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themes of: ambition, heroic, weak, guilty, deception, supernatural, natural order, tyranny, downfall (ending)
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Brave, Valour (heroic)
Brave Macbeth, Like Valourās minion 1.2 Captains report
The Epithet āBrave Macbethā is the first description of Macbeth in the play and so starts him off with a heroic first impression
simile ālike valourās minionā conveys Macbeth as committed and courageous
noun āminionā presents Macbeth as an obedient soldier, which is quite ironic as he ends up killing the king
Lion (heroic)
Lion 1.2 Captains report
symbol/connotations of: bravery, strength and royalty
dominant characters of their environment
lions = predator ā power against enemies
Smoked (heroic)
(macbethās sword) Smoked with bloody execution 1.2 Captains report
shows off Macbeths skill on the battlefield, could possibly be foreshadowing his future violence/mercilessness
at the start of the play he is unafraid of blood unlike in Act 2, where he tries desperately to clean his hands from blood. Right now he is merciless and feels no guilt for simple battle murder, but with regicide he feels immense guilt. Shakespeare could be using this contrast in guilt to help show Jacobean society how different and immoral regicide is from simple murder
seated heart (weak - fear)
make my seated heart knock at my ribs 1.3 thinking about killing the King
"knock at my ribs" vividly portrays the violent, unsettling sensation of his heart feels, just thinking about killing the King, itās against his good moral nature
used to convey the horror and unease that Macbeth feels as he contemplates the possibility of murder to fulfill his ambition
Milk (weak - feminine)
too full oāer the milk of human kindness 1.5 Lady Macbeth reads Macbethās letter
Lady Macbeth uses this metaphor to describe Macbeth as too full of human kindness, this gives us the impression that Macbeth had a solid moral compass at the start of the play, he wouldnāt do something as ill moral as regicide. He currently doesnāt have the motivation to kill Duncan
āmilkā connotes purity and innocence, which is quite strange to describe a masculine man. Perhaps Shakespeare challenges gender stereotypes of Jacobean England to explore menās weaknesses and how there are different types of strength than just physical
this contrasts with him later being full of āscorpionsā
Coward (weak - fear)
Coward 1.7 Lady Macbeth convincing Macbeth
Lady Macbeth challenges Macbethās masculinity in order to convince him, she knows that his manhood is one of his weaknesses as he constantly tries to prove himself
In his domestic relationship with Lady Macbeth, he appears quite submissive towards
This presentation of Macbeth greatly contrasts the āBrave Macbethā from before
Lady Macbeth questions Macbethās strong masculine character previously presented in the beginning to try convince him
Green and Pale (weak - feminine)
Green and Pale 1.7 Lady Macbeth convincing Macbeth
green connotes fear, Lady Macbeth is trying to imply that Macbeth is just too scared to kill Duncan
pale connotes sickness, Lady Macbeth is trying to imply that Macbeth isnāt brave enough to kill Duncan
It would have been seen as feminine to be afraid of violence, and so with this perhaps Lady Macbeth is trying to emasculate Macbeth
?ā cat (weak - fear)
lion ā poor cat 1.7 Lady Macbeth convincing Macbeth
poor cat shows how submissive Macbeth is to Lady Macbeth
This really contrasts with him being described as a ālionā from before, cats are domestic lions, this reflects the change in our impression of Macbeth
lions are viewed as brave, while cats are easily scared āscaredy catā
man (weak - feminine)
I dare do all that may become a man 1.7 Lady Macbeth convincing Macbeth
shows us that Macbeth is desperate to become undoubtedly a man, but his toxic understanding of manhood helps convince him to commit regicide
āallā, shows he is willing to do absolutely everything to appear strong and manly
Shakespeare could be using Macbethās drive to be masculine to criticise the violent stereotypes and toxic masculinity of Jacobean England
Stay .. tell me ? (ambition)
Stay⦠tell me more 1.3 Macbeth & Banquo meets the witches
imperative verb āstayā displays Macbeth as authoritative but also eager to hear more, heās almost ordering the witches around, trying to collaborate with them. His fear and weariness is discarded because of his ambition
ātell me moreā, shows how heās intrigued by the witches and the news they bring, he doesnāt appear skeptical but automatically believes them unlike Banquo. Probably because theyāre feeding his ambitions
Shakespeare presents Macbethās ambition early on in the play to show how it grows throughout and becomes his downfall
happy prologues (ambition)
as happy prologues to the swelling act of the imperial theme
1.3 Macbeth & Banquo meets the witches
theatre imagery could be used to show how Macbeth desires and excitement to be centre stage, he wants all the power and glory that he thinks comes with being King
Perhaps theatre imagery could also imply that Macbethās dreams are unrealistic
āswelling actā could be seen as mirroring his growing ambition. Heās already imagining himself becoming King in the close future
āswellingā connote spreading of disease, perhaps reflecting how Macbethās ambition is leading him to his demise
Stars (ambition)
Stars hide your fires 1.4 Duncan declares Malcolm as next King
Macbeth telling the stars to stop shining could be foreshadowing his controlling Kingship, heās trying to disrupt the natural order of things
verb āhideā displays how Macbeth is becoming more secretive now, if the stars stop shining then the night will be even darker then normal. This allows Macbeth to be sly and act without anyone seeing. Heās hiding from God and starting to roam in the dark abyss
Desires (ambition)
Let not light see my black and deep desires 1.4 Duncan declares Malcolm as next King
ālightā could be referring the God, and that he wants to distance himself from God so he canāt witness his great sins of regicide.
āblackā connotes evil, corruption and connects with witchcraft and the supernatural
adjective ādeepā could be portraying his desires as rooted within him and how heās capable of such sinful things like regicide but also reflect how far his morality is falling, itās getting further away from the light of God.
Vaulting (ambition)
Vaulting ambition, oāerleaps itself, fall on thāother 1.7 Macbeth decides not to kill Duncan
Shakespeare uses this imagery of a horse vaulting to demonstrate the dangers of his ambition. When he goes to far (regicide), he will end up destroying himself. Ā
Shakespeare includes Macbeths ambition to present him as a tragic hero with this tragic flaw/hamartia, and showing how it will end up being his downfall. It also shows the consequences of committing regicide, as King James I was nearly assassinated in the 1605 gunpowder plot, Shakespeare is helping demonstrate how sinful it is to kill the king through Macbethās downfall.
Neptuneās ocean (guilt)
Will all great Neptuneās ocean wash this blood clean from my hand?
2.2 Macbeth meets Lady Macbeth after killing Duncan
āall great Neptuneās oceanā, Shakespeare uses the magnitude of the ocean to help portray the extent of Macbethās guilt
Water is used in christianity to cleanse people from sin, but Macbeth is unable to cleanse himself because of the magnitude of his crime, heās beyond salvation. Shakespeare does this to show that Macbeth has no hope of redemption.
The reference of āNeptuneā roman god of the sea, instead of God could be showing how Macbeth is now leaning towards paganism and witchcraft
Murder sleep (guilt)
Macbeth does murder sleep, the innocent sleep 2.2 Macbeth meets Lady Macbeth after killing Duncan
This could be viewed as Macbeth murdering the sleeping Duncan or it may be that heās murdered/lost his own sense of peace. After this incident heās never going to be at ease or peaceful. This serves as part of his punishment for committing regicide.
Sleep (guilt)
Macbeth shall sleep no more 2.2 Macbeth meets Lady Macbeth after killing Duncan
Macbethās mind is too overwhelmed with guilt and fear that heās never going to be able to sleep. He is now in constant turmoil
It could possibly be that heās now going to be more involved in the night and dark
āAmenā (guilt)
āAmenā Stuck in my throat 2.2 Macbeth meets Lady Macbeth after killing Duncan
Macbeth repeatedly trying to say āAmenā reflects his desperation in seeking forgiveness from God, but now that he canāt, his connection from God seems to have been severed
Macbeth is now damned to hell and rejected by God after going against God and the Divine Right of Kings
Imagery of it stuck in his throat, shows how suffocating and painful it feels to suffer without the support of God
innocent flower (deception)
Look like the innocent flower but be the serpent under it 1.5 Lady Macbeth suggests they kill Duncan
simile ālike the innocent flowerā presents Macbeth as deceptive, as he conceals his true nature and becomes growingly duplicitous
the imagery of a flower and serpent could reflect the commemorative medal James I had made after the gunpowder plot which also includes flowers and a serpent. Shakespeare could do this to reflect the duplicitous nature of the people attempting to assassinate King James I
false (deception)
false face must hide what the false heart must know 1.7 Lady Macbeth convinces Macbeth to kill Duncan
āfalseā and āhideā shows how Macbeth is now duplicitous and becoming deceiving, like the devil. Macbeth plans to disrupt the great chain of being just because of his desire to be King, only for personal gain
Unlike Macbeth at the start of the play - who was fighting against a traitor for his country, he is now going against his country by committing treason in order to gain more power
the difference between his heart and face shows the difference between Macbethās appearance and the reality of his character
vizards (deception)
make our faces vizards to our hearts, disguising what they are 3.2 Macbeth fears threats
vizards are black masks, with this they are hiding/concealing peoples faces and intentions. With this quote Macbeth is showing his growing deception and secrecy
āDisguising what they areā could be implying that his heart is no longer good but now full of darkness and corruption, hiding away the ugly truth of what heās become
fruitless (natural order)
āFruitless crownā ābarren sceptreā 3.1 Macbeth fears Banquo
āFruitlessā is the opposite of fruitful, which is associated with God and how he asked people to reproduce. This could reflect how his crown feels less because he canāt pass it down to his lineage.
ābarrenā reflects Macbethās hollow feelings, even after becoming King he still feels unfulfilled, heās still hungry for more power. He now desires eternal power
fate (natural order)
come fate into the list 3.1 Macbeth fears Banquo
this quote highly contrasts to 1.3 āwithout my stirā, where Macbeth decides not to challenge fate, while now heās deciding to go against natural order and Godās will/plan
Macbeth is now becoming controlling of nature, just like 1.4 āstars hide your firesā. This is an insight to Macbethās controlling kingship
wicked dreams (supernatural)
wicked dreams abuse the curtained sleep 2.1 Macbeth goes to kill Duncan
āwicked dreamsā is an oxymoron and emphasises the unusual nature of Macbeth disobeying natural order
the adjective ācurtainedā could be used to display Duncan as unaware and innocent and help signify how horrible this murder is.
verb āabuseā show how Macbeth is now abusing his strength and no longer using it for the good of his country, but now uses it for selfish reasons that will harm others
scorpions (supernatural)
full of scorpions is my mind 3.2 Macbeth fears of threats
āscorpionsā connote poison, deadly and pain
this metaphor greatly contrasts with when he was āfull oāer the milk of human kindnessā (1.5). Macbeth has now lost his purity and been tainted and corrupted by the supernatural
the imagery of his mind being full could portray how his mind is now plagued with malevolence and thoughts of murder
this imagery of corruption could help present Macbethās paranoia as infinite, small stings
Contrast between milk ā scorpions enhances the idea of the natural order being ruined from regicide
night (supernatural)
come, seeling night 3.2 Macbeth fears of threats
similar to āCome thick nightā - Lady Macbeth 1.5
Macbeth is now embracing the powers of the supernatural and darkness. He is completely separate from light and goodness after being damned to hell
Heās ready to inflict more violence and murder
black agents (supernatural)
nightās black agents 3.2 Macbeth fears of threats
contrasts to āvalourās minionā 1.2, instead of siding with the country and others he is now aligning himself with the supernatural and causing chaos
in blood (tyranny)
I am in blood steppād in so far, that, should I wade no more 3.4 Banquoās Ghost appears at the banquet
Imagery of river of blood could symbolise Macbethās commitment to blood shed, also contrasts with āNeptuneās oceansā (2.2), showing how heās surrounded himself with crime
Blood is no longer a symbol of guilt that Macbeth fears āwash this blood clean from my handā (2.2) He no longer wantās to be cleansed but embraces it
He feels heās gone too far in to sin that heās beyond salvation
blood (tyranny)
blood will have blood 3.4 Macbeth sees Banquoās ghost appears at the banquet
shows how Macbeth is trapped in a vicious cycle of violence, he no longer avoids blood
Macbeth is now consumed by bloodlust, desperately trying to maintain his power he sacrificed his soul for
bleed, bleed (tyranny)
bleed, bleed, poor country! 4.3 Macduff and Malcolm discuss Macbethās rule
Macbeth is causing Scotland to suffer, heās causing his country harm instead of protecting it
Heās caused chaos, he has bad kingship
personification of Scotland helps to highlight the pain Macbeth is causing
_____-sceptered (tyranny)
bloody-sceptered 4.3 Macduff and Malcolm discuss Macbethās rule
Macbeth usurped the throne through violence and disrupted the natural order
the blood on the sceptre could represent Macbethās corruption, heās abused his power as King to try gain unlimited power, ruining the sanctity of the throne
Devilish _____ (tyranny)
Devilish Macbeth 4.3 Macduff and Malcolm discuss Macbethās rule
contrast to 1.3 āBrave Macbethā, Macbeth is now viewed as an evil leader instead of a brave soldier who fought against evil.
Heās ādevilishā in the way he abuses his power for personal gain, is always desperate for more power, and commits crimes and violence to get his way
never sag⦠shake with fear (ending)
Shall never sag with doubt nor shake with fear 5.3 Macbeth is told the English army is coming for him
small redeeming aspect of Macbeth is his bravery, heās not scared or hiding away. This creates a small bit of sympathy towards him, which helps heighten the audienceās sadness for his end
leaf (ending)
the yellow leaf 5.3 Macbeth is told the English army is coming for him
Macbeth refers to himself as this āyellow leafā, this metaphor creates an image that Macbethās reign is coming to an end, or it could be him becoming old and weak.
The noun āleafā implies that this is a natural occurrence and unlike Macbethās act of regicide, this death of a king will not go against natural order, but restore it
first cries (ending)
Lay on, Macduff ,and damned be him that first cries 5.8 Macbeth and Macduff fight to the death
Macbeth is brave enough to face Macduff like a man even after realising the witches have tricked him. He wants to die like a soldier - in battle, trying to act like he once did without the interruptions of the supernatural world
fiends (ending)
these juggling fiends no more believed 5.8 Macbeth and Macduff fight to the death
Macbeth finally realises that the witches tricked and manipulated him
Dead (ending)
Dead Butcher 5.8 Macbeth is slain by Macduff
Macbeth has turned from āBrave Macbethā a soldier who fought for his country, into this ādead butcherā whose reputation is full of crime, cruelty, and death.
The noun ābutcherā describes him as this brutal murderer
Shakespeare gives Macbeth a tragic ending to show the audience the extent of consequences that come with trying to go against The Divine Right of Kings, and using Witchcraft