The Burghers of Calais

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19 Terms

1
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Give the index card for “Burghers of Calais”

“Burghers of Calais”, Auguste Rodin, 1884-89, bronze, 201 × 205 × 196 cm, Calais

2
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Where are the sculpture’s casts located?

  • Musee Rodin, Paris

  • Victoria Gardens, London

3
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Who were the Burghers? What was their story?

  • Six of Calais’s highest ranking citizens

  • During Edward III’s 1347 siege of Calais, he offered to end the siege if Calais surrendered the key to the town, along with their 6 most prominent citizens

  • However, their lives were spared by Queen Philippa

4
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Who commissioned the piece, and when?

The Mayor of Calais in 1884, via the National Appeal Fund

5
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Why was Rodin arguably the wrong person to do the commission?

  • He did not depict the Burghers heroically, as the Mayor would have wanted

6
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Where was the sculpture originally displayed?

On a pedestal in Calais

7
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What happened to the sculpture in 1926?

  • It was moved to mark the opening of the new Town Hall

8
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What unusual thing did Rodin do to the surface? What effect does it give the sculpture?

  • Added chemically applied verdigris

  • Gives it a sense of age and makes it seem monolithic

9
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Give the elements necessary for a thumbnail sketch

  • Six haggard looking figures

  • Plinthless

  • Draped in long robes, which makes them appear timeless

  • Ghostly

  • Elongated

  • In the round

  • No natural viewing position

  • Internal rhythms and depth

  • Unorthodox massing

  • Oversized feet

  • Emaciated

  • Balletic

  • All on one platform

  • All have different responses to their fate:

  • Some are contorted with grief

  • Some question their fate

  • Some look at the ground

  • One stands tall, accepting his fate

10
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What was the artist’s process of creating the piece?

  • Industrially cast— sand casting

  • Modelled from live models

  • Went to Calais to base the features off of real inhabitants

  • Wax/plaster maquette to map composition

  • Additive and subtractive plaster

11
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Which aspects of the piece were cast separately, and why?

  • Hands

  • Arms

  • Face

  • He wanted to tell stories through them

12
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How does Rodin alter the figures’ appearances?

  • He heightens their flaws and ordinariness

13
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What are the effects of materiality?

  • Bronze is the material of public sculpture

  • Gives bronze a modern interiority

  • Creates depths and patterns of shadow in an almost painterly manner

  • Rough shadow

  • Likes to leave it unfinished, with his fingerprints still visible

  • Etching pain with rough, hard lines

  • Embraces imperfection, which is heightened by his use of shadow

14
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Is the sculpture modern?

  • Yes

  • Old subject but contemporary figures

  • Baudelaire would say that he is depicting modernity

15
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How is this sculpture a departure from the style of the salon?

  • Salon sculpture does not change very easily

  • Not classical

  • Strips out the heroism from bronze, the canonical material of heroism

16
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Give a brief quote from Rodin that epitomizes this sculpture

“I forced myself to express in each swelling of the torso” — ‘Art’, Auguste Rodin, 1912

17
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How did Rodin modify the way in which the sculpture was displayed?

  • The first maquette was on a triumphal base, which was later removed

18
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How did Rodin create the draped effect of their robes?

  • The figures were initially unclothed

  • He used real gowns dipped in plaster

19
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Was the piece modelled from life?

Yes