the deliberate repetition of the first part of the sentence in order to achieve an artistic effect
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trochee (trochaic)
a metrical foot, or a beat in a line, containing two syllables in which first one is accented followed by a second unaccented syllable (accented/unaccented)
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conceit
a figure of speech in which two vastly different objects are likened together with the help of similes or metaphors; it is often surprising because the comparison made is much less conventional than that of a simile or metaphor
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diction
the kinds of words, phrases, sentence structures, and figurative language that constitute any work of literature
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ellipsis
a literary device that is used in narratives to omit some parts of a sentence or event, which gives the reader a chance to fill the gaps while acting or reading it out. It is usually written between the sentences as "...". The part of a sentence or an event that is left out is often used to either save time or use it as a stylistic element by allowing the reader to fill in the gaps by using their imagination.
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epigram
a rhetorical device that is a memorable, brief, interesting and surprising satirical statement, commonly used in poetry where it appears as a short satirical poem with a single subject ending in an ingenious or witty thought
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euphony
a term applied to language which strikes the ear as smooth, pleasant, and musical
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metonymy
a figure of speech that replaces the name of a thing with the name of something else with which it is closely associated (e.g., "The Oval Office" to refer to the people who work in the oval office; "the crown" to refer to a king)
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metaphor
a figure of speech which makes an implicit, implied or hidden comparison between two things or objects that are poles apart from each other but have some characteristics common between them
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motif
a recurrent image, idea or a symbol that develops or explains a theme
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oxymoron
a consecutive set of words that have contradictory meanings (e.g., "act natural," "slumber party," "jumbo shrimp")
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parody
imitates the serious manner and character features of a particular literary work, or the distinctive style of a particular author, or the typical stylistic and other features of a serious literary genre, and applies the imitation to a lowly or comically inappropriate subject
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spondee (spondaic)
a metrical foot, or a beat in a line, containing two syllables in which both are accented/stressed
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sarcasm
the literal meaning is different than what the speaker intends to say; a literary and rhetorical device that is meant to mock with often satirical or ironic remarks with a purpose to amuse and hurt someone or some section of society simultaneously; a form of irony which uses the crude and taunting use of apparent praise for dispraise
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style
the manner of linguistic expression in prose or verse; that is, HOW speakers or writers say whatever it is that they say
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syllespis
A figure of speech in which a word is applied to two others in different senses (e.g., "caught the train and a bad cold, " or"when I address Fred I never have to raise either my voice or my hopes")
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synaesthesia
descriptions of one kind of sensation in terms of another; color is attributed to sounds, odor to colors, sounds to odors, etc. (e.g. "loud wallpaper," "the region where the sun is silent")
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synecdoche
a literary device in which a part of something represents the whole or it may use a whole to represent a part (e.g., "I like your new wheels" to mean "I like your new car.")
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syntax
the study of the way that sequences of words are ordered into phrases, clauses, and sentences (that is, how words are used to form a sentence (hint: Yoda's is unusual: "Powerful you have become")
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tone
an attitude of a writer toward a subject or an audience, generally conveyed through the choice of words or the viewpoint of a writer on a particular subject