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Hamlet - victim of the world around him
Act 3 scene 4
‘Whilst rank corruption, mining all within, infects unseen’
Hamlet - victim of the world around him
Act 5 scene 2
‘There is special providence in the fall of a sparrow’
Hamlet - victim of the world around him
Act 5 scene 2
‘The potent poison quite overcrows my spirit’
Hamlet - victim of the world around him
Act 3 scene 4
‘Thou wretched, rash, intruding fool, farewell!’
Hamlet - victim of the world around him
Act 1 scene 4
‘Something is rotten in the state of Denmark’
Hamlet - victim of the world around him
Critic - Nigel Alexander
‘How does one deal with a man like Claudius, without becoming like him?’
Hamlet - introspective and contemplative
Act 1 scene 2
‘O that this too too solid flesh would melt/ thaw and resolve itself into a dew’
Hamlet - introspective and contemplative
Act 1 scene 5
‘O all you host of heaven! O earth! What else?/ And shall I couple hell?’
Hamlet - introspective and contemplative Act
Critic - Nigel Alexander
Hamlet is ‘aware that more than one set of answers exists’
Hamlet - introspective and contemplative
Act 1 scene 5
‘I, with wings as swift as meditation… may sweep to my revenge’
Hamlet - introspective and contemplative
Act 2 scene 2
‘The earth seems to me a sterile promontory’
Hamlet - introspective and contemplative
Act 3 scene 2
‘Give me that man/ That is not passion’s slave, and I will wear him/ In my heart’s core…’
Hamlet - introspective and contemplative
Act 4 scene 4
‘My thoughts be bloody or be nothing worse’
Hamlet - inadequate tragic hero
Act 1 scene 2
‘Tis not alone my inky cloak, good mother’
Hamlet - inadequate tragic hero
Act 1 scene 5
‘O most pernicious woman!’
Hamlet - inadequate tragic hero
Critic - Knight
‘Hamlet is the poison in the veins of the community’
Hamlet - inadequate tragic hero
Act 5 scene 2
‘Incestuous, murderous, damned Dane’ ‘drink off this poison’
Hamlet - inadequate tragic hero
Act 3 scene 3
‘O this is hire and salary not revenge’
Hamlet - inadequate tragic hero
Act 4 scene 4
‘How stand I then,/ That have a father killed, a mother stained’
Hamlet - excessive delay
Act 1 scene 5
‘I with wings as swift as meditation… may sweep to my revenge’
Hamlet - excessive delay
Act 2 scene 2
‘A dull and muddy mottled rascal… Who calls me villain?’
Hamlet - excessive delay
Act 3 scene 2
‘Now I could drink hot blood’
Hamlet - excessive delay
Act 3 scene 3
‘O, this is hire and salary, not revenge’
Hamlet - appearance vs reality
Act 1 scene 2
‘A little more kin and less than kind’
Hamlet - appearance vs reality
Act 1 scene 2
‘Inky cloak’
Hamlet - appearance vs reality
Act 1 scene 2
‘Like Niobe, all tears’
Hamlet - appearance vs reality
Act 2 scene 2
‘Happy in that we are not over-happy; on Fortune’s cap we are not the very button’
Claudius - appearance vs reality
Act 2 scene 2
‘Of Hamlet’s transformation - so I call it,/ Sith nor th’exterior nor the inward man/ Resembles that it was’
Hamlet - appearance vs reality
Critic - Stephen Greenblatt
‘Who’s there? Hamlet famously begins. The question, centred on the ambiguous figure of the Ghost, haunts the entire play’
Foils - Fortinbras
Act 1 scene 1
‘Recover of us, by strong and terms compulsatory, those foresaid lands so by his father lost’
Foils - Fortinbras
Act 4 scene 4
‘Witness this army… divine ambition’
Foils - Fortinbras
Critic - Philip Edwards
‘Fortinbras is success where Hamlet is failure
Foils - Laertes
Act 4 scene 7
‘To cut his throat in the church’
Foils - Laertes
Act 5 scene 2
‘Why, as a woodcock to mine own springs… I am justly killed with mine own treachery’
Foils - Laertes
Critic - Nigel Alexander
‘Laertes seems to exemplify in conduct the alternative courses of action considered by Hamlet in his soliloquy’
The Ghost
Critic - Tiffany Stern
For the contemporary audience ‘the ghost in Hamlet [was] unquestionably evil’
The Ghost
Act 1 scene 4
‘A spirit of health or goblin damned’
The Ghost
Act 3 scene 4
‘Pale’ appearance, sensitivity towards Gertrude: ‘O, step between her and her fighting soul’
The Ghost
Act 1 scene 5
‘Revenge his foul and most unnatural murder’
The Ghost
Act 1 scene 5
‘Any, that incestuous, that adulterous beast’
Claudius - villain
Act 1 scene 2
‘The memory be green’
Claudius - villain
Act 3 scene 3
Soliloquy
‘O, my offence is rank, it smells to heaven’
Claudius - villain
Act 4 scene 5
‘O this is the poison of deep grief’
Claudius - villain
Act 4 scene 5
‘And where th’offence is, let the great axe fall’
Claudius - villain
Act 4 scene 7
‘Revenge should have no bounds’
Claudius - villain
Act 5 scene 2
‘It is the poisoned cup: it is too late’
Claudius - villain
Critic - Amanda Mabillard
He is a ‘multi-faceted villain’ ‘monstrous’
Claudius - relationship with Hamlet
Act 4 scene 5
‘There is such divinity that doth hedge a king’
Claudius - relationship with Hamlet
Act 2 scene 2
‘Kindless villain’
Claudius - relationship with Hamlet
Act 1 scene 2
‘My cousin Hamlet and my son’
Claudius - relationship with Hamlet
Act 3 scene 3
‘I like him not’
Claudius - relationship with Hamlet
Act 5 scene 2
‘Here, thou incestuous, murderous, damned Dane, ‘Drink off this potion’
Claudius - relationship with Hamlet
Critic - Nigel Alexander
‘How does one deal with a man like Claudius without becoming like him?’
Claudius - relationship with Hamlet
Critic - Wilson Knight
‘The question of the relative morality of Hamlet and Claudius reflects the ultimate problem of the play’
Ophelia - relationship with Hamlet
Act 3 scene 1
‘Get thee to a nunnery: why wouldst thou be a breed of sinners’
Ophelia - relationship with Hamlet
Act 3 scene 1
‘I have heard of your paintings too, well enough’
Ophelia - relationship with Hamlet
Act 3 scene 1
‘O what a noble mind is here o’erthrown’
Ophelia - relationship with Hamlet
Act 4 scene 5
‘Lord we know what we are but not what we may be’
Ophelia - relationship with Hamlet
Act 3 scene 2
‘Do you think I meant country matters?’
Ophelia - relationship with Hamlet
Act 3 scene 2
‘I think nothing, my lord’
Ophelia - relationship with Hamlet
Critic - Leverenz
She ‘mirrors in her madness the tensions that Hamlet perceives through her impossible to obey contradictory voices’
Gertrude
Act 1 scene 2
‘Good Hamlet, cast thy nighted colour off’
Gertrude
Act 1 scene 2
‘As if increase of appetite had grown… frailty thy name is woman!’
Gertrude
Act 3 scene 2
‘I will speak daggers to her, but use none;/ My tongue and soul in this be hypocrites’
Gertrude
Act 3 scene 4
‘A bloody deed! Almost as bad, good mother,/ As kill a king, and marry with his brother’
Gertrude
Act 5 scene 2
‘Incestuous damned Dane’
Gertrude
Critic - Marilyn French
‘Hamlet is not concerned with killing Claudius, the king. He is only concerned with Claudius, the husband’