Narrative Plot Structure
This is a general diagram as this can vary from story to story.
Exposition
This is where the setting (time/place), the primary character(s), and the situation (what they are doing - their normal life) are established.
Conflict
What the entire story is based off of
Conflict Types
Man vs. Man
Man vs. Nature
(External) Man vs. (Internal) Self
Man vs. Society
Rising Action
Events that lead up to the climax. In this part of the plot diagram there may also be 'complications'.
Climax
'Major turning point'
Resolution to the conflict
The moment when the conflict will be decided
Falling Action
Events after the climax, leading to the resolution
Resolution
The new normal
Complications
A series of problems or difficulties that a character faces in a story
Setting
The time and place of a story
Antagonist
A character or force in opposition to the protagonist
Protagonist
The character in a work of literature that deals with the central conflict
Narrator
A person who tells a story
First Person (point of view)
When we talk about ourselves, our opinions, and the things that happen to us, we generally speak in the __________.
ex (singular): I, me, my, mine, myself
ex (plural): we, us, our, ourselves
Second Person (point of view)
This point of view belongs to the person (or people) being addressed.
ex: you, your, yours, yourself, yourselves
Third Person (point of view)
This point of view belongs to the person (or people) being talked about.
ex: he, him, his, himself, she, her, hers, herself, it, its, itself, they, them, their, theirs, themselves
Third Person Omniscient (point of view)
This point of view is where the narrator knows all the thoughts, actions, and feelings of at least two or more characters. The author may move from character to character to show how each one contributes to the plot.
Third Person Limited (point of view)
The narrator only knows the thoughts and feelings of one character
Third Person Objective (point of view)
When using __________ Point of View, it's a case of giving just the facts. The reader is never allowed into any of the characters' minds, nor given any of their feelings or emotions.
Chronological
Time order
Circular
Returning characters back to the starting point
Flashback
An account of a conversation, an episode, or an event that happened before the beginning of the story
Dynamic (character)
When a character develops (changes) by the end of the story (changes state of mind)
Static (character)
When a character does not develop (change) by the end of the story
Round (character)
A character who is complex and highly developed
Well described
A protagonist is always __________
Flat (character)
Minor character
Has no background
Don't know a lot about them
Don't know a lot about them
Direct Characterization
When an author tells readers something about a character
ex: Jane is a cruel person
Indirect Characterization
When an author shows readers something about a character
ex: As Jane walked past the box labeled 'Free Puppies,' she furtively glanced around her, then gave the box a swift kick
Foil
A character who provides a striking contrast to another character
ex: In "Most Dangerous Game" Ivan was a __________ for General Zaroff
Juxtaposition
When the author creates contrast in order to highlight characteristics (situations, objects, settings, and more)
Cannot be two characters, that is foil
ex: A butler spends his days in a beautiful mansion dressed in a tuxedo, but returns home to a closet-sized apartment in a rundown part of town.
Simile
Comparing two things using the words "like" or "as"
ex: They fought like cats and dogs
Metaphor
Comparing two things without using the words "like" or "as"
ex: She was fairly certain that life was a fashion show
Foreshadowing
A warning or indication of a future event
ex: A pipe is going to burst, but before it does, the author writes a scene where the family notices a small dark spot on the ceiling, but ignores it.
Imagery
Description that appeals to the senses (sight, sound, smell, touch, taste)
Auditory Imagery
Sound (imagery)
ex: The children were screaming and shouting in the fields
Gustatory Imagery
Taste (imagery)
ex: The fresh and juicy orange is very cold and sweet
Olfactory Imagery
Smell (imagery)
ex: He whiffed the aroma of brewed coffee
Tactile Imagery
Touch (imagery)
ex: The girl ran her hands on a soft satin fabric
Visual Imagery
Sight (imagery)
ex: It was dark and dim in the forest
Symbolism
A figure of speech where an object, person, or situation has another meaning other than its literal meaning
ex: A dove stands for peace
Personification
A figure of speech in which human qualities are given to non-human things
ex: The stars danced playfully in the moonlit sky
Alliteration
Repetition of initial consonant sounds
ex: Sheep should sleep in a shed
Irony
Contrast between what is expected and what occurs
Dramatic Irony
When a reader is aware of something that a character isn't
ex: In a scary movie, the character goes into a house they think is empty, but the audience knows the killer is in the house
Situational Irony
An outcome that turns out to be very different from what was expected
ex: A fire station burns down
Verbal Irony
A figure of speech in which what is said is the opposite of what is meant
ex: Looking at her son's messy room, Mom says, "Wow, you could win an award for cleanliness!"
Theme
The underlying message about life or human nature portrayed by a work
Mood
Usually, __________ is referred to as the atmosphere of a literary piece, as it creates an emotional setting that surrounds the readers
Tone
The attitude of a writer toward a subject or audience
Motif
Repeated symbol throughout a work that stands for or communicates a larger thematic idea
can be a:
thing
phrase
situation
Stereotype
Assuming that "they're all alike." It's looking at a whole group of people and assuming that they all share certain qualities.
Onomatopoeia
Words that sound like what they describe
ex: Boom! Pow! Whoosh! Wham!
However, there are some words like munch, sigh, or chew that are commonly mistaken for __________s, but they are not.
The word 'munch' does not sound like munching
Thesis
The sentence that introduces the main argument or point of view of a composition (formal essay, nonfiction piece, or narrative)