KMS BFR

Röttgen Pietà

Artist

Date

Materials

Culture

Physical Traits

Contextual Traits

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Unrecorded artist

c. 1320 AD.

Painted Wood

Gothic, German

Unrefined, Jesus portrayed as frail, & carved

Humanistic, pieta, used for private devotion, and evokes emotions of grief/horror

Arena (Scrovegni) Chapel

Artist

Date

Materials

Culture

Physical Traits

Contextual Traits

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Giotto

c. 1303

Brick

Gothic, Italian

Paintings, large frescos covering walls, depth and volume figures, human emotion depicted, barrel-vaulted ceilings

Fresco style, built to atone for sins of the father, collection of many murals inside,

Golden Haggadah

Artist

Date

Materials

Culture

Physical Traits

Contextual Traits

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Unrecorded Artist

c. 1320 A.D.

Pigment on Vellum

Gothic, Spanish

Lavish appearing, vibrant colors, four panel composition

An illuminated manuscript, use of gilding technique, blends multiple different cultural influences (multicultural), and a signal of wealth

Pazzi Chapel

Artist

Date

Materials

Culture

Physical Traits

Contextual Traits

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Filippo Brunelleschi

1423

Sandstone, Terracotta

Italian Renaissance

Has occulus, has pendentive, often utilizes pure geometry, and resembles central plan

Used as a display for wealth, utilizes ancient Roman architecture, and contemplative space, commisioned by Pazzi Family, meeting place for monks

Madonna and Child with Two Angels

Artist

Date

Materials

Culture

Physical Traits

Contextual Traits

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Fra Filippo Lippi

c. 1465

Tempera On Wood

Italian Rennaisance

Neatly framed, meant to fool the eyes, Jesus is portrayed as a normal baby, thin halo over Mary,

Pearls symbolize immaculate conception, humanistic styling, and background connects to Jerusalem and solidity of Church