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FERRARA
Setting of the poam in northern italy
Thats my last duchess painted on the wall
The possesive prounoun my establishes the dukes sense of ownership and control. Dramatic monolouge creates a first person narrative and the duke control over the readers understanding.
Looking as if she were alive
Personification, teh ceasura hihnts at the definitive end of the duchesses life. The phrase as if she were alive highlights the dukes preference for the duchess as a painting he can control
I call that piece a wonder now
Further objectifiying his late wife as a work of art to be seen but not to have any autonomy
Fra pandolfs hands , woked busily a day and there she stands
Fra pandolf introduces teh artist and implys the value and pretige and the sukes wealth, fra is a monk
Willt please you sit and look at her
The rhetorial question is more of a command and reveals the dukes controling nature
I said fra pandolf by design
Indicates teh dukes conscious manipulation of the conversation
The depth adn passion of its earnest glance
The dukes focus on the dapth and passion indicates that it seems to trouble him
Since none puts by the curtain I have drawn for you but I
The pronoun they refers to the gazes of strangers who look at the poitrat and reaveals the dukes controling nautre as he alon desides who sees the paiting even in death
And seemed they would ask me if they durst
he Duke imagines that viewers of the portrait want to ask him about the "earnest glance" but are afraid ("if they durst") to do so, highlighting his intimidating presence
Her husband’s presence only, called that spotOf joy into the Duchess’ cheek; perhaps
he phrase "spot of joy" refers to the blush on the Duchess's cheek, which the Duke complains was not reserved solely for his presence. He was troubled that her joy was not exclusively for him
Half-flush that dies along her throat.” Such stuff
Foreshadows teh duchess death potentially by stragulaiton