music theory :3

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Major Pentatonic Scale

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remove the 4 and 7 from key signature scale

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Minor Pentatonic Scale

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remove the 2 and 6 from key signature scale

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43 Terms

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Major Pentatonic Scale

remove the 4 and 7 from key signature scale

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Minor Pentatonic Scale

remove the 2 and 6 from key signature scale

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Blues Scale

remove 2 and 6 and repeat 5 and lower it

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Chromatic Scale

go up by semitones each time with # and down by semitones each time with b

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Whole Tone Scale

go up by whole tones for an octave

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I Don’t Particularly Like Modes A Lot

Ionian (+), Dorian (-), Phrygian (-), Lydian (+), Mixolydian (+), Aeolian (-), Locrian (-)

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Ionian

major scale

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Dorian

minor scale and raise the 6

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Phrygian

minor scale and lower the 2

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Lydian

major scale and raise the 4

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Mixolydian

major scale then lower the 7

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Aeolian

minor scale

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Locrian

minor scale, lower the 2 and 5

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Determining modes

Starting note, then find the key. Find the note of the key and count up from ionian until the end of scale

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Minor Triads

lower the third

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Diminished Triads

lower the third and fifth

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Augmented Triads:

raise the fifth

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5/3

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6/3

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term image

6/4

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Who funded Classical Era

royal courts in 1750-1820

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Diatonic Melodies

melodies using notes within a single scale

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Modern Orchestra

string section, winds in pairs, percussion section

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Key Characteristics of Classical Era

  • Use of homophonic textures.

  • Development of sonata form

  • Expansion of the orchestra, symphony/concerto

  • Importance of the piano as a solo instrument.

  • Focus on instrumental music, especially symphonies and string quartets.

  • Cleaner sound

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  Typical Multi Movement Work Structure

  • Movement 1 – Fast: Sonata Form

Movement 2 – Slow: a broad a b a form is common; sometimes a theme-variation

Movement 3 – Dance; usually a minuet and trio, or later, a scherzo and trio; omitted in most three movement structures

Movement 4 – Fast: usually a rondo; sometimes sonata Form

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Primary singing genre in classical time period

opera

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Recitative

provided narrative to the story

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Aria

provides commentary or feelings to the plot

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A typical first movement in sonata form included three components

Exposition – presents the primary theme in the tonic key, followed by a secondary theme in a contrasting key, sometimes in a contrasting mood

Development – composer’s imagination could flourish. This music was based on the prior material but there would be drastic modifications using Tonal centres, dynamics, rhythms, harmonies, and tempos

Recapitulation – provided a return to stability; a return to the tonic key, and the primary theme

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ROMANTIC ERA Time Period

1810-1920

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Absolute music

music created for its own sake, not a funded purpose

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Program music

music created to depict moods, images, stories, or characters

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Homophonic

musical tension and to intensify emotion

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Lieder

Arts songs short and poetic. Centered around keyboard

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Characteristics of Romantic Era

  • Experimentation with rhythm and meter (more syncopation, tempo changes, hybrid meters)

  • Opera and Ballet become an important part

  • Emotion Took Over in composers

  • absolute and program music

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FRANZ JOSEPH HAYDEN - Classical

  • Mentor to Mozart

  • Taught Beethoven

  • Helped make Classical music more popular across Europe

  • Especially in England, as well as France, Spain, and Italy

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WOLFGANG MOZART - Classical

  • Child prodigy

  • Came from Austrian aristocracy

  • His father was a court musician

  • Struggled financially

  • Wrote over 600 compositions

  • Died at 35

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LUDWIG VAN BEETHOVEN - Classical

  • Bridged the Classical and Romantic eras

  • Studied with Joseph Haydn

  • Famous for powerful, emotional music

  • Became deaf

  • Wrote 9 symphonies

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Johannes Brahms - Romantic

  • Born in Germany

  • Composer and pianist

  • Friends with Robert and Clara Schumann

  • Fell in love with Clara Schuman but very loyal to Robert

  • Music is passionate, introspective, and full of lyrical melodies

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Frederic Chopin - Romantic

  • Born and educated in Poland but spent professional life in Paris

  • Frequent use of rubato

  • Elaborate, decorative melodie

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Pyotr I’yich Tchaikovsky - Romantic

  • Russian composer

  • Created Swan Lake,Sleeping Beauty, Nutcracker, and Romeo and Juliet

  • thick, lush texture of the Romantic period orchestra

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Giuseppe Verdi - Romantic

  • Greatest Italian opera figure, national hero

  • Famous in America

  • Librettos were usually unhappy with tragic endings

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Richard Wagner - Romantic

  • German opera composer

  • Fled Germany and moved to Switzerland

  • Operas were more symphonic in nature – powerful brass instrument