Psych Unit 3

5.0(1)
studied byStudied by 47 people
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/75

flashcard set

Earn XP

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

76 Terms

1
New cards
sensation
bringing in sensory stimuli from the environment (to the brain)
2
New cards
perception
organization and interpretation of sensory info
3
New cards
synesthesia
"cross talk" of the senses
4
New cards
absolute threshold
minimum amount of energy needed to detect the presence of a stimulus. lower threshold = more sensitive
5
New cards
just noticeable difference (jnd)( AKA the difference threshold)
minimum amount of energy needed to detect the change in intensity of a stimulus (or notice the difference between stimuli)
6
New cards
Weber's Law
JND is a fixed porportion (%) of the intensity of stimulis (as the inital increases, the JND will also increase)
7
New cards
Signal detection theory
Theory predicting out ability to detect a stimulis "signal" is present (Accuracy) amid backround "noise" and factors that influence it.
8
New cards
signal detection theory outcomes (Hit, miss, false alarm, correct rejection)
hit- present stimulus, present response
miss- present stimulus absent response
false alarm-absent stimulus present response
correct rejection- absent stimulus absent response
9
New cards
factors that influence detection/response criterion
-"noise"-other neural firing (distractions)
-physical ability (sensitivity)
-expectations
-where attention is directed
-willingness/reluctance (response criterion)
10
New cards
Subliminal perception
-processing info without consious awaness
-subliminal stimuli = below absolute threshold (not aware)
11
New cards
priming
occurs when exposure to a stimulus (consciously or unconsciously) influences our perception (uncons.)
12
New cards
sensory adaption
decline in sensitivity to stimuli that are presented a constant level (our afferent neurons become less responsive)
13
New cards
transduction (+steps)
converting energy into neural impulses
steps:
1. sensory stimuli from env.
2. accessory structure
3. transduction at sensory receptors
4. thalamus (except smell)
5. appropriate part of cerebral cortex.
14
New cards
temporal vs spatial coding
temporal code - changes in neural activity rates or timing

spatial code- physical location of neuron activity
15
New cards
Characteristics of light (how do they translate to psychological characteristics?) 1. amplitude 2. wavelenghts 3. purity
physical characteristics
1. amplitude
2. wavelength
3. purity
(#of different wavelengths)

Psychological characteristics
1. Brightness /intensity
2. color / hue
3. saturation (fewer differnt wavelengths = more saturated / pure)
16
New cards
Visual Process (include ALL parts)
1. light wave
2. cornea (outer protective layer)
3. iris (colored muscle that adjusts pupil) + pupil (opening to the eye; lets light in)
4. lens (focuses image on retina; accessory structure for vision).
5. Image is converted onto the retina
6. Retina (back wall of the eye; contains photoreceptors [ rods and cones ] where transduction occurs)
7. photoreceptors (rods and cones ~ sensory receptors for vision) responsible for transduction.
8.bi polar cells (receive visual signals from photo receptors [ rods and cones ] help us to see contrast and edges. )
9. ganglion cells (signals sent from the bipolar cells to the ganglion cells.
10. axons of the ganglion cells bundle together to form the optic nerve.
11. optic disk (Where optic nerve leaves the eye) *blind spot
12. thalamus (All the senses except for smell)
13. occipital lobe (visual cortex)
17
New cards
Accomodation
the ability of the lens to bend light rays in order to focus the image ( based on the object's location) on the retina.
18
New cards
Near sightedness (myopia)
occurs when the lends BENDS TOO MUCH. The image falls in front of the retina
19
New cards
far sightedness (hyperopia)
occurs when the lens does not bend ENOUGH. the image falls behind the retina.
20
New cards
photo receptors
* located in the retina
sensory receptors for vision ~ responsible for transduction (Rods and cones are examples)
21
New cards
Cones (type of photo receptors)
Color vision, help us to see in the daytime, brighter light, located on the center of the retina
22
New cards
Fovea
Center of the retina; contains highest concentration of cones; greatest visual acuity (detail)
23
New cards
Rods (type of photo receptors)
black and white; (shades of grey); help us to see in dark/dim light; located on the outer edge of the retina, so they are responsible for peripheral vision.
24
New cards
Bipolar cells
receive visual signals from photo receptors (rods and cones) help us to see contrast and edges
25
New cards
ganglion cells
signals sent from bipolar cells to the ganglion cells. axons of the ganglion cells bundle together to form the optic nerve .
26
New cards
optic disk and optic nerve
the optic nerve leaves the eye at the optics disk
27
New cards
blindspot
where the optic nerve leaves the eye. there are no rods / cones which creates a blindspot
28
New cards
optic chiasm
location where the optic nerve of each eye crosses over to the other hemisphere
29
New cards
Lateral Geniculate nucleus (LGN)
A specific place in the thalamus that processes visual info
30
New cards
Feature detectors
specialized cells that respond selectively to specific features or more complex stimuli (ex: edges, lines, angles, etc)
31
New cards
parallel processing
processing visual info is done simultaneously (as opposed to serial processing)
32
New cards
prosopagnosia
the inability to recognize human faces (Sometimes known as face blindness)
33
New cards
additive color mixing vs subtractive color mixing
Additive Color mixing
Light: as you mix light waves together, the color gets lighter.
all together = white

Subtractive color mixing:
paints: as you mix colors together, the color gets darker.
all together = black
34
New cards
young-helmholtz trichromatic theory
there are 3 types of receptors (cones) with differing sensitivities to different wavelengths that can create all colors (red, green, blue)
35
New cards
color blindness + what theory does it support?
lack one of the 3 (or more in rare cases) types of cones. (are able to discriminate fewer colors than other people.)

supports the young Helmholtz theory of color vision
36
New cards
opponent process theory
color perception is determined by the activity of 3 opponent systems; yellow-blue, red-green, and black white.
37
New cards
after images
an image continuing to appear in one's vision after the exposure to the original image has been creating (supports the opponent process theory of color vision)
38
New cards
figure-ground processing
foreground + focus
background + unfocused
39
New cards
perceptual set
the tendancy to percieve a stimuli in a particular way guided by prior experiences, expectations, surroundings/context, current mood
40
New cards
intentional blindness and change blindness
failure to see visible objects or events (or change in enviornment)because ones attention is elsewhere. Or we stopped proccessing due to top down processing
41
New cards
bottom-up processing
using details/feautures/characteristics (sensory input) to guide our perception (understand our world)
42
New cards
top-down processing
using prior experiences, expectations, context to guide perception. (understand our world). we make quick assumptions using very little "evidence" (Sensory input)
43
New cards
Gestalt principles-proximity
objects close to eachother are close together
44
New cards
gestalt principles- similiarity
grouping based on like characteristics
45
New cards
visual cliff
the approaches used to test depth perception in infants
46
New cards
Binocular depth cues:
1. retinal (binocular) disparity (difference)
depth perception guided by the different images seen by each eye. (the larger the disparity, the closer the object is perceived to be)
47
New cards
Binocular depth cues:
convergence
sensing the eyes converging (turning inwards) as they focus on closer objects
48
New cards
Monocular depth cues: linear perspective
parallel lines "converge" in the distance
49
New cards
Monocular depth cues: texture gradient
more detail = closer
50
New cards
Monocular depth cues: interposition (closer = bigger)
closer objects partially block (overlap) further away
51
New cards
Monocular depth cues: relative size
larger on the retina = closer
52
New cards
Monocular depth cues: height in the plane
near objects = lower in visual field
53
New cards
Monocular depth cues: light and shadow
3D
54
New cards
Monocular depth cues: motion parallax
objects that are closer to us speed across visual field faster than objects further away.
55
New cards
Phi phenomenon / stroboscopic motion
illusion of movement created by presenting visual stimuli in rapid succession

sensation -> perception
56
New cards
looming
as image expands on our retina, we percieve the object as approaching us.
57
New cards
perceptual constancies (size, shape, brightness)
tendency to experience a stable perception despite changing sensory inputs.
58
New cards
characteristics of sound ( how do they translate to psyhcological characteristics?)
1.amplitude
2. wavelength
3. purity
1. loudness /intensity/volume(decibels)
2. pitch (hertz)
3.timbre (unique quality of sound)
59
New cards
Sensory processing in the ear (include ALL parts)
1. soundwave
2. pinna (outer ear) ~ accessory structure for audition
3. ear canal
4. tympanic membrane (eardrum ~ vibrations occur)
5. 3 little bones (malleus-hammer, incus-anvil, stapes-stirrup)
6. oval window
7. cochlea * where transduction occurs)
8. basilar membrane lined with cilia hairs * ~ responsible for transduction (sensory receptors for transduction)
9. auditory nerve
10. thalamus
11. temporal lobe (auditory cortex)
60
New cards
place theory
perception of pitch corresponds to the vibration of different portions, or locations/places along the basliar membrane (spatial code)

best explaines high frequency sounds. (spatial code)
61
New cards
frequency theory
perception of pitch corresponds to the firing rate or frequency at which basilar membranes vibrates.
(or firing rate of the neurons or the auditory nerve)

best explains low frequency sounds (temporal code)
62
New cards
conduction deafness
problems/damage to the three little bones or tympanic membrane.
( may be corrected with hearing aids)
63
New cards
sensorineural deafness
problems/damage to the cilia (hair cells) or auditory nerve (may be corrected with a cochlear implant or auditory nerve implant). ~ too much exposure to loud songs
64
New cards
gustation ( is the sense of.... )
taste
65
New cards
olfaction
sense of smell, cilia (hair cells) in the nose
66
New cards
taste buds (papillae)
+ other factors that influence flavor
papillae/taste buds contain sensory receptors for taste and there are four tastes; sweet, sour, bitter, salty.
* taste buds are the most sensitive to 1 or 2 tastes and weak to others
67
New cards
flavor is a combination of what 2 senses??
taste and smell
68
New cards
olfactory bulb
cilia in the nose send signals to the olfactory bulb in the brain
*does not go through thalamus first (part of limbic system)
69
New cards
vomeronasal organ
part of the nose that detects pheromones
70
New cards
pheromones
chemicals that shape the behavior / physiology of animals.
71
New cards
somatosensory system (touch)

what are the 3 types of touch receptors?
pressure, pain, temperature
72
New cards
A-delta fibers (fast pathway)
v.s
C-fibers (slow pathway)
a delta fibers - carry quick , localized, sharp pain signals

c fibers- carry chronic (longer lasting),dull,less localized, aches and burning pain signals
73
New cards
gate control theory
pain can be blocked at the spinal cord. other sensory info aside from signals can take over the pain pathway.
74
New cards
analgesia
inability to feel pain (when pain should be present)
75
New cards
vestibular sense
sensory system providing info about spacial orientation (position of head/body in space) as well as our sense of balance.
76
New cards
kinesthesia
coordination

sensory system providing info about where parts of your body are in relationship to each other providing use with our sense of coordination. (ability to sense the movement of muscles, tendons, and joints)