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bettendorf
the primary purpose of the play is not literary criticism but political action
redfield
Aeschylus’ victory is a rejection of the new lifestyle and a return to the old moral centre
cartledge
Dionysus has clearly trespassed too far on the human side of the human/divine divide
cartledge-success
considered to be the finest surviving Aristophanes play
Goldhill comedy vs tragedy
comedy and tragedy ask similar questions
Dover
the ordinary man enjoyed the sexuality of comedy as a channel for his own “excess” sexuality
Goldhill-chorus
the chorus parallel the Athenian citizens who can observe but not intervene in political events
Habash-Dionysus
Dionysus provides unity to the seemingly disparate structure of the play
Rosen-religion
Aristophanes situates comic satire within the realm of ritual and religion
Garvie-audience
the audience is in the position of the gods themselves