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M Butterfly Act 1 Scene 1
watching our story play through my head, always searching for a new ending, one which redeems my honour, where she returns at last to my arms
M Butterfly Act 1 Scene 3
Itâs true what they say about Oriental girls. They want to be treated bad
M Butterfly Act 1 Scene 9
Itâs in our blood. They fear us, Rene. Their women fear us
M Butterfly Act 1 Scene 11
I knew this little flower was waiting for me to call, and, as I wickedly refused to do so, I felt for the first time that rush of power - the absolute power of man
M Butterfly Act 2 Scene 3
They simply want to be associated with whoever shows the most strength and power
M Butterfly Act 2 Scene 5
and then, ever so delicately, and only if I agreed, she would start to pleasure me⌠but mostly we would talk. About my life
M Butterfly Act 2 Scene 6 (1)
But is it possible for a woman to be too uninhibited, too willing, so as to seem almost too⌠masculine?
M Butterfly Act 2 Scene 6 (2)
Be yourself - a cad - and know that my love is enough, that I submit - submit to the worst you can give me
M Butterfly Act 2 Scene 6 (3)
Happiness is so rare that our mind can turn somersaults to protect it
M Butterfly Act 2 Scene 7 (1)
It doesnât matter how rotten I answer, does it? You still adore me. Thatâs why I love you, Rene.
M Butterfly Act 2 Scene 7 (2)
Because only a man knows how a woman is supposed to act
M Butterfly Act 3 Scene 1 (1)
The West thinks of itself as masculine - big guns, big industry, big money - so the East is feminine - weak, delicate, poor - the feminine mystique
M Butterfly Act 3 Scene 1 (2)
The West believes the East, deep down, wants to be dominated - because a woman canât think for herself
M Butterfly Act 3 Scene 1 (3)
Rule One is: Men always believe what they want to hear. So a girl can tell the most obnoxious lies and the guys will believe them every time
M Butterfly Act 3 Scene 2
You, if anyone, should know - I am pure imagination
M Butterfly Act 3 Scene 3 (1)
That was my undoing, wasnât it? Love warped my judgement, blinded my eyes, arranged the very lines on my face⌠until I could look in the mirror and see nothing but⌠a woman
M Butterfly Act 3 Scene 3 (2)
Who takes whatever punishment we give them, and bounce back, strengthened by love, unconditionally. It is a vision that has become my life
M Butterfly Act 3 Scene 3 (3)
I have a vision. Of the Orient. That, deep within its almond eyes, there are still women. Women willing to sacrifice themselves for the love of a man. Even a man whose love is completely without worth
M Butterfly Act 3 Scene 3 (4)
The devastating knowledge that, underneath it all, the object of her love was nothing more, nothing less than⌠a man
a prelude (first stanza)
dropping a knife - on oneâs foot - is nothing like - dropping tequila - on oneâs tongue
a prelude (second stanza)
yet - her floral dress - begged me toâŚ
a prelude (third stanza)
where as the night - well, - it just stayed outside
The Droverâs Wife (1)
Nothing to relieve the eye save the darker green of a few she-oaks which are sighing above the narrow, almost waterless creek
The Droverâs Wife (2)
Nineteen miles to the nearest sign of civilization - a shanty on the main road
The Droverâs Wife (3)
As a girl she built the usual castles in the air; but all her girlish hopes and aspiration have been long dead
The Droverâs Wife (4)
He hates snakes and has killed many, but he will be bitten someday and die; most snake-dogs end that way
The Droverâs Wife (5)
The sight of his mother in trousers greatly amused Tommy, who worked like a little hero by her side, but the terrified baby howled lustily for his âmummyâ
The Droverâs Wife (6)
But she could not save it. There are things that a bushwoman cannot do.
The Droverâs Wife (7)
The crows leave in a hurry; they are cunning, but a womanâs cunning is greater.
The Droverâs Wife (8)
On Sunday afternoon she dresses herself, tidies up the children, smartens up baby, and goes for a lonely walk along the bush-track, pushing an old perambulator in front of her
The Droverâs Wife (9)
She loves her children, but has no time to show it. She seems harsh to them. Her surroundings are not favourable to the womanly or sentimental side of nature
The Droverâs Wife (10)
He was the last of his tribe and a King; but he had built that woodheap hollow
The Droverâs Wife (11)
Presently he looks up at her, sees the tears in her eyes, and, throwing his arms around her neck exclaims: âMother, I wonât never go drovinâ; blarst me if I do!â
Grapes of Wrath Chapter 1
Women and children knew deep in themselves that no misfortune was too great to bear if their men were whole
Grapes of Wrath Chapter 2
sometimes a guyâll be a good guy even if some rich bastard makes him carry a sticker
Grapes of Wrath Chapter 4 (1)
There ainât no sin and there ainât no virtue. Itâs all part of the same thing. And some of the things folks do is nice, and some ainât nice, but thatâs as far as any man got a right to say
Grapes of Wrath Chapter 4 (2)
maybe itâs all men anâ women we love; maybe thatâs the Holy Sperit - the human sperit - the whole shebang. Maybe all men got one big soul ever-bodyâs a part of
Grapes of Wrath Chapter 5
Some of the owner men were kind because they hated what they had to do, and some were angry because they hated to be cruel, and some of them were cold because they had long ago found that one could not be an owner unless one were cold
Grapes of Wrath Chapter 8
There was the hills, anâ there was me, anâ we wasnât separate no more. We was one thing. Anâ that one thing was holy.
Grapes of Wrath Chapter 9
To California or any place - every one a drum major leading a parade of hurts, marching with our bitterness. And some day - the armies of bitterness will all be going the same way. And theyâll all walk together, and thereâll be a dead terror from it
Grapes of Wrath Chapter 10 (1)
And now they [the Joads] were weary and frightened because they had gone against a system they did not understand and it had beaten them
Grapes of Wrath Chapter 10 (2)
Itâs a long time our folks been here and east before, anâ I never heerd tell of no Joads or no Hazletts, neither, ever refusinâ food anâ shelter or a lift on the road to anybody that asked. Theyâs been mean Joads, but never that mean
Grapes of Wrath Chapter 11
That man who is more than his chemistry, walking on the earth - that man who is more than his elements knows the land that is more than its analysis. But the machine man - understands only chemistry; and he is contemptuous of the land and of himself
Grapes of Wrath Chapter 12
The people in flight from the terror behind - strange things happen to them, some bitterly cruel and some so beautiful that the faith is refired forever
Grapes of Wrath Chapter 13
Weâre proud to help. I ainât felt so - safe in a long time. People needs - to help
Grapes of Wrath Chapter 14 (1)
Fear the time when Manself will not suffer and die for a concept, for this one quality is the foundation of Manself, and this one quality is man, distinctive in the universe
Grapes of Wrath Chapter 14 (2)
Keep these two squatting men apart; make them hate, fear, suspect each other⌠the danger is here, for two men are not as lonely and perplexed as one
Grapes of Wrath Chapter 16
This fella wants eight hundred men. So he prints up five thousand of them things anâ maybe twenty thousanâ people sees âem. Anâ maybe two-three thousanâ folks gets movinâ account a this here hanâbill. Folks thatâs crazy with worry
Grapes of Wrath Chapter 17
At first the families were timid in the building and tumbling worlds, but gradually the technique of building worlds became their technique. Then leaders emerged, then laws were made, then codes came into being. And as the worlds moved westward they were more complete and better furnished, for their builders were more experienced in building them
Grapes of Wrath Chapter 19
And the great owners, who must lose their land in an upheaval - when property accumulates in too few hands it is taken away. And that companion fact: when a majority fo the people are hungry and cold they will take by force what they need. And the little screaming fact that sounds through all history: repression works only to strengthen and knit the repressed
Grapes of Wrath Chapter 20
Dumb - donât know nothinâ. Donât understanâ nothinâ. Thatâs how cops like us⌠be bull-simple
Grapes of Wrath Chapter 21
The great companies did not know that the line between hunger and anger is a thin line
Grapes of Wrath Chapter 22
âA red is any son-of-a-bitch that wants thrity cents an hour when weâre paying twenty-five!â Well, this young fella he thinks about her, anâ he scratches his head, anâ he says, âWell, Jesus, Mr Hines. I ainât a son-of-a-bitch, but if thatâs what a red is - why, I want thirty cents an hour. Everâbody does. Hell, Mr Hines, weâre all redsâ
Grapes of Wrath Chapter 24
Theyâre gettinâ purty mean out here. Burned that camp anâ beat up folks. I been thinkinâ. All our folks got guns. I been thinkinâ maybe we ought to get up a turkey shootinâ club and have meetinâs everâ Sunday
Grapes of Wrath Chapter 25
And they stand still and watch the potatoes float by, listen to the screaming pigs being killed in a ditch and covered in quick-lime, watch the mountains of oranges slop down to a putrefying ooze; and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage
Grapes of Wrath Chapter 26
Learninâ it all a time, everâ day. If youâre in trouble or hurt or need - go to poor people. Theyâre the only ones thatâll help - the only ones
Grapes of Wrath Chapter 28
Says he founâ he jusâ got a little piece of a great big soul. Says a wilderness ainât no good, âcause his little piece of a soul wasnât no good âless it was with the rest, anâ was whole
Grapes of Wrath Chapter 29
And the women sighed with relief, for they knew it was all right - the break had not come; and the break would never come as long as fear could turn to wrath. Tiny points of grass came through the eart, and in a few days teh hills were pale green with the beginning year
Mod Poetry Stanza 1
All in green went my love riding - on a great horse of gold - into the silver dawn
Mod Poetry Stanza 2
four lean hounds crouched low and smiling - the merry deer ran before
Mod Poetry Stanza 3
Fleeter be they than dappled dreams - the swift sweet deer - the red rare deer
Mod Poetry Stanza 4
Four red roebuck at a white water - the cruel bugle sang before
Mod Poetry Stanza 5
Horn at hip went my love riding - riding the echo down - into the silver dawn
Mod Poetry Stanza 6
four lean hounds crouched low and smiling - the level meadows ran before
Mod Poetry Stanza 7
Softer be they than slippered sleep - the lean lithe deer - the fleet flown deer
Mod Poetry Stanza 8
Four fleet does at a gold valley - the famished arrow sang before
Mod Poetry Stanza 9
Bow at belt went my love riding - riding the mountain down - into the silver dawn
Mod Poetry Stanza 10
four lean hounds crouched low and smiling - the sheer peaks ran before
Mod Poetry Stanza 11
Paler be they than daunting death - the sleek slim deer - the tall tense deer
Mod Poetry Stanza 12
Four tall stags at a green mountain - the lucky hunter sang before
Mod Poetry Stanza 13
All in green went my love riding - on a great horse of gold - into the silver dawn
Mod Poetry Stanza 14
four lean hounds crouched low and smiling - my heart fell dead before