Women in Lit critics and context

0.0(0)
studied byStudied by 2 people
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/31

flashcard set

Earn XP

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

32 Terms

1
New cards

Gilbert and Gubar (ending message)

‘Sense and Sensibility ends with the overt message that young women […] must submit to the powerful conventions of society by finding a male protecter’

2
New cards

Gilbert and Gubar (Lucy and Mrs. Ferrars)

‘Mrs. Ferrars and her scheming protegee Lucy Steele prove that women themselves become agents of repression, manipulators of conventions and survivors’

3
New cards

J. Simons (ambiguity)

‘How far is Clarissa a sympathetic portrait and how far an ironic subject? This ambivalence becomes a hallmark of her portrayal’

4
New cards

Hallahan (importance of the party)

‘In Woolf’s party, we see the curious meeting of life and death, where death holds the ability to give life order and meaning’

5
New cards

John Mullen (why they marry)

‘Conduct books of the period tend to represent marriage as a solemn religious duty but in Austen’s novels the harsh economic reality of a young woman’s value in the marriage market is what preoccupies most of the characters’

6
New cards

2020 review

‘The heroic couples of the tale seeing little actual page time which limits even the angst of unrequited love’

7
New cards

Lady Bessborough

‘Though it ends stupidly, I was very much amused by it’

8
New cards

Charlotte Bronte

‘Miss Austen is only shrewd and observant not sagacious and profound’

9
New cards

David Lodge (marxism in Sense and Sensibility)

‘The pretence that bourgeois culture is normal’

10
New cards

Sir Walter Scott (Austen’s skills)

‘The exquisite touch which renders common place things and characters interesting’

11
New cards

Andrew Wright (the switch)

‘The grand irony is that Elinor and Marianne virtually interchange positions’

12
New cards

Toby Tanner (Woolf Vs. Austen)

‘Virginia Woolf’s characters put up screens to preserve the self; Elinor paints and makes screens to preserve society’

13
New cards

Toby Tanner (Sense and Sensibility)

‘A book about to what extent nature has to be reshaped and pruned to make society possible’

14
New cards

Gilbert and Gubar (Austen’s escape)

‘Authorship for Austen is an escape from the very restraints she imposes on her female characters’

15
New cards

The Communist Mainfesto

‘The bourgeois sees in his wife a mere instrument of production’

16
New cards

David Bradshaw (London)

‘Woolf also recognised that London’s cityscape embodied the patriarchal repression of women’

17
New cards

Elaine Showalter (Time)

‘The insistent chiming of clocks keeps us aware of the passage of time and the measuring out of human lives’

18
New cards

Gary Grey (Woolf’s attempt)

‘Mrs. Dalloway […] was an attempt to reveal the mystery and magic of personality beneath the skin of human beings’

19
New cards

John Batchelor (gender opposition)

‘Mrs. Dalloway uses the idea of public and private life as a means of exploring the then opposition between the masculine view of the world (that of doing) and the feminine view (that of feeling)’

20
New cards

Arnold Bennett (the woman herself)

'Mrs. Woolf told us ten thousand things about Mrs. Dalloway but did not show us Mrs. Dalloway'

21
New cards

Leigh Kincer (Clarissa’s issue)

‘Clarissa is a slave to society's rules of behaviour which ultimately cut her off from any substantial relationship'

22
New cards

Leigh Kincer (Septimus’ judgement)

'Septimus fully grasps the extent of the damage society has done to him and judges the world accordingly’

23
New cards

Woolf on Aphra Behn

'All women together ought to let flowers fall on the tomb of Aphra Behn, for it was she who earned them the right to speak their minds'

24
New cards

What did Thomas Gisborne describe novels as?

In ‘An Enquiry into the Duties of the Female Sex’ he described them as ‘secretly corrupt’

25
New cards

What did Horace Walpole call Mary Wollstonecraft?

‘A hyena in petticoats’

26
New cards

In ‘A Vindication of the Rights of Women’ what did Mary Wollstonecraft call women marrying for financial support?

A form of prostitution

27
New cards

What did Mary Shelley call Frankenstein?

‘My hideous progeny’

28
New cards

What was Mary Shelley often asked about Frankenstein?

‘How I, then a young girl, come to dilate upon so very hideous a subject’

29
New cards

When was the married woman’s property act?

1882

30
New cards

When did women over 30 and who owned property earn the right to vote in the U.K.?

1918

31
New cards

When did women earn the right to vote on the same terms as men?

1928

32
New cards

What did Woolf say was more important than a woman’s right to vote?

Financial independence and security