AP English Literature and Composition List Terms

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77 Terms

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Closed Form Poetry

Follows a pattern or set of rules

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Open Form Poetry

Follows no rules but the poet’s own

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Enjambment

Continuation of one line of a poem to another without pause

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End-stopped line

the opposite of enjambment, when there is a period or natural break at the end of a line

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Hyperbole

extreme exaggeration for purpose of description (“I have been waiting for you for an eternity.”)

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Explicit

Something said or written directly or clearly

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Implicit

Suggesting/implying

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Synecdoche

using a part to substitute for the whole (“all hands on desk”)

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Metonymy

referring to something not by its name but by something clearly related (“The white house has no comment”)

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Antithesis

Juxtaposition of two opposites (“to err is human; to forgive is divine.”)

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Chiasmus

When two clauses are balanced against each other with their structures inverted (“never let a fool kiss you, or a kiss fool you.”)

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Anaphora

repetition of word/phrases at the beginning of sentences or clauses

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Epistrophe

repetition of words/phases at end of structures or clauses

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Apostrophe

an address to someone not present or to a personified idea (“curse, you public education system!”)

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Stanza

unit of poetry whose form is repeated throughout a poem

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couplet

pair of rhymed lines

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tercet

three lines

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quatrain

four lines

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quintain/quintet

five lines

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sestet

six lines

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septet

seven lines

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octave

eight lines

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sonnet

14 line, iambic pantameter poem

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volta

change in thought in a sonnet (a new realization/perspective), usually indicated by “but” or “yet”

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Shakespearean sonnet

3 quatrains terminated by a rhyming couplet.

  • first quatrain: introduces a question/idea

  • second/third quatrain: develop the question further

  • couplet: answers the question

  • volta (“turn”) before final couplet

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Petrarchan sonnet

octave/sestet, with a volta between octave/sestet. Typically features high praise/scorn or extended metaphor

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Simile

comparison using like or as

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Metaphor

comparison in which you call one thing something it is not

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imagery

fig. language appealing to the reader’s five senses

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Mood

emotional response that the writer wishes to evoke in a reader through a story

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Tone

Write’s attitude toward subject matter/audience of a literary work

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Indirect characterization

process of describing character through that character’s thoughts, actions, speech, and dialogue

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Direct characterization

Explicit characterization, consists of author telling audience what a character is like

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Static/flat character

character who stays mostly the same throughout a narrative (typically are minor characters)

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Dynamic/round character

character who changes throughout a narrative

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Aphorism

Short saying of truth/wisdom (“if the shoe fits, wear it)

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Polemic

A short, passionate arguement or attack against someone/something

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Allusion

reference to another work or famous figure

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Foreshadowing

an event/statement that suggests on a smale scale a larger event that comes later

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Perspective

how the narrator percieves the story (affected by identity, life experiences)

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Point of View

position from which a narrator tells the story; must have a number (1st, 2nd, 3rd)

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Personification

Giving inanimate object/natural phenomenon human qualities

<p>Giving inanimate object/natural phenomenon human qualities</p>
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Anthropomorphism

Giving non human things literal human traits/behaviors

<p>Giving non human things literal human traits/behaviors</p>
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Zoomorphism

Giving humans animal like traits/behaviors (ex spiderman)

<p>Giving humans animal like traits/behaviors (ex spiderman) </p>
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Archetypes

Standard/clichéd character roles such as the mentor, the hero, campanion, etc

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Tropes

Standard/clichéd characters, personal ties of specific cultures such as class clown (requires a class) or nerd (requires dumb jocks)

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Incongruity

Something noticeably out of place - can be comical

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Double Entendre

Double meanings, when one is indecent or risque

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Ambiguity

Open to multiple (often opposing ) interpretations

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Euphenism

A mild, polite word in place of a harsher word

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Zeugma

Used primarily in classical poetry when verb is used only one time but means two different objects (ex. she broke his car and his heart)

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Sound devices

techniques of deploying sound of words, including rhyme, alliteration, assonance, consonance, and onomatopoeia.

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Consonance

Repetition of consonant sounds within words

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Assonance

Repetition of vowel sounds within words

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Internal rhyme

When words in middle of lines of poetry rhyme (not only at end of lines) ex. while I nodded, nearly napping, suddenly there came a tapping

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Near or slant rhyme

When words are similar looking/sounding but not true rhymes ex. bait/paid, swarm/worm

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Elision

Replacing a syllable or a sound in line of poetry with an apostrophe (or dropping it altogether) to help the words fit the rhythm of the poem (“o’er”, “ere”, “t’ward)

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Euphony

Style in which combinations of words are pleasant to the ear. Opposite of cacophony.

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Cacophony

Style in which combinations of words are harsh/jarring to the ear

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Elegy

A lyric poem that reflects on someone’s death

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Conceit

Fanciful expression comparing unlikely objects (simile/metaphor); shakespeare mocks the use of those in Sonnet 130

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Blazon

Poetic mode wherein speaker uses conceits and hyperbole to describe the parts of his/her lover’s body.

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Caesura

Pause within a line of verse that interrupts the flow of speech. Features predominantly in verses of John Donne.

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Epigram

Short poem infused with wit. Could be written to patrons/passed around in literary circles. Renaissance poets.

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Metaphysical

Poem/poet that utilises strong conceit/metaphor to elaborate upon a central emotion or non-physical idea. Prime example of style of John Donne.

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Canto

Section division in a long work of poetry (like a chapter of a novel)

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Low comedy

physical

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High comedy

intellectual

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Comedy of morals

high comedy that covers moral dilemmas

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Situational Comedy (Comedy of Intrigues)

Characters put through a series of plot twists

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Comedy of Ideas

High comedy where differing ideas are represented through different personalities (typically a clash)

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Slapstick

Low comedy dependent on physical humor (falls, crashes)

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Farce

Suspended reality - bizarre situations/people that are humorous (can be both high/low comedy)

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Satire

Things, ideas, and situations are criticized in a cynical tone (high comedy)

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Black comedy (dark humor)

Making light of serious situations (high comedy)

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Parody

Humorous imitation (can be both low or high comedy)

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Induction

An explanatory scene offering critical information to understand a “play within a play”