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Looks in Images
Look of producer towards the motif or scene; influenced by selection, psychology,technology, and ideology
Directional Cues, Emotional Cues, “breaking frame”
Looks exchanged by depicted characters, look of spectator towards image
“fourth wall”
Looks between depicted characters and spectators
voyerurism/ scopophilia
Erotic gratification derived from looking
Mirrors
Psychologically powerful viewing device, used as self-reflective comment on act of looking
“mirror phase”
developmental stage where infants recognize their image in mirrors as self and yet not- begin to project control
Cinematic apparatus
Traditional social cinema space-darkened theater, mirror- like screen - incites regression to childlike state
Point-of-View
Pans, tracking shots, zooms, editing
objective shot
Camera as third-person viewer
Subjective shot
Camera assumes alternating character positions, “reverse- shot structure”
Literate
able to read or write, more generally,educated or learned
Semiotic
Language and pictures are two kinds of sign - poetic or rhetorical devices common to both; text in art & design combines both
“reading images”
Reading literature is time-based art sometimes less obviously so; images are read by unconscious saccadic eye movements
Dominant- hegemonic reading
unquestioningly identify with the dominant ideology
Negotiated reading combine various interpretations
combine various interpretations
Oppositional reading
completely disagree,reject or ignore
Gender-Bending
Rereading with queer subtext
Trans-coding
putting positive spin on negative
Rhetoric
Type of speech used to persuade an audience; field of study which examines modes of communication
Visual Poetics
Examines rhetorical devices (figures of speech or tropes) in images and language
simile
One thing is likened to another- “my love is like a red,red rose”
Metaphor
A stronger connection than a simile — “ the moon’s a balloon”
Metonymy
A change of name — “ he started hitting the bottle”
synecdoche
part standing for the whole “ a hired hand”
Hyperbole
Excessive exaggeration -” he was as big as a house”
Personification
Abstract ideas embodies in some person or animal
Symbols
Signs or objects that have,over time, acquired fixed secondary meanings
Allegory
A treatment of one subject the guise of another; a presentation of abstract meaning through concrete forms
alliteration, assonance and rhymes
closest visual parallel would be repetitions of form, color, pattern
Antithesis
Opposition, contrast; visual opposite juxtapositions
chiasmus
(“crossing”) two phrases are juxtaposed with the key word order reversed in the second “it’s not the mean in my life that count, it’s the life in my men”
Quotation and paraphrase
visually, appropriation(bricolage) and influence incorporation
intertextuality
references to other works in the genre’ quoting’; game with audience, reflecting their sophistication as knowledgeable viewers
double meanings
puns, homophones, and double entendres; visually, visual puns, form overlapping or superimposition s