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Vocabulary flashcards based on lecture notes covering playwrights, theatrical terms, and acting techniques.
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Mood spelled backwards is
DOOM
If you weren’t nervous, you’d be
dead
We do it for the cause, not the
applause
Live to express, not
impress
There are no small parts, just small
actors
If you bring expectations into the room, you will always be
disappointed
Who says “If you bring expectations into the room, you will always be disappointed
Augusto Boal
Energy, energy,
energy
Once a member of a theatre tribe, always a member of a theatre
tribe
Say Yes applies to?
Improv
Be a duerr not a
Dont’er
Stanislavski is considered the?
Father of acting
What was stanislavski’s approach?
THE SYSTEM
What is Stanislavskis key word?
TRUTH
What was stanislavski associated with
Moscow Art Theatre
Antonin Artaud KEY word
Cruelty
Jerzy Grotowski KEY word
POOR theatre
Bertold Brecht KEY word
EPIC theatre
Stella Adler KEY word
Imagination
Augusto Boal KEY word
Theatre of the OPPRESSED
Who says cry? Cry BIG. laugh? laugh BIG
Augusto Boal
What did Mrs. Duerr create?
the ACTOR’S TOOLBOX
who created the concept of narrator? talking to the audience
Bertold Brecht
Who says Acting is not about the WORDS.
Stella Adler
Who is the Mother of Improvisation and Theatre games? “Theatre is about playing”
Viola Spolin
Viola Spolin KEY words
Theatre Games
Who created THE METHOD
Lee Strasberg
Who is associated with The Actor’s Studio
Lee Strasberg
Who wrote Actor’s Vow
Lee Strasberg
Uta Hagen’s KEY word?
RESPECT
Uta Hagen’s Respect for what?
Acting
What is something called that is ahead of time?
Avant-garde
A in ACROW?
Animal
C in ACROW?
Character
R in ACROW
Relationship
O in ACROW
Objective
W in ACROW
Where
First question in Actor’s 3 questions?
What does the author say about my character?
Second question in Actor’s 3 questions
What do other characters say about my character
Third Actor’s 3 questions
What does my character say about my character?
Why animals?
To get into a physical space, character’s mindset, and to understand more objective of the character
The whole essence of learning your lines is to
have the ability to work freely physically and vocally, gain respect from your fellow actors and directors, forget them because they are in your heart and you don't need to memorize them
What is the part of the stage farthest to the audience called?
Upstage
Who says anyone can act?
Viola Spolin
Actor’s right
stage right
Actor’s left
stage left
Where is centerstage?
In the center
Audience right
stage left
Audience left
stage right
Who emphasized the theatre of cruelty?
Artonin Artaud
Who was put into an Asylum
Antonin Artuad
Bertolt Brecht used a ___ to separate his audience from the play
narrator
Who cared about being expressionistic?
Antonin Artaud
Who used the EPIC theatre
Bertold Brecht
Who wrote the Actor's Vow?
Elia kazan
The SYSTEM emphasized, what?
truth
Who created the SYSTEM?
Constantin Stanislavski
Stella Adler says, "___ is not about the ___"
Acting, words
Who emphasized the POOR theatre?
Jerzy Grotowski
Who emphasized the theatre of the OPRESSED?
Augusto Boal
What did Adler, Strasberg, and Meisner's systems focus on/articulate?
Soul, Self, presence
Who wrote the ART OF ACTING?
Stella Adler
Who was part of the group theatre?
Adler, Strasberg, Meisner
What is Meisner's KEY word?
spontaneous/presence
Who learns the history behind the play and brings references to accurately display the time period?
Dramaturge
(T/F) In improv, you should try to be perfect because improv is about perfection
False
Doing the 0-10 exercise helps the actor...
follow in the mask tradition established by Commedia del Arte, get out of their comfort zone, explore emotional levels
(T/F) In improv, details are funny
True
(T/F) In improv, conflict between characters is OK, but their needs to be mutual respect and agreement within the team
True
What gets broken when you talk to the audience?
4th wall
Machine and animal games are a great way to
build improv skills
(T/F) In improv, improv is stand up comedy
false
(T/F) In improv, you work with a partner to accept and build a scene by saying 'yes and...'
true
The acting area and rehearsal space are considered 'sacred' because _
they should be respected and revered
(T/F) In improv, you should commit! Don't think- just react!
true
The four tenants are connect, create, __, and present
respond
(T/F) In improv, realistic honest reactions are the funniest
true
What is the part of the stage in the middle of the stage called?
center stage
What is the part of a stage outside of a curtain called?
proscenium
Movement on stage is directed by _.
objective
What is a performance in a theatre that takes place in the daytime?
Matinee
The four tenants are connect, create, respond, and __
present
Who says, "If you're gonna cry, cry BIG. If you're gonna laugh, laugh BIG?
Augusto Boal
Why does an actor need to warm up?
colors/numbers - to warm up your vocal chords and prepare your voice for your performance
jumping jacks - to physically prepare an actor's body before a scene
shake out - to shake off pre-performance nerves
The four tenants are connect, __, respond, and present
create
What do we call letting go of our disbelief and just believing in what we see/watch?
suspension of disbelief
Someone who can sing, dance, and act, is called a what?
triple threat
What is something called that is ahead of its time?
Avant-garde
What is it called when you read a script for the first time?
cold read
The word for 'actor' in Grecian times. it's just an actor.
Thespian
What does DTASC stand for?
Dramas Teacher Association of Southern California
The four tenants are __, create, respond, and present
connect
What are two things that acting games help with?
imagination and relaxation
Stands for 'standing room only' - it means that all of the tickets have been sold and all of the seats are taken.
SRO
What is the role of a Dramaturge
To research the play
Saying 'YES' responds to what?
improv
What do we call an exaggerated, usually comedic way of performing?
Pantomime
What is it called when you read a script that you're a little familiar with?
Warm read
The word for 'the entire cast in production'
ensemble
A musical's script
Libretto