AQA English Power and Conflict

studied byStudied by 2 people
5.0(1)
get a hint
hint

Ozymandias poet

1 / 65

Tags and Description

English

11th

66 Terms

1

Ozymandias poet

Percy Bysshe Shelley

<p>Percy Bysshe Shelley</p>
New cards
2

Ozymandias context

Bysshe Shelley was a romantic poet with an issue with authority

<p>Bysshe Shelley was a romantic poet with an issue with authority</p>
New cards
3

Ozymandias structure

Sonnet

<p>Sonnet</p>
New cards
4

Ozymandias theme(s)

How power declines

<p>How power declines</p>
New cards
5

London poet

William Blake

<p>William Blake</p>
New cards
6

London context

Blake was a romantic poet with an issue with authority

<p>Blake was a romantic poet with an issue with authority</p>
New cards
7

London structure

Strong and regular rhythm and rhyme and ballad form

<p>Strong and regular rhythm and rhyme and ballad form</p>
New cards
8

London themes

powerlessness

<p>powerlessness</p>
New cards
9

The Prelude poet

William Wordsworth

<p>William Wordsworth</p>
New cards
10

The Prelude context

Wordsworth was a romantic poet whos parents died when he was young

<p>Wordsworth was a romantic poet whos parents died when he was young</p>
New cards
11

The Prelude structure

Iambic pentameter

<p>Iambic pentameter</p>
New cards
12

The Prelude themes

patriotism and courage

<p>patriotism and courage</p>
New cards
13

Charge of the light brigade poet

Alfred Lord Tennyson

<p>Alfred Lord Tennyson</p>
New cards
14

Charge of the Light Brigade context

Glorifying the Crimean war, Tennyson was a poet Laurette

<p>Glorifying the Crimean war, Tennyson was a poet Laurette</p>
New cards
15

Charge of the light brigade structure

Strong use of rhythm mimics horses hooves and lots of repetition

<p>Strong use of rhythm mimics horses hooves and lots of repetition</p>
New cards
16

Charge of the light brigade themes

patriotism and courage

<p>patriotism and courage</p>
New cards
17

Exposure poet

Wilfred Owen

<p>Wilfred Owen</p>
New cards
18

Exposure context

Owen was a soldier in ww1 and wrote about the truth of war

<p>Owen was a soldier in ww1 and wrote about the truth of war</p>
New cards
19

Exposure structure

Use of half rhymes and repetition

<p>Use of half rhymes and repetition</p>
New cards
20

Exposure theme

pointlessness of war and life

<p>pointlessness of war and life</p>
New cards
21

Storm on the island poet

Seamus Heaney

<p>Seamus Heaney</p>
New cards
22

Storm on the island context

Stormont is Northern Ireland's parliament building and the storm is symbolic of terrorism in Northern Ireland

<p>Stormont is Northern Ireland&apos;s parliament building and the storm is symbolic of terrorism in Northern Ireland</p>
New cards
23

Storm on the island language

extended metaphors of a military attack

<p>extended metaphors of a military attack</p>
New cards
24

Storm on the island themes

power of nature

<p>power of nature</p>
New cards
25

Bayonet charge poet

Ted Hughes

<p>Ted Hughes</p>
New cards
26

Bayonet charge context

Huges served in the RAF and a lot of his poetry is based on nature

<p>Huges served in the RAF and a lot of his poetry is based on nature</p>
New cards
27

Bayonet charge structure

the second stanza suggests a pause in action

<p>the second stanza suggests a pause in action</p>
New cards
28

Bayonet charge themes

soldiers perspective on conflict

<p>soldiers perspective on conflict</p>
New cards
29

remains poet

Simon Armitage

<p>Simon Armitage</p>
New cards
30

remains context

Based on Guardsman Tromas' story in the Iraq war. Armitage is often very direct

<p>Based on Guardsman Tromas&apos; story in the Iraq war. Armitage is often very direct</p>
New cards
31

remains structure

there are 2 halves of the poem that represent the soldiers experience

<p>there are 2 halves of the poem that represent the soldiers experience</p>
New cards
32

remains themes

psychological effects of conflict on soldiers

<p>psychological effects of conflict on soldiers</p>
New cards
33

Poppies poet

Jane Weir

<p>Jane Weir</p>
New cards
34

Poppies context

About the female experience/perspective of war. It is unclear whether she sends her son to school or war

<p>About the female experience/perspective of war. It is unclear whether she sends her son to school or war</p>
New cards
35

poppies structure

dramatic monologue and sentences that start in the middle of the line (caesura)

<p>dramatic monologue and sentences that start in the middle of the line (caesura)</p>
New cards
36

poppies themes

mothers perspective

<p>mothers perspective</p>
New cards
37

War photographer poet

Carol Ann Duffy

<p>Carol Ann Duffy</p>
New cards
38

War Photographer Context

She was inspired by her friend war photographer and was interested in the challenge faced by those who had a duty to record these events without being able to help

<p>She was inspired by her friend war photographer and was interested in the challenge faced by those who had a duty to record these events without being able to help</p>
New cards
39

War photographer structure

rhyming couplets twice every stanza

<p>rhyming couplets twice every stanza</p>
New cards
40

war photographer themes

how conflict is presented in the media

<p>how conflict is presented in the media</p>
New cards
41

Kamikaze poet

Beatrice Garland

<p>Beatrice Garland</p>
New cards
42

Kamikaze context

Garland was inspired by 9/11 and in WWII Japanese suicide bombers would fly into buildings or ships

<p>Garland was inspired by 9/11 and in WWII Japanese suicide bombers would fly into buildings or ships</p>
New cards
43

Kamikaze structure

Italics mark direct speech of personal memory compared to what is speculated

<p>Italics mark direct speech of personal memory compared to what is speculated</p>
New cards
44

Kamikaze themes

female perspective

<p>female perspective</p>
New cards
45

Ozymandias key quote

Boundless and bare, the lone level of sands stretch

New cards
46

Ozymandias key quote annotation

alliteration highlights the bareness of the desert

New cards
47

London key quote

Every black'ning church appalls

New cards
48

London key quote annotation

'black'ning' suggests the churches are becoming filthy and having a negative impact. It is also ironic that blackening describes the churches not the chimney sweepers

New cards
49

Prelude key quote

a huge peak, black and huge

New cards
50

Prelude key quote annotation

repetition of 'huge' emphasises the size and contrasts with the 'elfin' boat and the young poet at the oars

New cards
51

Charge of the light brigade key quote

Theirs not to make reply, theirs not to reason why, theirs but to do and die

New cards
52

Charge of the light brigade key quote annotation

repetition symbolises their determination to go on

New cards
53

Exposure key quote

sudden successive flights of bullets streak the silence

New cards
54

exposure key quote annotation

sibilance makes it sound like they're going on after the other, continuous.

New cards
55

Storm on the island key quote

sink walls in rock and roof them with good slate

New cards
56

storm on the island key quote annotation

monosyllables emphasises solidity of the houses

New cards
57

bayonet charge key quote

king, honour, human dignity, etcetera

New cards
58

bayonet charge key quote annotation

suggests that when you are in a war these things are irrelevant

New cards
59

Remains key quote

myself and somebody else and somebody else

New cards
60

remains key quote annotation

repetition of 'somebody else' could make him sound less guilty, it wasn't just him.

New cards
61

Poppies key quote

the gelled blackthorns of your hair

New cards
62

poppies key quote annotated

before jesus was put on the cross to die he was given a crown of thorns. this indicates that she sees her son as a sacrafice

New cards
63

war photographer key quote

Belfast. Beirut. Phnom Penh.

New cards
64

war photographer key quote annotated

plosives and short sentences could sound like bombs dropping or guns firing

New cards
65

kamikaze key quote

dark shoals of fishes flashing silver as their bellies swivelled towards the sun

New cards
66

kamikaze key quote annotated

sibilance and fricative makes the sounds of the waves beneath him seem more real and shows us how beautiful they are

New cards

Explore top notes

note Note
studied byStudied by 5 people
Updated ... ago
5.0 Stars(1)
note Note
studied byStudied by 10 people
Updated ... ago
5.0 Stars(1)
note Note
studied byStudied by 8 people
Updated ... ago
5.0 Stars(1)
note Note
studied byStudied by 5 people
Updated ... ago
5.0 Stars(1)
note Note
studied byStudied by 12 people
Updated ... ago
5.0 Stars(1)
note Note
studied byStudied by 5 people
Updated ... ago
5.0 Stars(1)
note Note
studied byStudied by 14 people
Updated ... ago
5.0 Stars(1)
note Note
studied byStudied by 26493 people
Updated ... ago
4.8 Stars(224)

Explore top flashcards

flashcards Flashcard74 terms
studied byStudied by 20 people
Updated ... ago
5.0 Stars(1)
flashcards Flashcard24 terms
studied byStudied by 27 people
Updated ... ago
5.0 Stars(1)
flashcards Flashcard36 terms
studied byStudied by 17 people
Updated ... ago
5.0 Stars(2)
flashcards Flashcard25 terms
studied byStudied by 3 people
Updated ... ago
5.0 Stars(1)
flashcards Flashcard74 terms
studied byStudied by 24 people
Updated ... ago
5.0 Stars(1)
flashcards Flashcard38 terms
studied byStudied by 23 people
Updated ... ago
4.3 Stars(3)
flashcards Flashcard84 terms
studied byStudied by 35 people
Updated ... ago
5.0 Stars(1)
flashcards Flashcard68 terms
studied byStudied by 89 people
Updated ... ago
5.0 Stars(3)