AP ART HISTORY CONTENT AREA 4

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Last updated 1:37 PM on 12/19/23
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PORTRAIT OF SOR JUANA INES DE LA CRUZ

MIGUEL CABRERA C. 18th Century. Oil on canvas. Mexico. The woman pictured is considered the first feminist of the Americas. She became a nun to have intellectual freedom.

<p>MIGUEL CABRERA C. 18th Century. Oil on canvas. Mexico. The woman pictured is considered the first feminist of the Americas. She became a nun to have intellectual freedom.</p>
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A PHILOSOPHER GIVING A LECTUR ON THE ORRERY

JOSEPH WRIGHT OF DERBY. C. 18th Century. Oil on canvas. England. Wright celebrated the scientific world. Neoclassicism. Tenebrism.

<p>JOSEPH WRIGHT OF DERBY. C. 18th Century. Oil on canvas. England. Wright celebrated the scientific world. Neoclassicism. Tenebrism.</p>
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THE SWING

JEAN- HONORE FRAGINARD. C. 18th Century. Oil on canvas. France. Rococo. Nearly pornographic at the time it was made. Makes fun of the church.

<p>JEAN- HONORE FRAGINARD. C. 18th Century. Oil on canvas. France. Rococo. Nearly pornographic at the time it was made. Makes fun of the church.</p>
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MONTICELLO

VIRGINIA, US. THOMAS JEFFERSON. C. 18th Century. Brick, glass, stone and wood. Virginia. Influenced by Greek and Roman art.

<p>VIRGINIA, US. THOMAS JEFFERSON. C. 18th Century. Brick, glass, stone and wood. Virginia. Influenced by Greek and Roman art.</p>
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THE OATH OF THE HORATII

JACQUES-LOUIS DAVID. C. 18th Century. Oil on canvas. France. Neoclassicism. Border dispute settled by a sword fight. Family over state.

<p>JACQUES-LOUIS DAVID. C. 18th Century. Oil on canvas. France. Neoclassicism. Border dispute settled by a sword fight. Family over state.</p>
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GEORGE WASHINGTON

JEAN ANTOINE HOUDON. C. 18th Century. Marble. Virginia. George Washington. Houdon sculpted many major personalities.

<p>JEAN ANTOINE HOUDON. C. 18th Century. Marble. Virginia. George Washington. Houdon sculpted many major personalities.</p>
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SELF PORTRAIT

ELISABETH LOUISE WIGEE LE BRUN. C. 18th Century. Oil on canvas. France. Very influential painter. She was exiled from France and moved to Italy.

<p>ELISABETH LOUISE WIGEE LE BRUN. C. 18th Century. Oil on canvas. France. Very influential painter. She was exiled from France and moved to Italy.</p>
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Y NO HAI REMEDIO

Francisco de Goya. C. 19th Century. Etching print. Spain. Inspired by brutality from both French and Spanish, agony of war.

<p>Francisco de Goya. C. 19th Century. Etching print. Spain. Inspired by brutality from both French and Spanish, agony of war.</p>
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LA GRANDE ODALISQUE

JEAN AUGUSTE DOMINIQUE INGRES. C. 19th Century. Oil on canvas. France. Romanticism. Commissioned by Napoleon's sister. The peacock feathers represent the exotic.

<p>JEAN AUGUSTE DOMINIQUE INGRES. C. 19th Century. Oil on canvas. France. Romanticism. Commissioned by Napoleon's sister. The peacock feathers represent the exotic.</p>
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LIBERTY LEADING THE PEOPLE

EUGENE DELACROIX. C. 19th Century. Oil on canvas. France. The woman with the flag personifies France and liberty. Romanticism.

<p>EUGENE DELACROIX. C. 19th Century. Oil on canvas. France. The woman with the flag personifies France and liberty. Romanticism.</p>
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THE OXBOW

THOMAS COLE. C. 19th Century. Oil on canvas. Massachusetts. Panorama of the Connecticut river valley after a storm.

<p>THOMAS COLE. C. 19th Century. Oil on canvas. Massachusetts. Panorama of the Connecticut river valley after a storm.</p>
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STILL LIFE IN THE STUDIO

LOUIS JACQUES MANDE DAGUERRE. C. 19th Century. Photography. France. This was the first type of photograph to come into widespread use.

<p>LOUIS JACQUES MANDE DAGUERRE. C. 19th Century. Photography. France. This was the first type of photograph to come into widespread use.</p>
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SLAVE SHIP

JOSEPH MALLORD WILLIAM TURNER. C. 19th Century. Oil on Canvas. England. Romantic landscape painter.

<p>JOSEPH MALLORD WILLIAM TURNER. C. 19th Century. Oil on Canvas. England. Romantic landscape painter.</p>
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PALACE OF WESTMINSTER

CHARLES BARRY AND AUGUSTUS PUGIN. C. 19th Century. Limestone, masonry and glass. London. Gothic revival. Height + light.

<p>CHARLES BARRY AND AUGUSTUS PUGIN. C. 19th Century. Limestone, masonry and glass. London. Gothic revival. Height + light.</p>
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THE STONE BREAKERS

GUSTAVE COURBET. C. 19th Century. Oil on canvas. France. Realism. Painted a year after the communist manifesto.

<p>GUSTAVE COURBET. C. 19th Century. Oil on canvas. France. Realism. Painted a year after the communist manifesto.</p>
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Nadar Raising Photography to the Height of Art

HONORE DAUMIER. C. 19th Century. Lithography. Mockery of aerial photography.

<p>HONORE DAUMIER. C. 19th Century. Lithography. Mockery of aerial photography.</p>
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OLYMPIA

EDOUARD MANET. C. 19th Century. Oil on canvas. France. Prostitute with a nonchalant gaze. Pudica gesture. Cat in bottom right symbolizes women.

<p>EDOUARD MANET. C. 19th Century. Oil on canvas. France. Prostitute with a nonchalant gaze. Pudica gesture. Cat in bottom right symbolizes women.</p>
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THE SAINT LAZARE STATION

CLAUDE MONET. C. 19th Century. Oil on canvas. Paris. Impressionism. Monet would paint at this train station.

<p>CLAUDE MONET. C. 19th Century. Oil on canvas. Paris. Impressionism. Monet would paint at this train station.</p>
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THE HORSE IN MOTION

EADWEARD MUYBRIDGE. C. 19th Century. Photography. England. Famous for his early work in motion picture projection.

<p>EADWEARD MUYBRIDGE. C. 19th Century. Photography. England. Famous for his early work in motion picture projection.</p>
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THE VALLEY OF MEXICO FROM THE HILLSIDE OF SANTA ISABEL

JOSE MARIA VELASCO. C. 19th Century. Oil on canvas. Mexico. Romanticism/Neoclassicism. Highlighting patriotism.

<p>JOSE MARIA VELASCO. C. 19th Century. Oil on canvas. Mexico. Romanticism/Neoclassicism. Highlighting patriotism.</p>
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THE BURGHERS OF CALAIS

AUGUSTE RODIN. C. 19th Century. Bronze. Paris. Statue to commemorate one of the city leaders. Malnourished bodies pictured.

<p>AUGUSTE RODIN. C. 19th Century. Bronze. Paris. Statue to commemorate one of the city leaders. Malnourished bodies pictured.</p>
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THE STARRY NIGHT

VINCENT VAN GOGH. C. 19th Century. Oil on canvas. France. Does not fit into any specific category.

<p>VINCENT VAN GOGH. C. 19th Century. Oil on canvas. France. Does not fit into any specific category.</p>
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THE COIFFURE

MARY CASSATT C. 19th Century. Dry point and aqua tint print. Pittsburgh. Impressionism. Influenced by Japanese art.

<p>MARY CASSATT C. 19th Century. Dry point and aqua tint print. Pittsburgh. Impressionism. Influenced by Japanese art.</p>
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THE SCREAM

EDVARD MUNCH. C. 19th Century. Tempura and pastel on cardboard. Norway. Expressionism.

<p>EDVARD MUNCH. C. 19th Century. Tempura and pastel on cardboard. Norway. Expressionism.</p>
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WHERE DO WE COME FROM? WHAT ARE WE? WHERE ARE WE GOING?

PAUL GAUGUIN. C. 19th Century. Oil on canvas. Tahiti. Post Impressionism. An ideal society.

<p>PAUL GAUGUIN. C. 19th Century. Oil on canvas. Tahiti. Post Impressionism. An ideal society.</p>
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CARSON, PIRIE, SCOTT, AND COMPANY BUILDING

LOUIS SULLIVAN. C. 19th Century. Iron, steel, glass and terra cotta. Chicago. Sullivan is the father of sky scrapers.

<p>LOUIS SULLIVAN. C. 19th Century. Iron, steel, glass and terra cotta. Chicago. Sullivan is the father of sky scrapers.</p>
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MONTE SAINTE VICTOIRE

PAUL CEZANNE. C. 20th Century. Oil on canvas. France. Post impressionism. Reducing nature to geometry.

<p>PAUL CEZANNE. C. 20th Century. Oil on canvas. France. Post impressionism. Reducing nature to geometry.</p>
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LES DEMOISELLES D'AVIGNON

PABLO PICASSO. C. 20th Century. Oil on canvas. France. Proto cubism. Prostitutes in a brothel.

<p>PABLO PICASSO. C. 20th Century. Oil on canvas. France. Proto cubism. Prostitutes in a brothel.</p>
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THE STEERAGE

ALFRED STIEGLITZ. C. 20th Century. Photography. Photo taken while on a boat. Shows division between upper and middle class. France

<p>ALFRED STIEGLITZ. C. 20th Century. Photography. Photo taken while on a boat. Shows division between upper and middle class. France</p>
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THE KISS

GUSTAV KLIMT. C. 20th Century. Oil and gold leaf on canvas. Employs intense ornament on the embracing couple's gilded clothing, so thoroughly intertwined that the two bodies seem to be one. Austria

<p>GUSTAV KLIMT. C. 20th Century. Oil and gold leaf on canvas. Employs intense ornament on the embracing couple's gilded clothing, so thoroughly intertwined that the two bodies seem to be one. Austria</p>
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THE KISS (the other one)

CONSTANTIN BRANCUSI C. 20th Century. Limestone. Reflects the influence of Cubism in its sharply defined corners. France

<p>CONSTANTIN BRANCUSI C. 20th Century. Limestone. Reflects the influence of Cubism in its sharply defined corners. France</p>
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THE PORTUGUESE

GEORGE BRAQUE C. 20th Century. Oil on canvas. Fractured elements. France

<p>GEORGE BRAQUE C. 20th Century. Oil on canvas. Fractured elements. France</p>
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GOLDFISH

HENRI MATISSE C. 20th Century. Oil on canvas. Use of complimentary colors. Morocco

<p>HENRI MATISSE C. 20th Century. Oil on canvas. Use of complimentary colors. Morocco</p>
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SELF PORTRAIT AS A SOLDIER

ERNST LUDWIG KIRCHNER. C. 20th Century. Oil on canvas. Documents the artist's fear that the war would destroy his creative powers. Germany

<p>ERNST LUDWIG KIRCHNER. C. 20th Century. Oil on canvas. Documents the artist's fear that the war would destroy his creative powers. Germany</p>
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MEMORIAL SHEET FOR KARL LIEBKNECHT

KATHE KOLLWITZ C. 20th Century. Woodcut. Created in 1920 in response to the assassination of Communist leader Karl Liebknecht during an uprising of 1919. Germany

<p>KATHE KOLLWITZ C. 20th Century. Woodcut. Created in 1920 in response to the assassination of Communist leader Karl Liebknecht during an uprising of 1919. Germany</p>
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VILLA SAVOYE

Jeanneret. C. 20th Century. Steel and reinforced concrete. France.

This was a radically new view of the domestic sphere.

<p>Jeanneret. C. 20th Century. Steel and reinforced concrete. France.</p><p>This was a radically new view of the domestic sphere.</p>
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COMPOSITION WITH RED, BLUE, AND YELLOW

PIET MONDRIAN. C. 20th Century. Oil on canvas. Paris. Mondrian later limited himself to horizontal lines.

<p>PIET MONDRIAN. C. 20th Century. Oil on canvas. Paris. Mondrian later limited himself to horizontal lines.</p>
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ILLUSTRATION FROM THE RESULTS OF THE FIRST FIVE YEAR PLAN

VARVARA STEPANOVA. C. 20th Century. Collage. Russia. Constructivism. Supports communism.

<p>VARVARA STEPANOVA. C. 20th Century. Collage. Russia. Constructivism. Supports communism.</p>
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OBJECT (LE DEJEUNER EN FOURRURE)

MERET OPPENHEIM. C. 20th Century. Fur covered cup, saucer and spoon. Paris. Surrealism. Sexual overtone.

<p>MERET OPPENHEIM. C. 20th Century. Fur covered cup, saucer and spoon. Paris. Surrealism. Sexual overtone.</p>
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FALLINGWATER

PENNSYLVANIA, US. FRANK LLOYD WRIGHT. C. 20th Century. Concrete, sandstone and glass. Pennsylvania. Commissioned by the Kaufmanns to build a weekend home.

<p>PENNSYLVANIA, US. FRANK LLOYD WRIGHT. C. 20th Century. Concrete, sandstone and glass. Pennsylvania. Commissioned by the Kaufmanns to build a weekend home.</p>
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THE TWO FRIDAS

FRIDA KAHLO. C. 20th Century. Oil on canvas. Mexico. Completed shortly after her divorce. Shows her two personalities.

<p>FRIDA KAHLO. C. 20th Century. Oil on canvas. Mexico. Completed shortly after her divorce. Shows her two personalities.</p>
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THE MIGRATION OF THE NEGRO, PANEL NO. 49

JACOB LAWRENCE. C. 20th Century. Tempura on hardboard. Harlem renaissance. 60 panel work about the migration of African Americans from the south to the north.

<p>JACOB LAWRENCE. C. 20th Century. Tempura on hardboard. Harlem renaissance. 60 panel work about the migration of African Americans from the south to the north.</p>
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THE JUNGLE

WILFREDO LAM. C. 20th Century. Gouache on paper mounted on canvas. Cuba. Reality of the labor in Cuba.

<p>WILFREDO LAM. C. 20th Century. Gouache on paper mounted on canvas. Cuba. Reality of the labor in Cuba.</p>
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DREAM OF A SUNDAY AFTERNOON IN THE ALAMEDA PARK

DIEGO RIVERA. C. 20th Century. Fresco mural. Mexico City. Surrealism.

<p>DIEGO RIVERA. C. 20th Century. Fresco mural. Mexico City. Surrealism.</p>
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FOUNTAIN

MARCEL DUCHAMP. C. 20th Century. France. Challenges the idea of what is art.

<p>MARCEL DUCHAMP. C. 20th Century. France. Challenges the idea of what is art.</p>
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WOMAN, I

WILLIAM KOONING. C. 20th Century. Oil on canvas. Female figure. The Netherlands.

<p>WILLIAM KOONING. C. 20th Century. Oil on canvas. Female figure. The Netherlands.</p>
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SEAGRAM BUILDING

Ludwig Mies Van der Rohe and Philip Johnson. C. 20th Century. NYC. Minimalist geometry. Steel and glass.

<p>Ludwig Mies Van der Rohe and Philip Johnson. C. 20th Century. NYC. Minimalist geometry. Steel and glass.</p>
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MARILYN DIPTYCH

ANDY WARHOL. C. 20th Century. New York. Made after Marilyn's death.

<p>ANDY WARHOL. C. 20th Century. New York. Made after Marilyn's death.</p>
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NARCISSUS GARDEN

YAYOI KUSAMA. C. 20th Century. Venice. 1500 reflective floating orbs. Avant garde artist.

<p>YAYOI KUSAMA. C. 20th Century. Venice. 1500 reflective floating orbs. Avant garde artist.</p>
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THE BAY

HELLEN FRANKENTHALER. C. 20th Century. Acrylic on canvas. New York. Abstract impressionism. Wet soak stain method with thinned paint.

<p>HELLEN FRANKENTHALER. C. 20th Century. Acrylic on canvas. New York. Abstract impressionism. Wet soak stain method with thinned paint.</p>
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LIPSTICK (ASCENDING) ON CATERPILLAR TRACKS

CLAES OLDENBURG. C. 20th Century. Steel and aluminum. Yale University. Vietnam war protest piece. Pop art movement.

<p>CLAES OLDENBURG. C. 20th Century. Steel and aluminum. Yale University. Vietnam war protest piece. Pop art movement.</p>
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SPIRAL JETTY

GREAT SALT LAKE, UTAH. ROBERT SMITHSON. C. 20th Century. Mud, salt crystals, rock and coil. Great Salt Lake in Utah. Made to change based on natural principles.

<p>GREAT SALT LAKE, UTAH. ROBERT SMITHSON. C. 20th Century. Mud, salt crystals, rock and coil. Great Salt Lake in Utah. Made to change based on natural principles.</p>
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HOUSE IN NEW CASTLE COUNTY

DELAWARE, US. ROBERT VENTURI. C. 20th Century. Wood frame and stucco. Delaware. Orthodox modernism.

<p>DELAWARE, US. ROBERT VENTURI. C. 20th Century. Wood frame and stucco. Delaware. Orthodox modernism.</p>
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IMPROVISATION 28

Vassily Kandinsky. 1912 C.E. Oil on canvas

His style had become more abstract and nearly schematic in its spontaneity. Russia

<p>Vassily Kandinsky. 1912 C.E. Oil on canvas</p><p>His style had become more abstract and nearly schematic in its spontaneity. Russia</p>

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