A man is unable to cope with his emotions towards his lover so he strangles her
He proceeds to spend all night aside the corpse and appears to be more in love with her when dead than when alive
Brief synopsis
Chronological order of events
Collective pronoun
Strict ABABB rhyme scheme
Structure and form (3)
Lack of natural stanzas reflect passive unfurling of events which speaker sees as natural
The narrative is a stream of conciousness
Chronological order
There is only one instance where Browning uses the collective pronoun ‘we’
‘She’ ‘her’ displays intense disconnect between them
Collective pronoun
Natural form and mirroring speech contrasts to strict ABABB scheme- represents intentionality behind actions of speaker
Rhyme structure
Objectification
Religious imagery
Language (2)
‘Dripping cloak and shawl’- upon entering she is not described as herself, not seen as a living human
Objectification shifts from implicit to explicit after murder- ‘blue eyes without a stain’
Objectification
Although not main theme, speaker attempts to suppress religious guilt
‘Shut the cold out’- hubristic connotations foreshadow lack of religious morality
‘Porphyria worshipped me’ hurbristic reference highlighted by plosives
‘God has not said a word’ poem ends
Religious imagery
I think of thee/Farmer’s Bride
Comparison