, eight
Enallage
Intentionally misusing grammar to characterize a speaker or to create a memorable phrase Ex: We was robbed!
Epanalepsis
Repeating a word from the beginning of a clause at the end of the same clause
Epenthesis (infixation)
Adding an extra syllable or letters in the middle of a word Ex: visitating, Gosh-diddly-darn it
Epistrophe
Repetition of a concluding word Ex: He’s learning fast; are you earning fast?
Metaplasmus
Misspelling a word to create rhetorical effect such as dialect, gender, importance, time Ex: dawg, princeling, toadette, hermenator
Parallelism
Writer establishes similar patterns of grammatical structure and length can come in isocolon and tricolon; law clear, precise, and equitable vs clear laws that had precision and were equitable
Isocolon Parallelism
2 parallel structures - The bigger they are, the harder they fall
Tricolon Parallelism
3 parallel structures - The government of the people, by the people, and for the people
Polysyndeton
Using many conjunctions to achieve an overwhelming effect; and and and and and
Prosthesis
Adding an extra syllable or letters to the beginning of a word, creating a poetic effect to turn a run-of-the-mill word into something novel Ex: beweep, afrightened
Symploce
Repeating words at both the beginning and the end of a phrase; Are they Hebrews? So am I. Are they Israelites? So am I. Are they… So am I.
Tmesis
Intentionally breaking a word into two parts for emphasis. Ex: I have but two words to say to your request: Im Possible.
Zeugma
Using a verb on two different nouns in the same sentence where one makes sense and the other makes sense in the context of the first
Loose sentences
S-V-C pattern, ends with a dependent sentence element. Independent clause, followed by dependent clause(s)
Periodic sentences
Builds suspense to gain emphasis for the main idea, if the main idea is postponed until the last part of the sentence and modifying elements are built up in the first part, real suspense can be achieved on the reader. Independent clause at the end, after one or more side point dependent clauses led up to the main point independent clause.
Situational Irony
Outcome of a situation differs greatly from what one would expect to happen. Ex: Fire station burns down
Verbal Irony
Literal meaning of a statement is different from the intended meaning - sarcasm, understatement, and overstatement
Dramatic Irony
When audience is aware of a situation, but characters are not
Socratic Irony
feigned ignorance designed to get someone to admit guilt, point out fallacies in an argument, or make someone look stupid