h is for hawk

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7 Terms

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text type

autobiographical text

<p>autobiographical text </p>
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themes and emotions

  • pain

  • loss

  • isolation

  • excited

  • suspense

  • freedom

  • panic

  • awe

<ul><li><p>pain </p></li><li><p>loss </p></li><li><p>isolation </p></li><li><p>excited </p></li><li><p>suspense  </p></li><li><p>freedom </p></li><li><p>panic </p></li><li><p>awe </p></li></ul>
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atitudes towards the beginning

The extract begins in mediaā€™s res with the goshawk breeder checking his paperwork and carefully unhinging the box containing the bird. There are two birds: Macdonaldā€™s goshawk and someone elseā€™s, so to complete the sale, they must check the numbers on the birdā€™s ankle tag against the paperwork. Macdonald is excited and creates suspense around meeting the enormous bird for the first time.

keywords: amazement, suspense, tension, amazement, astonishment reverence, enchanted, ethereal, beautiful

<p>The extract begins in mediaā€™s res with the goshawk breeder checking his paperwork and carefully unhinging the box containing the bird. There are two birds: Macdonaldā€™s goshawk and someone elseā€™s, so to complete the sale, they must check the numbers on the birdā€™s ankle tag against the paperwork. Macdonald is excited and creates suspense around meeting the enormous bird for the first time.</p><p>keywords: amazement, suspense, tension, amazement, astonishment reverence, enchanted, ethereal, beautiful</p>
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atitudes towards the middle

Macdonald sees the bird for the first time as it emerges from the crate and describes its reaction to being let out, as well as her impressions of it. The hawkā€™s hood has come off, causing her to panic, and Macdonald appreciates the concern of the breeder who had reared her since she hatched in an incubator. She is in awe but is concerned about its she feels its need for freedom.

keywords:calm, control, melodramatic , beautiful imagery, tension

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atitudes towards the end

Macdonald helps by putting the hood back on the hawk, butthen they realise thatthis was the wrong bird: she was meantto take home the second one. The other hawk is taken out, but Macdonald does notfeelthe same sense of connection she felt to the first. She asks if it would be possible for her to take the first hawk instead, as she sensed a close bond with it.sense of disapointment as the bird she was in awe of was not the bird she would be taking home. this then causes panic as the new bird feels wild

key words: fear, shock, panic, awkwardness, overwhelming, discomfort, silence

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key quotations

ā€œdont want you going home with the wrong birdā€ situational irony, foreshadowing the plot twist

ā€œher feathers raised like the scattered quills of a fretful porpentineā€description build tension and visual imagery, god like in awe and intimidated by it hyperbole+ metaphor= drama

ā€œa fallen angelā€ and ā€œ a broken marionette of wings, legs and light spashed feathersā€

ā€œman was perfectly calmā€

ā€œall at once i loved this man and fiercelyā€

ā€œ her wild eyes were the colour of sun on white paper ā€œ

ā€œit was the wrong birdā€ turning point

ā€œthis isnā€™t my hawkā€ repetition

ā€œi could take that one insteadā€¦?ā€

ā€œthat my stuttered request wasnā€™t a simple oneā€

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structure of h is for hawk

in the opening sentence the adjective ā€˜rareā€™ suggests that these birds are unusual and therefore special ā€¢ the writer is meeting her bird for the first time and the reader shares the gradual reveal of what is within the box; it is not possible for the writer or the reader to tell what is in the box as the man ā€˜squinted into its dark interiorā€™

ā€¢ the onomatopoeic noun ā€˜thumpā€™ is used to convey a sense of the power of the first bird, emphasised further by the use of italics and repetition of the word

ā€¢ the fact that the man ā€˜frownedā€™ because the hawk has managed to remove its hood suggests that it is perhaps both powerful and scared

ā€¢ the time immediately before the first bird is seen is described using the metaphor of ā€˜The last few seconds before a battleā€™, leading the reader to infer that the bird may be aggressive

ā€¢ the onomatopoeia used in the phrases ā€˜whirring, chaotic clatter of wings and feet and talonsā€™ and ā€˜high-pitched twitteringā€™ conveys a sense of wild noise and confusion, suggesting that the bird may be frightened or panicking

ā€¢ the repetition of the adjective ā€˜enormousā€™ with use of italics emphasises the size of the first bird

ā€¢ the short sentences containing a range of striking metaphors to describe the writerā€™s initial impressions of the first bird give contrasting, and possibly confusing, images of what it looks like and show how hard it is for the writer to convey its exact appearance and effect; the simile ā€˜like gold falling through waterā€™ suggests something very precious

ā€¢ in contrast to the images of beauty, the writer recounts in apparent horror how ā€˜For one awful, long moment she is hanging headdownwardā€™ and the simile ā€˜like a turkey in a butcherā€™s shopā€™ suggests that the bird might even be dead

ā€¢ the writer seems to adopt the perspective of the first bird as she uses asyndeton to convey the incredible precision of the birdā€™s vision: ā€˜the pointsource glitter on the waves, a diving cormorant a hundred yards out; pigment flakes under wax on the lines of parked cars; far hills and the heather on themā€™

ā€¢ the writer contrasts the power of the bird now with its vulnerability as a ā€˜lumpen, fluffy chickā€™ ā€¢ the description of the birdā€™s ā€˜alien brain fizzing and fusing with terrorā€™, with its use of alliteration and half-rhyme, gives a strong impression of how frightening this experience must be for the bird

ā€¢ the single-line paragraph five with its four short blunt sentences stating at the start that ā€˜It was the wrong birdā€™ powerfully conveys the writerā€™s shock and, as with the first bird, the reader is introduced with the writer to the second bird 7

ā€¢ the monosyllabic exclamation ā€˜Ohā€™, italicised and isolated on the page, momentarily suspends the movement of the narrative, creating a pause before the description of the writerā€™s horrified reaction to the second hawk

ā€¢ the writer states bluntly that ā€˜Everything about this second hawk was differentā€™; the use of comparatives ā€“ ā€˜larger, olderā€¦ smokier and darkerā€™ ā€“ highlights key differences ā€¢ the dark, Gothic images of the second hawk, seen in the simile ā€˜like a Victorian melodramaā€™ and the metaphor ā€˜A sort of madwoman in the attackā€™, insinuate something exaggeratedly menacing and sinister about the bird

ā€¢ the first bird was described as ā€˜enormous, enormousā€™ but the second one is ā€˜much, much biggerā€™; the repetition of the modifier adds emphasis to the idea of its size

ā€¢ the writer continues to show the different impressions she has of the two birds by saying of the second bird, ā€˜instead of twittering, she wailedā€™ and describing its noise as ā€˜like a thing in painā€™; these serve to enhance the contrast with the first bird and convey the sense that both the bird and the writer are unhappy

ā€¢ the close positioning in one line of the three words ā€˜blankā€™, ā€˜crazyā€™, ā€˜madnessā€™ suggests dangerous and unpredictable qualities in the second hawk ā€¢ the writerā€™s statement that ā€˜I didnā€™t recognise herā€™ indicates that she feels no connection with this second bird ā€¢ the use of italics in the antithetical short statements ā€˜This is my hawkā€™, ā€˜This isnā€™t my hawkā€™, ā€˜But this isnā€™t my hawkā€™ and the repetition within the final two sentences draw attention to the writerā€™s feelings of disbelief and dread, highlighting her reluctance to accept the bird.