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Apollo 11 Stones
Artist: Unknown, Period: Paleolithic 25,000-25,300 BCE, Culture: Namibia, Material: Charcoal on Stone
Great Hall of the Bulls
Artist: Unknown, Period: Paleolithic 15,000-13,000 BCE, Culture: Lascax, France, Material: Rock Painting
Camelid Sacrum in the shape of a Canine
Artist: Unknown, Period: Mesolithic, Culture: Tequixquiac, Central Mexico, Material: Bone
Running Horned Woman
Artist: Unknown, Period: Neolithic, Culture: Tassili n'Ajier, Algeria, Material: Pigment on Stone
Function of Apollo 11 Stones
Man is capable of symbolic thought.
Context of Apollo 11 Stones
Made when man was nomadic, discovered by WE Wendt.
Context of Great Hall of the Bulls
Original cave remade due to opening the cave up to the public.
Function of Great Hall of the Bulls
Made after a successful hunt (ritual).
Materials used in Great Hall of the Bulls
Used ochre and charcoal.
Technique used in Great Hall of the Bulls
Scaffolding was used, burning animal fat as a light source.
Cultural significance of Camelid Sacrum
The people of Mesopotamia thought the sacrum was a sacred bone.
Materials used in Camelid Sacrum
Triangle one at the base of the spine of a camel, llama, alpaca.
Technique used in Camelid Sacrum
Sharp tool to carve out the nostril.
Context of Running Horned Woman
Ritual related to rain/grain falling-agriculture and harvest.
Symbolism in Running Horned Woman
Dots on her body representing scarification-markers like changes in life, marriage etc.
Visual Analysis of Apollo 11 Stones
Two stones, feline animal, human hind legs, curved horns - Oryx?
Visual Analysis of Great Hall of the Bulls
Some animals are linear, some colored in, twisted perspective - side view of the body, full head.
Visual Analysis of Camelid Sacrum
Carved from bone, shaped like a canine.
Visual Analysis of Running Horned Woman
Running woman depicted with ritualistic elements.
Date of Apollo 11 Stones
Buried 25,000 years ago.
Date of Great Hall of the Bulls
Created between 15,000-13,000 BCE.
Date of Camelid Sacrum
Period: Mesolithic.
Date of Running Horned Woman
Period: Neolithic.
Hierarchy of scale
People in the background are smaller; important person is depicted larger.
Beaker with ibex motifs
Neolithic painted terracotta artifact from Susa, Iran, created by an unknown artist.
Registers
Separations on the art piece, with specific depictions in each register.
1st register
Features birds with very long necks.
2nd register
Depicts a long and thin dog in motion.
Goat with exaggerated horns
Serves as a clan marker, stylized and handmade, found at a burial site.
Anthropomorphic stele
Neolithic sandstone sculpture from the Arabian Peninsula, depicting a male figure with no arms or feet, wearing a necklace and a belted robe.
Aul
A diagonal necklace worn by the anthropomorphic stele.
Trade route
Linking east to west, the Arabian Peninsula was fertile and lush during the Neolithic period.
Jade Cong
Neolithic jade artifact (3,300-2,200 BCE) from Liangzhu, China, symbolizing earth and heaven, characterized by a circular and square shape.
Sanding abrasive technique
Method used in the creation of jade cong.
Stonehenge
Neolithic sandstone structure located in Wiltshire, UK, created by an unknown artist.
Megalithic architecture
Architecture involving large stones, including menhirs, henges, and trilithons.
Menhirs
Tall stones used in megalithic architecture.
Henge
A circular ditch associated with megalithic architecture.
Aubreyholes
56 pits found at Stonehenge.
Trilithon
A structure consisting of a post and lintel in megalithic architecture.
Mortise and tenon joint
A type of joint used in megalithic architecture.
The Ambum Stone
Bronze Age zoomorphic sculpture from Ambum Valley, Papua New Guinea, made of greywacke.
Tlatilco female figurine
Bronze Age ceramic sculpture from Central Mexico (1200-900 BCE), emphasizing facial features and exaggerated hips.
Funeral object
The Tlatilco female figurine was used for afterlife rituals.
Lapita Terracotta Fragment
Bronze Age pottery shard from the Solomon Islands, characterized by geometric and anthropomorphic designs.
Design Grammar
The method of creating patterns on pottery, often involving stamping or fine tools.