Violin Sonata [No. 2], Mvt. II: "Blues" (1927)

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72 Terms

1
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When did Ravel write his first autobiographical sketch?

1928

2
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What did ravel want to demonstrate in Violin Sonata No. 2?

Independent part-writing

3
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Which 2 instruments did Ravel believe to be incompatible ?

Violin and Piano

4
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Which work by Maurice Ravel reveals the incompatibility between the Piano and Violin?

Violin Sonata No. 2

5
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Commentators have suggested what about Ravel’s opinion regarding the violin and piano’s compatibility?

it is “old news”

6
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What instrment is Susan Baer best known for?

violin

7
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What does Susan Baer argue about the piano?

It doesn’t blend well with any instruments it’s been paired with in Sonatas

8
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Which musician argues that that piano’s are incompatible with any of the instrument’s its been paired with in Sonatas?

Susan  Baer

9
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How did Ravel further emphasize the separate and distinct identity of the violin and piano?

He treated each of the 2 hands of the piano as separate instruments

10
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Because of Ravel’s treatment of the hands of the piano as distinct entities it is arguable that the Violin Sonata features how many instruments?

3

11
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How does the violin begin the Blues movement?

With steady pizzicato block chords

12
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How many block chords does the violin play per beat in the introduction of the Blues movement?

1 per beat

13
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What key are the block chords in the violin at the start of the movement?

G Major

14
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What is the time signature of the Blues movement?

4/4

15
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The pizzicato (Plucked) violin chords mimic the strumming sounds of what instruments?

guitar, piano or ukulele

16
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The violin’s resemblance of a guitar or ukulele brings what musical style to mind?

country blues 

17
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The regularly occurring chords have what effect?

ostinato effect

18
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How does Ravel interrupt the steadiness of the chords?

Shifting to new harmonies and sudden dynamic constrasts

19
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What pattern do the introductory chords NOT follow?

12 bar blues pattern

20
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What aspect of the blues DO the introductory chords follow?

The 3 primary harmonies of the 12 bar blues 

21
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What are the 3 primary harmonies of the 12 bar blues?

I, IV, V

22
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The piano’s sustained pulses resemble what aspect of a jazz work?

the trombone or string bass in a rhythm section

23
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Both hands of the piano are in what clef?

Bass clef

24
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How many sharps are in the key signature of the violin part?

1

25
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How many flats are in both he left and right hand of the piano part?

4

26
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What interval make up the pulses in the piano in measure 7?

a perfect 5th

27
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How many counts do the perfect 5th pulses get sustained for before repeating?

8

28
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Which is simpler the perfect 5th interval in the piano or the pizzicato chords in violin?

the perfect 5th in the piano

29
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What signifies that the work is by an art-music composer rather than a blues musician?

The appearance of the perfect 5th interval

30
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What are the 2 sustained pitches in the Piano pulses?

Ab and Gb

31
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What is the key of the Piano part?

Ab Major

32
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Which pitches played by the piano in measure 7 aren’t in the key signature of the violin?

Ab and Eb

33
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What is Ravel’s contrasting of keys between the violin and piano parts create?

polytonality

34
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which other Musical selection also employs polytonality?

Milhaud’s “La Creation du monde”

35
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When does the right hand of the piano make it’s first appearence?

measure 8

36
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What role does the right hand of the Piano have in measure 8?

It plays a short bluesy riff

37
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what is the motion of the right hand in measure 8?

an upper neighbor motion, C-D-C

38
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The C-D-C motion in the bluesy riff in the right hand in Violin Sonata reminds which musical theorist of the opening of the fugue in Tableau 1 from Creation du Monde?

Mark DeVoto

39
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The bluesy riff reminds Mark DeVoto of which other work?

Milhaud’s “La Creation du Monde,”

40
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The bluesy riff reminds Mark DeVoto of which part of La Creation du Monde?

The opening of the fugue in Tableau 1

41
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After the bluesy riff is repeated what does Ravel change about the work thus far?

The time keeping pulses from the violin shift to the piano

42
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Which hand do the time keeping pulses shift to after the repetition of the bluesy riff?

The right hand

43
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Does anything change in the left hand after the repetition of the bluesy riff?

No, it remains playing sustained notes

44
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What key does the Violin change to after the repetition of the bluesy riff?

Ab (matching piano key)

45
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What marks the end of the Intro in Violin Sonata No. 2?

The second appearance of the upper neighbor riff in the piano

46
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What marks the beginning of the first A section in Violin Sonata No. 2?

The steady piano pulses in G major (right hand)

47
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In the A section the violin begins playing with what device?

The bow rather than playing pizzicato 

48
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What is theme 1 called?

nostalgico 

49
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How is the violin instructed to play in the A section?

nostalgico

50
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What does the nostalgic playing of the violin evoke?

The blues style singing of the early 20th century

51
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How is the violin melody in the A section notated? What is it filled with?

carefully; slides and bends similar to Bessie Smith’s flexibility in “Lost your Head Blues”

52
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Although the blue singers resemblance is clear what do some analysts also hear?

The tone of a clarinet or saxophone

53
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What structure is “Blues” in?

Rondo-like structure

54
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Which other work uses Rondo structure?

I cant help lovin Dat man and Burlesque

55
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Which section functions as the refrain in Blues? Which ones function as the contrasting episodes?

the A section; B,C,D sections

56
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What does the B episode feature?

busier ostinato patterns in piano and a simpler violin melody

57
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The first return of the A section is different in what way?

It features a more animated ragtime style accompaniment supporting the violin melody

58
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The violin plays what role in the C episode?

An accompanying role of steady pizzicato pulses

59
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What role does the piano play in the C episode?

It’s own bluesy melody

60
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Which instrment leads in the D episode?

the violin W

61
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What does the piano play in the D section?

crisp ostinatos

62
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What are the piano ostinatos in the D section based on?

the short C-D-C riff from the introduction

63
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The violin lead in the D episode is rhythmically _________?

independent

64
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When the C section first returns which instrument takes the lead?

the piano 

65
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What does the violin play in the return of the C section?

Short pairs of 16th notes

66
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What instrument does the violin resemble in the return of the C section?

a banjo accompaniment

67
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The banjo motifs continue even as what section tries to enter?

the A refrain

68
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When the A tune does re-enter how does it interact with the piano?

It engages in call and response 

69
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When does the call and response between violin and piano in the final A repetition end?

When the piano plays the upper-neighbor riff a last time

70
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How does Blues end in piano?

The piano arpeggiates through an Ab Major chord

71
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How does Blues end in violin?

Violin performs a forceful glissando up to a Gb

72
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What chord does the violin end the piece on?

a jazz like 7th chord