1/12
Name | Mastery | Learn | Test | Matching | Spaced |
---|
No study sessions yet.
The Aristocracy
Revenge tragedies focus on a corrupt and immoral milieu - the ruling class is presented as tyrannical and tainted by sinfulness
The Divine Right of Kings
The Divine Right of Kings was a doctrine which claimed that kings were God’s representatives on earth, thus investing the monarchy with a religious significance. This doctrine was fully endorsed by James I who wrote a book about it
James I’s court
James I’s court was famous for it’s corruption - he enjoyed flattery and he gave his favourites money, titles and privileges. His court was famous for its sexual licentiousness, (also evident in Malfi in the relationship between the Cardinal and Julia)
The Body Politic
The Body Politic was a metaphor in which a nation is considered to be a corporate entity, likened to a human body. In the seventeenth century the monarch was a symbolic embodiment of the nation. If the monarch pursued their own desires (the body personal - their own mortal, weak body) over the body politic (a ruler ordained by God), this was believed to affect the moral and political health of the country therefore putting it’s stability at risk
Women’s Sexual Desire
Early modern England expressed some anxiety about female sexuality as women were believed to have a much stronger sexual appetite than men and so were feared as untrustworthy
New Individualism/Emerging Capitalism
Those in power in early modern England believed in a fixed social order (The Chain of Being) but that was under threat from a new restlessness as land and wealth began to move into the hands of ‘new’ men, along with a nascent meritocracy - where one might be rewarded for merit rather than for birthright - as Antonio is by the Duchess
Widowhood
Widows, as sexually experienced women, were thought to be especially susceptible to sexual desire, a fear expressed by Ferdinand in his insult ‘lusty widow’. The Duchess, however, celebrates her sexual nature in her loving desire for a new husband
Religion: Catholicism & Protestantism
Audiences at Malfi would have been, in general, anti-Catholic as Catholics were seen to be disloyal and potentially treacherous because of the religious friction and turmoil caused by Henry VIII’s break with the Church years earlier and the recent Gunpowder Plot. Thus, the demonisation of the Catholic Church (made clear in the characterisation of the Cardinal) and Italy embodied the English fear and fascination for this distant land and seemingly hostile religion
The Malcontent
The malcontent was a stock character in early modern drama who exposes the vices of those he despises whilst also participating in the vicious world he rails against
discontented with social structure - voice dissatisfaction against the corrupt political atmosphere
outsiders who who observe and comment on the action
they often use asides to build up a relationship with the audience
Gunby - the malcontent is ‘on the one hand a blunt mor
The Chain of Being
The Chain of Being organised the world into a fixed order. Within that order, men were organised from the king down to serf
The Renaissance
The Renaissance was a rejuvenating movement in European culture during a transitional period between the Middle Ages and the beginnings of the modern world
it’s focus was a curiosity of thought which challenged old assumptions and traditions - Webster examines the assumptions and politics upon which Elizabethan and Jacobean were founded
Machiavelli
the Cardinal is a Machiavellian character
Machiavelli wrote The Prince in 1513 and in it he argues that the political end justifies the means, even when the means are brutal or devious.
his name has become a byword for amoral political cunning
Companionate Marriage
Protestants approved of marriages based on shared admiration and a desire to raise a family - this was known as a companionate marriage and did not have to be officially blessed by the Church or a priest, only a witness was suggested and this is the role that Cariola plays for the Duchess and Antonio