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Nicola Pisano,
Pulpit of the Baptistery
Baptistery at Pisa,1280
Gothic,
Nicola Pisano. Annunciation, Nativity, and Adoration of the Shepherds, baptistery pulpit, Pisa. 1260.
Marble. 33-1/2" × 44-1/2" (85 × 113 cm).
Bonaventura Berlinghieri
St. Francis Altarpiece
1239
Byzantine
Virgin (Theotokos) and Child between Saints Theodore and George, ICON,6th or early 7th century, encaustic on wood,
2’ 3” x 1’ 7 3/8”, Monastery of Saint Catherine, Mount Sinai, Egypt.
Maniera greca
Greek Manner- Classical style painting characterized by elongated figures and a lack of depth, often used in Byzantine art.
Early Renaissance
Cimabue, “Maesta”
Madonna Enthroned with Angels and Prophets, from Santa Trinita , Florence, Italy, Panel for altarpiece
1280-1290,
Tempera on panel, 12’ 7” x 7’ 4”
Virgin and Child between Saints Theodore and George, 6th or early 7th century, encaustic
Gothic,
Giotto di Bondone.
Virgin and Child Enthroned. 1305–1310.
Tempera and gold on wood. 10'8" × 6'8-1/4
Gothic,
Duccio di Buoninsegna.
Conjectural reconstruction of the front of the Maestà altarpiece made for Siena Cathedral. 1308–1311.
Tempera and gold on wood. Main panel 7' × 13' (2.13 × 4.12 m).
Duccio,
Maestā Altarpiece, Conjectural Reconstruction, back Made for Siena Cathedral, 1308-1311,
Tempera and gold on Wood, main panel 7’ x 13’
Gothic,
Duccio di Buoninsegna.
Raising of Lazarus from the back of the Maestà altarpiece, Siena Cathedral. 1308–1311.
Tempera and gold on wood. 17-1/8" × 18-1/4" (43.5 × 46.4 cm).
Ambrogio Lorenzetti,
Effects of Good Government in the City and In the Country, 1338-1340,
fresco in the Sala della Pace (Room of Peace), Palazzo Pubblico, Siena, Italy, length 46’
Gothic,
Ambrogio Lorenzetti.
Effects of Good Government in the City and in the Country, Sala della Pace, Palazzo Pubblico, Siena, Italy. 1338–1340.
Total length of fresco c. 46' (14 m).
Gothic,
Ambrogio Lorenzetti. Effects of Good Government in the City and in the Country, Sala della Pace, Palazzo Pubblico, Siena, Italy. 1338–1340.
Total length of fresco c. 46' (14 m).
Giotto di Bondone.
Arena Chapel, (Scrovegni), view toward north and east walls with frescos. Padua. 1305–1306.
Giotto di Bondone.
Marriage at Cana, Raising of Lazarus, Lamentation, and Resurrection (Noli Me Tangere), north wall of the Arena Chapel, (Scrovegni) Padua. 1305–1306.