History of Chinese Art Final Images

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73 Terms

1
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<p>066.1</p>

066.1

Attributed to Gu Kaizhi: Admonitions of the Instructress to Palace Ladies, 5th century. "Adorning the Face."

2
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<p>066.2</p>

066.2

Attributed to Gu Kaizhi: Admonitions of the Instructress to Palace Ladies, 5th century. "Seducing Gentleman"

3
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<p>066.3</p>

066.3

Attributed to Gu Kaizhi: Admonitions of the Instructress to Palace Ladies, 5th century. Lady Ban's refusal to Emperor Cheng

4
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<p>066</p>

066

Attributed to Gu Kaizhi: Admonitions of the Instructress to Palace Ladies, 5th century.

5
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<p>067</p>

067

Attributed to Gu Kaizhi: Nymph of the Luo River (6th century), 12th c. copy.

6
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<p>067.1</p>

067.1

Attributed to Gu Kaizhi: Nymph of the Luo River (6th century), 12th c. copy. "Encountering the Nymph."

7
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<p>068</p>

068

Leading horses. Mural in Lou Rui's painted tomb, Taiyuan, Northern Qi, 6th c. CE. 

8
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<p>069</p>

069

Wang Xizhi, Ritual to Pray for Good Harvest, in cursive script, Tang tracing copy, 7th c. CE

9
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<p>070</p>

070

Wang Xizhi, Orchid Pavilion Preface, in running script, 353 AD, Tang tracing copy, 7th c. CE

10
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<p>071</p>

071

Lacquer painted screen, Sima Jinlong's tomb, late 5th c. CE. Detail of "Lady Ban's refusal to Emperor Cheng."

11
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<p>072</p>

072

Great Wild Goose Pagoda, Tang, 7th c. CE

12
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<p>073</p>

073

Gold bowl with repoussé ornament (bottom view), Tang, 8th c. CE

13
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<p>073.1</p>

073.1

Gold bowl with repoussé ornament (side view), Tang, 8th c. CE

14
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<p>074</p>

074

Three-color porcelain horse, Tang, 8th c. CE 

15
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<p>075</p>

075

Yan Zhenqing, Duobao (Abundant Treasures) Pagoda Stele, Regular script, Tang, 752 CE

16
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<p>076</p>

076

Huai Su, Autobiography, Wild-cursive script, Tang, 777 CE

17
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<p>077</p>

077

Nanchan Monastery, Tang, 8th c. CE

18
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<p>078</p>

078

Great Buddha, Longmen Cave Complex, Tang, late 7th c. CE

19
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<p>079</p>

079

Western Paradise, mural from Dunhuang Cave 172, Tang, 7th-8th c. CE

20
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<p>080</p>

080

Zhou Fang, Ladies with Followers in their Hair, Tang, 8-9th c. CE original, 10th c. copy

21
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<p>081</p>

081

Bodhisattva, sculpture from Dunhuang Cave 45, Tang, 7th-8th c. CE

22
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<p>082</p>

082

Bodhisattva, mural from Dunhuang Cave 57, Tang, 7th c. CE

23
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<p>083</p>

083

Han Gan, Man herding horse, ink and color on silk, Tang, 8th c. CE 

24
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<p>084</p>

084

Emperor Huizong (r. 1101-25), Five Colored Parakeet, late 12th c. CE.

25
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<p>085</p>

085

Attributed to Su Shi, Rock and Tree, 11th c. CE.

26
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<p>086</p>

086

Gu Hongzhong, Night Entertainment of Han Xizai, 12th c. copy of 10th c. original

27
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<p>086.1</p>

086.1

Gu Hongzhong, Night Entertainment of Han Xizai, 12th c. copy of 10th c. original. Detail, "Listening to Music."

28
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<p>087</p>

087

Poem by Su Shi, Calligraphy by Emperor Lizong, and painting by Xia Gui (Saiboat  in Rainstorm, 13th c. CE)

29
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<p>088</p>

088

Attributed to Emperor Huizong, Court Ladies Preparing Newly Woven Silk, 12th c. CE.

30
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<p>089</p>

089

Li Song, Knick-knack peddler, 1210 CE.

31
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<p>090</p>

090

Zhang Zeduan, Spring Festival on the River, 1120 CE.

32
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<p>091</p>

091

Mi Fu, Letter about Coral Tree, 11th c. CE

33
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<p>092</p>

092

Fan Kuan, Travelers Among Mountains and Streams, early 11 c. CE

34
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<p>093</p>

093

Guo Xi, Early Spring, 1072 CE.

35
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<p>094</p>

094

Ma Yuan, Walking on a Mountain Path in Spring, 13th c. CE

36
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<p>095</p>

095

Gong Kai, Emaciated Horse, late 13th century

37
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<p>096</p>

096

Qian Xuan, Wang Xizhi Gazing at Geese, Yuan, late 13th century

38
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<p>097</p>

097

Zhao Mengfu, Autumn Colors on the Qiao and Hua Mountains, Yuan, 1295

39
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<p>098</p>

098

Huang Gongwang (1269-1354), Dwelling in the Fuchun Mountains, Yuan, mid-14th century

40
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<p>099</p>

099

Ni Zan, Six Gentlemen, Yuan, 1345

41
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<p>100</p>

100

Wang Meng, Dwelling in Reclusion in the Qingbian Mountain, Yuan, 1366

42
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<p>101</p>

101

Wu Zhen, In Central Mountains, Yuan, 1336

43
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<p>102</p>

102

Bian Wenjin, Three Friends and A Hundred Birds, 15th c. CE

44
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<p>103</p>

103

Dai Jin (1388-1462), Returning Home Late from a  Spring Outing, 15th c. CE

45
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<p>104</p>

104

Shen Zhou (1427-1509),  Walking with a Staff, 15th c. CE

46
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<p>105</p>

105

Wen Zhengming (1470-1559), The Tea Party at Mt. Huishan, 16th c. CE.

47
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<p>106</p>

106

Tang Yin (1470-1524),  Beauty Sleeping on a Banana Leaf, 16th c. CE

48
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<p>107</p>

107

Qiu Ying (c. 1495-1552), Spring Morning in the Han Palace, c. 1540

49
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<p>108</p>

108

Xu Wei (1521-1593), Ink grapes, 16th centuryXu Wei (1521-1593), Ink grapes, 16th century

50
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<p>109</p>

109

Chen Hongshou (1598-1952), “An Immortal under a Tall Pine” (Self-portrait),1635,

51
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<p>110</p>

110

Dong Qichang (1555-1636), "Wanlou Thatched Hall," 1597.

52
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<p>111</p>

111

Wang Shimin (1592–1680), Landscape in the Style of Huang Gongwang, 1666

53
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<p>112</p>

112

Wang Yuanqi (1642-1715), Landscape in the Style of Ni Zan, late 17th c. CE

54
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<p>113</p>

113

Hongren (c. 1603-1663), “The Coming of Autumn,” mid-17th century

55
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<p>114</p>

114

Gong Xian (c. 1617-1689), “Thousand Peaks and Myriad Ravines,” detail, mid-17th century

56
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<p>115</p>

115

Zhu Da (Bada Shanren, 1626-1705), Two Birds, late 17th c. CE

57
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<p>116</p>

116

Shitao (Daoji, 1641-c. 1717), Ten Thousand Ugly Ink Dots, detail. late 17th c. CE

58
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<p>117</p>

117

Shitao (Daoji, 1641-c. 1717), "Man in a House beneath a Cliff" Qing dynasty, late 17th c. CE

59
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<p>118</p>

118

Luo Pin (1733-1799), Illustration of the fun of the Ghosts, 1771.

60
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<p>119</p>

119

Anonymous, Portrait of Ge Yinliang, Ming dynasty, 16-17th centuries.

61
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<p>120</p>

120

Giuseppe Castiglione (Lang Shining, 1688-1768), “Inauguration Portrait of Emperor Qianlong,” Qing, 1736

62
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<p>121</p>

121

Ding Yupeng (1547-1628), Jesus claims the storm (Jesus calls fishermen),  Woodblock print from “Ink Gardens of the Cheng Family,” early 17th century.

63
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<p>122</p>

122

Emperor Qianlong’s Conquest of the Zhunge’er Tribe, etchings (1765-1774), made in Paris

64
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<p>123</p>

123

Giuseppe Castiglione (Lang Shining, 1688-1768), Still Life, 18th century.

65
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<p>124</p>

124

Qi Baishi (1863-1957), Shrimps, ink on paper, 1950.

66
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<p>125</p>

125

Xu Beihong (1895-1953), Galloping horse, ink on paper, 1941.

67
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<p>126</p>

126

Gao Jianfu (1879-1951), Flames in the eastern battlefield, ink and color on paper, 1930s.

68
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<p>127</p>

127

Li Hua (1907-1994), Roar, China, Woodcut print, 1935.

69
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<p>128</p>

128

Sun Zixi (b. 1929), In Front of Tiananmen, oil on canvas, 1964

70
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<p>129</p>

129

Li Keran (1907-1989), 10000 Crimson Hills, ink and pigments on paper, 1963.

71
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<p>130</p>

130

Wang Keping (b. 1949), Idol, Wood carving, 1979

72
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<p>131</p>

131

Qiu Zhijie (b. 1969), Work No.1: A One-Thousand-Time Copy of Lantingxu, 1991-1995

73
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<p>132</p>

132

Zhang Dali (b.1963), The “Dialogue” Series,  Graffiti, 1995-2000