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Henry IV
King of France that recognized Roman Catholicism as the state church but allowed for political freedom for Protestants and undertook agricultural projects to revive economy

Site/ Location
Place Royale
Paris, France

Site/ Location/ Architect
East Façade, Louvre Palace
Paris, France
Louis Le vau, Charles Le Brun, Claude Perrault
Claude Perrault
Physician and amateur architect who was a major figure in French Rationalism
helped design eastern facade of the Louvre
hôtel particulier
A French town-house, usually having a court towards the street enclosed by a wall and then the main building with a garden at the back.

Site/ Location/ Architect
Vaux- le- Vicomte
Maincy, France
Louis Le Vau, Jules Hardouin- Mansart, Charles Le Brun, Andre Le Notre
parterre
An ornamental flower garden laid out in geometrical or botanical designs
André le Nôtre
French landscape architect

Site/ Location/ Architect
Versailles
Versailles, France
Louis Le Vau, Jules Hardouin- Mansart, Charles Le Brun, Andre Le Notre
Louis XIV (1638–1715)
King of France residing in Versailles and symbol of absolute monarchy

Site/ Location
Cathedral of Saint Basil the Blessed
Moscow, Russia
Peter the Great
tsar of Russia who was later proclaimed emperor with the aim of taking over developed countries of Western Europe in order to bolster the national economy and ensure access to the seas

Site/Location
Saint Petersburg
Saint Petersburg, Russia
Thirty Years’ War
A series of wars fought by various nations for various reasons, including religious, dynastic, territorial, and commercial rivalries. Its destructive campaigns and battles occurred over most of Europe; led to creation of Europe as a community of sovereign states

Site/ Location/ Architect
Wurzburg Residence
Wurzburg, Germany
Johann Balthasar Neumann
Rococo
Style in interior design, the decorative arts, painting, architecture, and sculpture that originated in Paris in the early 18th century but was soon adopted throughout France and later in other countries, principally Germany and Austria
Pastels, Gold, White, use of mirrors to create a more open space

Image+ Image Description (Importance to Architecture)
Image: East Facade, Louvre Palace, Paris, France
Importance to Architecture:
symbolizes the extension of Roman architecture representing the power of the French state
balanced tradition with innovation as they performed in the practice of keeping certain common features, while introducing new ones
features a long row of paired Corinthian columns
double columns with a narrow space between setting a new standard for palace architecture

Image+ Image Description (Importance to Architecture)
Image: Palace of Versailles, Plan
Importance to Architecture:
magnificent gardens that allow water t flow through the estate.
Grand Trianon found above, served as a personal retreat for one of the French king’s wives
sign of newcoming opportunities as the Town was the surrounding area of the palace where people were encouraged to build
sign of wealth and power probably

Image+ Image Description (Importance to Architecture)
Image: Saint Petersburg
Importance to Architecture:
Founded by Peter the Great to replace Moscow as the capital of the Russian state
attempts to create a gridded plan are shown, but he was unable to finish due to the rapid developments occurring in the south.
contained the first two structures to be made of stone, church of St. Peter and St. Paul.

identify images and COMPARE AND CONTRAST
Ali Qapu Palace vs Pavillion du Roi
Both: served as residences for rulers, utilize a central facade and two shorter ones on each side
Ali Qapu Palace:
designed as an entrance portal (Seljuk influence) to the royal complex
also functioned as a gathering space and allowed rulers the ability to watch from above
Pavilion du Roi
appears to be welcoming with the extensive use of windows and the three entrances, but it still entails a sort of privacy

identify images and COMPARE AND CONTRAST
Cornaro Chapel vs Hall of Mirrors, Chateau de Versailles
Both: have detailed sculptural works
Cornaro Chapel:
High Roman Baroque art
allowed Bernini to display his knowledge and craftsmanship in both architecture and sculpture
sed lighting to create a theatrical show
main focal point was the Ecstasy of Saint Teresa
Hall of Mirrors, Chateau de Versailles
mirrors and windows contrast
designed to display the power and artistic success of France
served as a gathering place for games, balls, and receptions

Image+ Image description (Importance to Architectural History)
Image: Piazza del Campidoglio
Importance to Architectural History:
Designed by Michelangelo post counter- reformation
Geometrically styled plaza
4 openings from the sides that lead directly toward the focal point
Oval with a statue at the center
5 total entrances
traditional courtyard, 4 faces; 3 with buildings and 4th face with the main entrance
the 3 buildings are historical relics that showcase prior time periods
built on an elevation

Image+ Image description (Importance to Architectural History)
Image: San Carlo alle Quattro Fontane by Borromini
Importance to Architectural History:
Facade of the renaissance: detachable and placed over the buildings interiors
HOWEVER, strays away from the renaissance’s strict geometry
introduces concave and convex curves that vissually expand the tight space Bromonni had to work with
Baroque style of architecture

Image+ Image description (Importance to Architectural History)
Image: Plan, Il Gesu
Importance to architecture:
simplified plan with no narthex, a single nave without aisles, and transepts that are abridged
central axis is emphasized by framed niches, as well as by the attached columns to the right and left of the door
first Jesuit church in Rome

Image+ Image description (Importance to Architectural History)
Image: Plan, St. Peters Square
Importance to architecture:
Designed by Bernini
interlinked two piazzas
trapezoidal piazza in front of the church
great oval piazza opposite the façade in order to accentuate the Basilicas height
perceived to be circular due to the vastness of the space
obelisk in the center reinforced that feeling of a circular space
circular feeling was also emphasized by the colonnades, consisted of two rows of column pairs designed to flare out from the center

Name the sites and COMPARE AND CONTRAST
Interior of the Pazzi Chapel and Interior of San Carlo alle Quattro Fontane
Pazzi Chapel: designed by Brunelleschi, represents the strict geometric standards of the renaissance
dark columns that emphasize the structural rigidity of the space
Santra Carlo alle Quattro Fontane: designed by Borromini and is more representative of Baroque architecture
pillasters that are more dynamic instead of being flat against the walland being rigid
columns alternately screen and shape the central oval space
The Protestant Reformation
challenge to the spiritual and political power of the Church in Rome

Site/ Location/ Architect
Piazza del Campidoglio
Rome, Italy
Michelangelo and Buonarotti
The Sack of Rome, 1527
German and Spanish soldiers under Holy roman emperor plunders Rome,
marks end of High Renaissance
The Counter-Reformation
Chrurch’s response to Martin Luther King and the protestant reformation

Site/ Location/ Architect
Il Gesu
Rome, Italy,
Giacomo Barozzi da Vignola
Baroque
Architectural style that is theatrical and exuberant, it employed convex‒concave flowing curves in plan, elevation, and section, optical illusions, complicated geometries and relationships between volumes of different shapes and sizes, emphatic overstatement, daring color, exaggerated modeling, and much architectural and symbolic rhetoric

Site/ Location/ Architect
Palazzo Barbrini
Rome, Italy
Carlo Maderno
enfilade
Baroque alignment of all the doorways (usually sited near the window-walls) in a series or suite of rooms so as to create a vista when the doors were open, as in a palace. It avoided corridors
Gian Lorenzo Bernini
Sculptor turned architect at the encouragement of Pope Urban VIII

Site/ Location/ Architect
Cornaro Chapel
Rome, Italy
Bernini

Site/ Location/ Architect
Sant’ Andrea al Quirinale
Rome, Italy
Bernini
Francesco Borromini
sculptor turned architect

Site/ Location/ Architect
San Carlo alle Quattro Fontane
Rome, Italy
Borromini

Site/ Location/ Architect
Saint Peters square
Rome, Italy
Bernini
feudalism
dominant social system in medieval Europe, in which the nobility held lands from the Crown in exchange for military service, and vassals were in turn tenants of the nobles, while the peasants (villeins or serfs) were obliged to live on their lord's land and give him homage, labor, and a share of the produce, notionally in exchange for military protection
encomiendas
Spanish colonial labor system where the Crown granted conquistadors authority over indigenous populations, allowing them to demand tribute and forced labor in mining or agriculture in exchange for protection and Christian conversion

Site/ Location
San Augustin de Acolman
Acolman, Mexico
atrio
a large open court, walled along the edges, that used the façade of the church as a backdrop
capilla abierta
outdoor chapel to conduct Mass at the west end
Plateresque
Intricate, highly decorative style of early 16th-century Spanish architecture, resembling fine silversmith’s work, extravagantly applied to the walls of late-Gothic buildings and generally unrelated to any expression of construction


Site/ Location
San Esteban del Rey
Acoma Puebla, New Mexico

Site/ Location
San Lorenzo de El Escorial
Madrid, Spain

Site/ Location
Church of Santa Prisca
Taxco, Mexico
retablo-facade
Alterpeice facades often divided into multiple levels with columns that framed sculptures and paintings
Churrigueresque
A heavy and rather awkward form of ornament applied mainly to altars, but sometimes to façades, and named after the de Churriguera family of Spanish architects


Site/ Location
Tower of Belem
Lisbon, Portugal

Site/ Location
Church of Sao Francisco de Asis
Ouro Preto, Brazil

Image+ Image description (Importance to architecture)
Image: San Agustin de Acolman, Acolman, Mexico
Importance to Architecture:
Spanish Missionary Monastery
Defensive posture of the church
Features unseen to traditional Christian Architecture:
Open chapel next to entrance, little balcony structure facing courtyard
Facade: new characteristic architecture associated with earl architecture in spain : Plasteresque, resembling silverwork, style usually tied to universities
symbol of indigenous population= melding of two cultures

Image+ Image description (Importance to architecture)
Image: Church of Santa Prisca, Taxco, Mexico
Importance to Architecture:
intricate and detailed ornamentation using the churrigueresque style
practice of the retablo-facade, which was the division of a structure into multiple levels with columns framing the sculptures and paintings displayed
most important examples of the Baroque style moving into the Americas
features two slender towers, a tiled dome and a carved pink stone

Image+ Image description (Importance to architecture)
Image: Plan, El Escorial, Spain
Importance to Architecture:
constructed in the shape of a rectangle that represents the grill where Saint Lawrence was martyred
combined a place, a monastery, church and school in one
efficiently organized the different rooms within the structure with the basilica at the center, the monastery on the north side, the royal palace on the south and east sides, and the pantheons underground used as a burial chamber for Spanish monarchs

name the sites and COMPARE AND CONTRAST
University of Salamanca representing Plateresque architecture vs El Escorial representing Christian Classicism
University of Salamanca:
blends gothic and renaissance elements and includes detailed ornamentation typical of Plateresque architecture
El Escorial
block-like design; emphasizes balance, order, clarity as there is more symmetry, same orders, and spatial arrangements
focuses more on the internal space for unity rather than surface ornamentation

Image+ Image Description (Importance to Architectural History)
Site: Taj Mahal
Importance to Architectural History:
Funerary architecture dedicated to emperor Shah Jahan’s deceased wife that exemplifies cultural synthesis through its use of Iranian, Central Asian, and local architectural techniques and materials
Marble used throughout structure that provides different degrees of lighting depending on time of day due to how the light interacts with the marble
Artificially elevated dome by placing a drum at the base so that the dome isn’t obstructed when viewed from the human scale

Image+ Image Description (Importance to Architectural History)
Image: Plan, Topkapi Palace, Istanbul, Turkey
Importance to Architectural History:
Designed to be imposing and instill a sense of fear and reflect the Sultan’s power
Creates varying degrees of access to the Sultan through the use of gates (label gates)
Example of Gate: Gate of Felicity, which allowed access to the most secret and also the most policed courtyard.
Implemented several courtyards; outdoors taken equally into consideration as the indoors when designing
Islamic architectural elements such as domes

Image+ Image Description (Importance to Architectural History)
Image: Plan, Süleymaniye Mosque complex, Istanbul,Turkey
Importance to Architectural History:
Acts as the anchor for a series of institutions that benefit the community, such as hospitals and madrasas, as seen in plan (point out madrasas and hospital)
modular approach to the architecture, as seen in plan (point out boxiness)
Features typical of Islamic architecture: domes and a white and red alternating pattern (geometric designs of islamic architecture)
Differs from islamic architecture: domes held up by pendentives, sunlight is present throughput the whole space due to the windows being on the side walls and the galleries being pushed back

Image+ Image Description (Importance to Architectural History)
Image: New Maidan Square
Importance to Architectural History:
symbolic center o the Safavid Dynast
designed with two stories of shops around its perimeter
long, modular elements were broken up by the monumental entrances

Name the sites ad COMPARE AND CONTRAST
Interior view of the Hagia Sophia vs Interior view of the Suleymaniye Mosque
Similarities:
Domes typical of Islamic architecture but being held up by pendentives
Islamic calligraphy present throughout the space
“necklace of light” = ring of light exists on the top of both, lightening the space both in terms of light and weight
Differences:
Use of light:
Hagia Sophia uses light more sparsely to create a darker, heavier atmosphere
Suleymaniye mosque: light is pervasive and creates a lighter atmosphere with more clarity
The Ottomans
Turkish tribe that conquered and ended th Byzantine empire

Site/ Location
Topkapi Palace, Istanbul, Turkey
Suleiman I
Sultan of the Ottoman empire that aimed to turn Constantinople the center of Islamic civilization, partly through a series of building projects
Mimar Sinan
Architect of sultan Suleiman who essentially created the landscape of Constantinople, main stylistic feature being the fusion of Seljuk features with emphasis on portals, Anatolian stone mastery and Byzantine structural logic of domes

Site/ Location/ Architect
Suleymaniye Mosque, Istanbul, Turkey, Mimar Sinan
The Safavids
Shi’a dynastic family that ruled over Iran

Site/ Location
New Maidan, Isfahan, Iran

Site/ Location
Masjid- i- Shah Mosque, Isfahan, Iran
The Mughal Empire
Established when people from present day afghanistan took control of the region from the Delhi sultanate
Architecture peaked under Akbar and Shah Jahan
Akbar
extended Mughal power over the Indian subcontinent and supported programs that strengthened culture and also favored non- Muslim population

Site/ Location
Fatehpur Sikri, Agra, India
jali
perforated stone or latticed screen usually with an ornamental pattern constructed through the use of calligraphy, geometry, or natural patterns.
chhatri (chattri)
semi-open, elevated pavilions

Site/ Location
Taj Mahal, Agra, India
chār-bāgh
enclosed garden subdivided into four parts by canals and paths