Global Prehistory Artworks: Paleolithic to Bronze Age Key Analyses

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46 Terms

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Apollo 11 Stones

Artist: Unknown, Period: Paleolithic 25,000-25,300 BCE, Culture: Namibia, Material: Charcoal on Stone

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Great Hall of the Bulls

Artist: Unknown, Period: Paleolithic 15,000-13,000 BCE, Culture: Lascax, France, Material: Rock Painting

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Camelid Sacrum in the shape of a Canine

Artist: Unknown, Period: Mesolithic, Culture: Tequixquiac, Central Mexico, Material: Bone

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Running Horned Woman

Artist: Unknown, Period: Neolithic, Culture: Tassili n'Ajier, Algeria, Material: Pigment on Stone

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Function of Apollo 11 Stones

Man is capable of symbolic thought.

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Context of Apollo 11 Stones

Made when man was nomadic, discovered by WE Wendt.

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Context of Great Hall of the Bulls

Original cave remade due to opening the cave up to the public.

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Function of Great Hall of the Bulls

Made after a successful hunt (ritual).

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Materials used in Great Hall of the Bulls

Used ochre and charcoal.

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Technique used in Great Hall of the Bulls

Scaffolding was used, burning animal fat as a light source.

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Cultural significance of Camelid Sacrum

The people of Mesopotamia thought the sacrum was a sacred bone.

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Materials used in Camelid Sacrum

Triangle one at the base of the spine of a camel, llama, alpaca.

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Technique used in Camelid Sacrum

Sharp tool to carve out the nostril.

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Context of Running Horned Woman

Ritual related to rain/grain falling-agriculture and harvest.

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Symbolism in Running Horned Woman

Dots on her body representing scarification-markers like changes in life, marriage etc.

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Visual Analysis of Apollo 11 Stones

Two stones, feline animal, human hind legs, curved horns - Oryx?

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Visual Analysis of Great Hall of the Bulls

Some animals are linear, some colored in, twisted perspective - side view of the body, full head.

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Visual Analysis of Camelid Sacrum

Carved from bone, shaped like a canine.

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Visual Analysis of Running Horned Woman

Running woman depicted with ritualistic elements.

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Date of Apollo 11 Stones

Buried 25,000 years ago.

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Date of Great Hall of the Bulls

Created between 15,000-13,000 BCE.

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Date of Camelid Sacrum

Period: Mesolithic.

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Date of Running Horned Woman

Period: Neolithic.

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Hierarchy of scale

People in the background are smaller; important person is depicted larger.

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Beaker with ibex motifs

Neolithic painted terracotta artifact from Susa, Iran, created by an unknown artist.

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Registers

Separations on the art piece, with specific depictions in each register.

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1st register

Features birds with very long necks.

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2nd register

Depicts a long and thin dog in motion.

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Goat with exaggerated horns

Serves as a clan marker, stylized and handmade, found at a burial site.

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Anthropomorphic stele

Neolithic sandstone sculpture from the Arabian Peninsula, depicting a male figure with no arms or feet, wearing a necklace and a belted robe.

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Aul

A diagonal necklace worn by the anthropomorphic stele.

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Trade route

Linking east to west, the Arabian Peninsula was fertile and lush during the Neolithic period.

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Jade Cong

Neolithic jade artifact (3,300-2,200 BCE) from Liangzhu, China, symbolizing earth and heaven, characterized by a circular and square shape.

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Sanding abrasive technique

Method used in the creation of jade cong.

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Stonehenge

Neolithic sandstone structure located in Wiltshire, UK, created by an unknown artist.

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Megalithic architecture

Architecture involving large stones, including menhirs, henges, and trilithons.

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Menhirs

Tall stones used in megalithic architecture.

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Henge

A circular ditch associated with megalithic architecture.

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Aubreyholes

56 pits found at Stonehenge.

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Trilithon

A structure consisting of a post and lintel in megalithic architecture.

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Mortise and tenon joint

A type of joint used in megalithic architecture.

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The Ambum Stone

Bronze Age zoomorphic sculpture from Ambum Valley, Papua New Guinea, made of greywacke.

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Tlatilco female figurine

Bronze Age ceramic sculpture from Central Mexico (1200-900 BCE), emphasizing facial features and exaggerated hips.

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Funeral object

The Tlatilco female figurine was used for afterlife rituals.

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Lapita Terracotta Fragment

Bronze Age pottery shard from the Solomon Islands, characterized by geometric and anthropomorphic designs.

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Design Grammar

The method of creating patterns on pottery, often involving stamping or fine tools.

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