Global Baroque Midterm

Gian Lorenzo Bernini, Ecstasy of Saint Teresa of Ávila, 1645-1652, Marble, Rome, Italy

Artemisia Gentileschi, “Cleopatra,” 1611-1612, Oil on Canvas

Artemisia Gentileschi, “Judith and Holofernes,” ca. 1620, Oil on canvas

Caravaggio, “Love Victorious,” 1598-1602, Oil on canvas

Caravaggio, Bacchino Malato (Sick Bacchus), c. 1593, Oil on canvas

Caravaggio, ”Judith Beheading Holofernes, ” 1598-1599, Oil on canvas

Riza-i ‘Abbasi, ”The Lovers,” ca. 1630, Opaque watercolor, ink, gold on paper

Riza-i ‘Abbasi, “The Old Man and the Youth,” C. 1625-1635, Ink, transparent and opaque watercolor, and gold on paper

Chen Hongshou, “Elegant Gathering,” 1647, Handscroll, Ink on paper

Dong Qichang, “Landscape in the Manner of Wang Meng,” 1621-1624, Ink and color on paper

Church of Santo Domingo/Qorikancha, consecrated 1654, Cuzco

Cathedral of Cuzco, ca. 1550-1640’s, contains building material from the ruin of citadel north of Cuzco (Saqsaywamán)

The Vatican Obelisk, Red granite, moved from Alexandria to Rome by Caligula 37 CE. Moved from behind St. Peter’s Sacristy. Installed in St. Peter’s Square, 1586

Gian Lorenzo Bernini, Piazza San Pietro (St Peter’s Square), 1656-1667, Rome

Peter Paul Rubens, ”Descent from the Cross,” 1612-1614

Peter Paul Rubens, “The Miracles of St. Francis Xavier,” 1617-1618, Oil on canvas

Peter Paul Rubens, “Man in Korean Costume,” 1617, Black and red chalk on paper

Domingos Fernandes, Church of Bom Jesus (“The Good Jesus”), 1594-1605, Old Goa, India