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St Paul’s Cross
important site of both religious and civil gatherings in Tudor and Stuart England
prominent stage for political and religious debate, especially during the Long Reformation
e.g. Thomas Cranmer used the pulpit to defend the Protestant doctrine of salvation by faith alone, which was central to the Reformation’s theological shifts
unlike many religious buildings that confined discourse to the clergy, St Paul’s Cross was open to the public
we know about it due to John Gipkin’s painting
Western Portico
this physical feature is one of the earliest and most dramatic examples of architectural hybridisation in England (gothic sacred tradition overlaid with classical Renaissance ideals)
Western Portico unusually features a classical-style portico (a colonnaded porch with a pediment) which was inspired by ancient Roman architecture
added by Inigo Jones in the 1630s
the stylism of this feature was deeply influenced by the Italian Renaissance and Palladian ideals, making it a radical departure from the rest of the building’s medieval Gothic style
we know about it due to Wenceslaus Hollar
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