Hamlet critics and interpretations REVISION

studied byStudied by 2 people
5.0(1)
Get a hint
Hint

AJ Waldock

1 / 40

41 Terms

1

AJ Waldock

“‘Hamlet’ is a palimpsest of ‘Amleth’”

New cards
2

Hester Glass

‘Hamlet’ is not primarily a revenge tragedy but an early psycho-analytic study.”

New cards
3

Sean McEvoy

Claudius has a “measured rationality”

New cards
4

Olivias

Like a “master commanding his dog”.

New cards
5

Lee Edwards

we can imagine Hamlet’s story without Ophelia, but without Hamlet Ophelia literally has no story.”

New cards
6

Sean Mathias 2024

After Polonius’ death, Ophelia comes on wearing his clothes. Reflects that Ophelia’s identity is made up of the men around her.

New cards
7

Elaine Showalter (Ophelia)

“Ophelia is an insignificant and minor character.”

New cards
8

Minnie Hampton

Ophelia’s descent into madness is inevitable.”

New cards
9

G Wilson Knight (ghost)

Hamlet is a “super-human” as he has conversed with death.

New cards
10

Knox

“All characters have a hamartia”

New cards
11

Stoll

Hamlet is a revenge tragedy because Hamlet does fulfil his revenge. He is just thoughtful.

New cards
12

Stephen Greenblatt

“the Ghost in Hamlet represents a common fear among the living of being completely forgotten after death.”

New cards
13

Alexander

The desire for revenge is seen as part of a continuing pattern of human conduct.”

New cards
14

G Wilson Knight (death)

Hamlet is “the ambassador of death”

New cards
15

G Wilson Knight (play)

“the theme of ‘Hamlet’ is death”

New cards
16

Rob Worrell

“Shakespeare makes no attempt to present his character’ anguish as being repugnant.”

New cards
17

Amy License

“It is the fear of the ‘unknown’ country from which no traveller returns, rather than any religious prohibition, which deters Hamler from his own thoughts of “self-murder”.”

New cards
18

Brian Gibbons

“it was the honour code […] that held extra marital sex, to be cleansed by death”.

New cards
19

Swinburne

“The single characteristic of Hamlet’s innermost nature is by no means irresolution or hesitation… but rather the strong conflux of contending forces.”

New cards
20

Rebecca Smith (virtues)

“female virtue is identical with chastity.”

New cards
21

Elaine Showalter (misogyny)

“Hamlet’s disgust at the feminine passivity in himself is translated into violent revulsion against women.”

New cards
22

Tassi

Gertrude’s self-sacrifice  is an “extraordinary act that gave Hamlet motive and cue to kill the King.”

New cards
23

Adelman

“as an avenger, Hamlet seems more motivated by his mother than father.”

New cards
24

Wofford

“Gertrude’s betrayal of her [first] husband is what caused Hamlet’s anxiety.

New cards
25

Rebecca Smith (Polonius)

“Polonius seems to love his children. He seems to have the welfare of the country in mind. His means of action, however, are totally corrupt.”

New cards
26

Myron Taylor

“foolish and ineffectual”

New cards
27

Branagh 1996 (Polonius)

Crafty - has a secret door in his bedroom which Reynaldo escapes out of.

Has a mistress on his bed - not a weak, foolish old man!

New cards
28

Branagh 1996 (Claudius, Rosencrantz + Guildenstern)

This scene is set in Claudius’ bedroom - emphasises the sexual behaviour in the court.

Makes the audience focus on their married life, just like Hamlet does.

New cards
29

Zeffirelli 1990 (Hamlet and Gertrude)

Leans heavily into the Freudian interpretation.

Gertrude kisses Hamlet on the lips at the start - the actress is also very young and attractive.

Hamlet sexually harasses his mother when confronting her about her hasty marriage.

New cards
30

Branagh 1996 (costumes)

Hamlet wears all black - melancholy, depressed.

New cards
31

Branagh 1996 (madness)

She wears a straight jacket and is locked in a padded room.

New cards
32

Zeffirelli 1990 (clothes)

She is always in white with perfect plaits which reflects the patriarchal times.

White emphasises the expectations of purity, chastity and virtue.

New cards
33

Johnson

Hamlet is an instrument rather than an agent

New cards
34

Bacon

Revenge is a kind of wild justice

New cards
35

Goddard

The ghost is the spirit of war and symbol of the devil

New cards
36

Prosser

Laertes is a “hurricane”

New cards
37

Rebecca Smith (Claudius and Gertrude)

Although he clearly loves her - Claudius shares Hamlet’s conception of Gertrude as an object.

New cards
38

Atlick

The cunning and lecherousness of Claudius’ evil has corrupted the whole kingdom of Denmark.

New cards
39

G Wilson Knight (Claudius)

Claudius is a “good and gentle king”

New cards
40

Dawson

Hamlet is the only protagonist in any Elizabethan revenge play who can be considered a hero, aware of the moral implications.

New cards
41

Olivier 1948 (Opening)

Opening speech: This is a tragedy of a man who could not make up his mind

New cards

Explore top notes

note Note
studied byStudied by 14 people
... ago
5.0(1)
note Note
studied byStudied by 16 people
... ago
5.0(1)
note Note
studied byStudied by 30 people
... ago
5.0(1)
note Note
studied byStudied by 29 people
... ago
5.0(1)
note Note
studied byStudied by 10 people
... ago
5.0(1)
note Note
studied byStudied by 44 people
... ago
5.0(3)
note Note
studied byStudied by 7 people
... ago
5.0(1)

Explore top flashcards

flashcards Flashcard (245)
studied byStudied by 9 people
... ago
5.0(1)
flashcards Flashcard (32)
studied byStudied by 3 people
... ago
5.0(1)
flashcards Flashcard (75)
studied byStudied by 2 people
... ago
5.0(1)
flashcards Flashcard (71)
studied byStudied by 32 people
... ago
5.0(1)
flashcards Flashcard (26)
studied byStudied by 7 people
... ago
5.0(1)
flashcards Flashcard (36)
studied byStudied by 75 people
... ago
5.0(1)
flashcards Flashcard (36)
studied byStudied by 26 people
... ago
5.0(1)
flashcards Flashcard (141)
studied byStudied by 38 people
... ago
5.0(1)
robot