GRAPES & GATSBY CRITICS

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Melvyn Bragg: Communism

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36 Terms

1

Melvyn Bragg: Communism

Steinbeck accused of being a ‘vicious red’

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2

Melvyn Bragg: Route 66

‘The migrant road … a biblical exodus’

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3

Melvyn Bragg: Jobs

‘142 workers for every 100 jobs’

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4

Melvyn Bragg: The Battle of Salinas

16th September 1936. Communists vs facists. Prompted Steinbeck to write ‘in dubious battle’

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5

Melvyn Bragg: Steinbeck’s intentions

‘I am trying to write history’ ‘This book has a job to do, to point the finger at the greedy bastards responsible’

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6

Melvyn Bragg: Reaction to Grapes

‘The bestselling book of 1939 was widely burned’

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7

Jay McInerney: This Side of Paradise

‘A book about flappers, written for philosophers’

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8

Jay McInerney: Zelda quote

In 1921, Zelda said ‘I hope it’s (her daughter) a beautiful little fool’ which Daisy says in Gatsby

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9

Jay McInerney: The American Dream

‘Anyone can reinvent themselves but the American Dream is always out of reach’

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10

Jay McInerney: Gatsby as a whole

‘A novel of illusions’

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11

Jay McInerney: Interviews of Fitzgerald

‘Interviewers often struggled to tell him apart from the characters which he wrote about’

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12

F Scott Fitzgerald: Gatbsy

‘Not a great man, but talent has a certain grandeur’

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13

Andrew Blades: Individualism

‘Individualism was implied in skyscraper. The individual triumphed over the collective’

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14

Andrew Blades: Steinbeck

A ‘muckraking journalist and novelist’

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15

Andrew Blades: Gatsby and the past

Fitzgerald preoccupied with ‘the protagonist’s determination to turn back the clock’

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16

Andrew Blades: Veblen

‘Gatbsy is a textbook example of Veblen’s theories of conspicuous consumption’

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17

Andrew Blades: Greatness

‘Gatsby’s greatness is in many ways ironic, even empty’

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18

Andrew Blades: Escape

‘The Grapes of Wrath is partly a novel about escape’

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19

Andrew Blades: Realism

‘Steinbeck achieved an almost savage realism’

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20

Andrew Blades: Individualism

‘The novel picks apart the wilful optimism of the pioneer and questions the limits of individualism’

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21

Andrew Blades: The ending of Grapes

‘The novel’s final scene, Rose of Sharon suckling a starving man, is a biblical image of renewal’

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22

Malcolm Bradbury: 1920s America

‘An age of Puritanism and prohibition but also of psychoanalysis and flappers, jazz and music’

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23

Malcolm Bradbury: Fitzgerald’s education

‘Going to Princeton in 1913, he was allured by the world of wealth and privileged promise’

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24

Malcolm Bradbury: Fitzgerald and the Depression

‘The depression of 1929 becomes the crisis of his generation’

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25

Malcolm Bradbury: The artist and the symbol

‘Gatbsy is also a portrait of the artist chasing a symbol with his creative passion’

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26

Malcolm Bradbury: Naturalism

‘The social concerns of the 1930s lead other American writers back towards naturalism and it’s concern with social determination’

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27

Malcolm Bradbury: American aspiration

Steinbeck reminds us that ‘transcendental American aspiration did not die in the depression ’.

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28

Richard Gray: The American Dream

‘Gatsby’s dream is the American dream, a story about the reinvention of the self’

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29

Richard Gray: The Buchanans

‘The Buchanans are morally responsible too’ for Gatsby’s death’

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30

Richard Gray: Self-help manual

Gatsby’s self-help manual ‘a parody of Benjamin Franklin’s and all those other self-help manuals which have thrived in American literature ever since’.

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31

Richard Gray: Eden

Gatsby believed in ‘an ideal of Edenic innocence’

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32

Richard Gray: Nick Carraway

‘Nick replicates, in his telling of the tale, what fundamentally Gatsby is doing in the tale being told’

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33

Richard Gray: Steinbeck’s American Dream

‘The betrayal of the American Dream may be what gives the novel its quality of barely controlled rage.’

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34

Richard Gray: An ideal America

Steinbeck ‘outlines not only what America is but what it might be’

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35

Richard Gray: Change

Grapes is ‘A work founded on the conviction that things should and could change’

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36

Professor Susan Shillinglaw

Where Fitzgerald ‘wrote about money and people’s fascination with money’ and materials, ‘Steinbeck got it right in his depiction of those who have to work for a living’

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