Fallacies + Satire :3

studied byStudied by 1 person
0.0(0)
learn
LearnA personalized and smart learning plan
exam
Practice TestTake a test on your terms and definitions
spaced repetition
Spaced RepetitionScientifically backed study method
heart puzzle
Matching GameHow quick can you match all your cards?
flashcards
FlashcardsStudy terms and definitions

1 / 55

flashcard set

Earn XP

Description and Tags

Ap Language and Compostion

56 Terms

1

Fallacy

  • Fallacies are defects that weaken arguments. 

 

  • Fallacious arguments are very common and can be quite persuasive, at least to the causal reader or listener. You can find dozens of examples of fallacious reasoning in newspapers, advertisements, and other sources.

New cards
2

Hasty Generalization

Making assumptions about a whole group or range of cases based on a sample that is inadequate (usually because it is atypical or just too small).

ex. stereotypes

New cards
3

missing the point

The premises of an argument support a particular conclusion--but not the conclusion that the arguer actually draws

New cards
4

Post Hoc, Ergo Propter Hoc

 A faulty assumption that the cause of a relationship is the result of what preceded it.  Also known as Faulty Causality.

  • This fallacy gets its name from the Latin phrase "post hoc, ergo propter hoc," which translates to: "after this, therefore because of this." It can also be translate as: X then Y, therefore X causes Y.  

New cards
5

Slippery slope/camel’s nose

The arguer claims that some form of chain reaction, usually ending in some dire consequence, will take place, but there's really not enough evidence for that assumption.

The arguer asserts that if we take even one step onto the "slippery slope," we will end up sliding all the way to the bottom; he or she assumes we can't stop halfway “down the hill.”

New cards
6

Weak Analogy

Many arguments rely on an analogy between two or more objects, ideas, or situations. If the two things that are being compared aren't really alike in the relevant respects, the analogy is a weak one, and the argument that relies on it commits the fallacy of weak analogy.

New cards
7

Appeal to Authority

Often we add strength to our arguments by referring to respected sources or authorities and explaining their positions on the issues we're discussing.

  • If, however, we try to get readers to agree with us simply by impressing them with a famous name or by appealing to a supposed authority who really isn't much of an expert, we commit the fallacy of appeal to authority.

New cards
8

Appeal to Pity

The appeal to pity takes place when an arguer tries to get people to accept a conclusion by making them feel sorry for someone – it includes the technique of pathos.

New cards
9

Appeal to ignorance

an appeal to ignorance lacks conclusive evidence (data, facts, statistics) about the issue being discussed. Therefore, the arguer states that one should accept his or her conclusion on the presented issue.

New cards
10

Straw Man

One way of making our own arguments stronger is to anticipate and respond in advance to the arguments that an opponent might make.  The arguer sets up a wimpy, distorted, or misrepresented version of the opponent’s position (counterargument) and tries to score points by knocking it down.

New cards
11

Red Herring

Partway through an argument, the arguer goes off on a tangent, raising a side issue that distracts the audience from what's really being discussed. Often, the arguer never returns to the original issue.

New cards
12

False Dichotomy

In false dichotomy, the arguer sets up the situation so it looks like there are only two choices. The arguer then eliminates one of the choices, so it seems that we are left with only one option: the one the arguer wanted us to pick in the first place.

New cards
13

Equivocation

Equivocation is sliding between two or more different meanings of a single word or phrase that is important to the argument.

New cards
14

Begging the Question

  • A complicated fallacy; an argument that begs the question asks the reader to simply accept the conclusion without providing real evidence by saying the same point in different words.

    •  the argument either relies on a premise that says the same thing as the conclusion (which you might hear referred to as "being circular" or "circular reasoning"), or simply ignores an important (but questionable) assumption that the argument rests on. 

    • Sometimes people use the phrase "beg the question" as a sort of general criticism of arguments, to mean that an arguer hasn't given very good reasons for a conclusion, but that's not the meaning we're going to discuss here.

New cards
15

Non Sequiter

  • A gap in the sequence of your logic. Usually what happened is that the writer leaped from A to B

and then jumped to D, leaving out step C of an argument he/ she thought through in her head, but did

not put down on paper.

New cards
16

Circular Reasoning

One statement is true because of the other statement, and the other statement is true because of the previous statement.  A claim is supported by its reasoning; the argument begins where it ends.  Often depicted as: X is true because of Y and Y is true because of X. 

New cards
17

Reductio Ad Absurdum

  • also known as "reducing to an absurdity." It involves extending someone’s arguments to ridiculous proportions then criticizing the result that no reasonable person would take such a position.

New cards
18

Poisoning the Well

Attacking an argument by attacking the opponent (discrediting them) before they can present their argument. 

New cards
19

Appeal to tradition

Because something has always been done a particular way, it should continue to be done that way.

New cards
20

Stacking the Deck

Any evidence that supports an opposing argument is rejected, omitted, or ignored. 

New cards
21

Hypothesis Contrary to the Fact

Offering poorly supported claims about what might have happened in the past or future if (the hypothetical part) circumstances or conditions were different.  The fallacy also entails treating future hypothetical situations as if they are fact.  

New cards
22

Moving the Goalposts

Demanding from an opponent that he or she address more and more points after the initial counter-argument has been satisfied refusing to concede or accept the opponent’s argument.

New cards
23

Satire

Making fun of some aspect of culture, society, and/or human nature in an attempt to improve it or inspire change.

New cards
24

Satire vs. Comedy

Satire differs from comedy in that:

-Satire seeks to correct, improve, or reform through ridicule

-Comedy aims simply to amuse its audience


-Satire uses laughter as a weapon against something that exists outside the work itself.

New cards
25

Formal (Direct) Satire

  • The persona (speaker) uses first-person point of view

  • This speaker may address the reader or a character within the work


  • Example: “A Modest Proposal”

New cards
26

Indirect Satire

  • Some format other than direct address to the reader

  • This is usually a fictional narrative, in which objects of satire are characters


  • Example: Animal Farm

New cards
27

Horation

  • Named for the Roman satirist Horace

  • Tolerant, funny, sophisticated, witty, wise, self-effacing

  • Aims to correct through humor. 

  • Directs wit, exaggeration, and self-deprecating humor toward what it identifies as folly, rather than evil.

New cards
28

Juvenalian

Named after Roman satirist Juvenal

-Angry, caustic, personal, relentless, bitter, serious 

-Provokes a darker kind of laughter; addresses social evil and points with contempt to the corruption of men and institutions through scorn, outrage, and savage ridicule.

-Often pessimistic, characterized by irony, sarcasm, moral indignation and personal invective, with less emphasis on humor 

New cards
29

Optimist

-Likes people, but thinks they are rather blind and foolish

-Tells the truth with a smile

-Cures people of their ignorance

-Writes in order to heal

New cards
30

Pessimist

-Loves individuals, hates mankind

-Aim is to wound, to punish, to destroy

-Uses Juvenalian satire

New cards
31

Diatribe/Invective

Direct attack

-Stated without irony or sarcasm

-name calling, personal abuse, etc.

New cards
32

Farce

-Exciting laughter through exaggerated, improbable situations. 

-Usually contains low comedy: quarreling, fighting, coarse wit, horseplay, noisy singing, boisterous conduct, trickery, clownishness, drunkenness, slap-stick.

New cards
33

Caricature

  • Distortion for emphasis

  • Usually focuses on powerful subjects

  • Emphasizes physical characteristics in order to make deeper criticism

New cards
34

Grotesque

Creating a tension between laughter and horror or revulsion; the essence of all “sick humor” or “black humor”

New cards
35

Understatement

A figure of speech in which a writer or speaker deliberately makes a situation seem less important than it is

New cards
36

Juxaposition

the arrangement of two or more characters, ideas, or words side-by-side for the purpose of comparison, contrast, or character development

New cards
37

Sarcasm

taunting on a personal level by saying something and meaning the opposite

New cards
38

Parody

-Imitation which, through distortion and exaggeration, evokes amusement, derision, and sometimes scorn

-Borrows a pre-existing form

New cards
39

Burlesque

Vulgar

-Treats subject with ridicule, vulgarity, distortion, and contempt

New cards
40

Mock-Heroic

Grand diction, lofty style

-Takes a trivial or repellent theme and treats it with grandeur or feigned solemnity

New cards
41

Analyzing Satire

1. What's the tone of the satire? 

(grim, cheerful, sardonic, mock serious, optimistic, etc.) 


2. What type of satire is this? 

(direct vs. indirect) 


3. What is the writer satirizing? 

(what aspect of society are they trying to criticize?) 


4. What is the writer's purpose in satirizing this   

     subject? 

(what do they want to change?) 


5. What literary techniques does the writer use in            

     this satire? 

(hyperbole, understatement, irony, humor, etc.)

New cards
42

More about Satire

  • A satire wants to EFFECT CHANGE in the world.


  • A satire usually achieves this effect by going to an extreme degree of exaggeration (or hyperbole).

    • If a satirist can elicit an emotional response from his reader, he can get them to listen to a more reasonable suggestion

New cards
43

Exaggeration

To enlarge, increase, or represent something beyond normal bounds so that it becomes ridiculous and its faults can be seen.  

New cards
44

Hyperbole

exaggerated statements or claims not meant to be taken literally.

New cards
45

Absurdum

Taking something to an extreme to make a point 

New cards
46

Understatement

diminishes statements or claims not meant to be taken literally.

New cards
47

Incongruity

To present things that are out of place or are absurd in relation to its surroundings. 

New cards
48

Reversal

To present the opposite of the normal order (the order of events, standard order of something obvious.)

New cards
49

Situational Irony

A contrast between what is expected and what actually occurs.

New cards
50

Verbal Irony

When a writer or character says one something but means the 

opposite.

New cards
51

Understatement

A form of Irony that creates  emphasis  by saying less than what  is true or appropriate

New cards
52

Sarcasm

The use of words that mean the opposite of what you really want to say especially in order to insult someone, to show irritation, or to be funny.

New cards
53

Judgement

When character, intelligence, beliefs, decisions or preferences are questioned in a way that causes shame

New cards
54

Play/Wit

mockery, imitation, and clever humor 

New cards
55

Misunderstanding

Intentional misinterpretation or misunderstanding of in a conversation, situation, or circumstance 

New cards
56

Parody

To imitate the techniques and/or style of some person, place, or thing.

New cards
robot