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Philippine Theater
Philippine Theater
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18 Terms
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Indigenous Tradition
Traditional practices and beliefs of indigenous peoples, encompassing rituals, dances, and community events.
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Komedya
A play in verse typically consisting of three or more parts, often featuring stylized movements and choreographed battles.
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Moro-moro
A religious komedya depicting conflicts between Moors and Christians in medieval Europe, highlighting their strengths and differences.
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Sinakulo
A traditional play that depicts the life and death of Jesus.
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Sarsuela
A musical play that often explores love stories, particularly focusing on the contrasts between rich and poor.
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Bodabil
A variety show that combines entertainment forms reminiscent of vaudeville, including games, singing, dancing, and comedy.
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Conservatism
The emphasis on traditional values in the education system, such as teaching Shakespeare and performing in English.
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Japanese Occupation
A period when stage shows in Manila featured Filipino-themed bodabil and dramas with comedic elements that mocked Japanese invaders.
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Post-war Theater
The continuation of English-language staging of plays, including Greek tragedies and the return of Shakespeare.
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Marcos Regime
A time when stage plays criticized the foundational issues of Philippine society.
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Post Marcos Regime
An era of Filipinization in theater, emphasizing Filipino music and themes.
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Democratization
The process of providing equal opportunities for artists and wider access to cultural institutions.
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Decentralization
Encouraging participation from regional artists across the Philippines, beyond just Luzon.
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Contemporary Period
An era characterized by continuous changes in theater, focusing on authentic Filipino experiences and expressions.
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Social Realism in Plays
A movement that seeks to reflect the realities faced by Filipinos in their social environment.
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Carlos Palanca Memorial Awards
Awards recognizing excellence in playwriting in the Philippines.
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The Importance of Theater
Theater provides opportunities for artists and serves as a bridge to cinema.
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Basic Expectations for National Theater
To reflect the realities of Filipino life and address their needs, concerns, and aspirations.
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