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Philippine Theater

Indigenous Tradition

  • Rituals

    • Movement

    • Dances

    • People participate or watch

    • People who wanted to witness the spirits of their tribe

    • ImitatiOn birth, Baptism, circusmcision, courtship wedding, first mens, ec etc

    • Celebration of tribal acts ike fishing, hunting, tribal acts, going to war

  • KOMEDYA

    • Play in verse in three or more parts

    • Marches

    • Stylized movemenbts and delivery of moement

    • Choreographed battles

    • Introduced dueing SPanish era

    • Moro-moro

      • Conflict between moors and christian in medieval europe

      • Pagkakaiba at galing at lakas ng mga kristiyano at islam

    • Religious komedya

      • Lives of patron saints

  • Sinakulo

    • Buhay at pagkamatay ni jesus

  • Sarsuela

    • Love stories

    • Usually like rich and poor love stories - and like sobrang aliw na ali yung mga tao rito

American Tradition

  • Bodabil

    • entertainment

    • Variety show

    • Indigenized vaudeville

    • Para siyang eat bulaga and showtime

    • May pa games, singing, dancing, peforming, comedy, dramas etc

  • conservatism

    • Western education system

      • Tinuturo sila shakespeare at ginagawang performance

      • English language and English subtitles with plays

Japanese Occupation

  • theater scene in Manila was dominated by stage shows

  • Bodabil and dramas

    • Songs dances and skits with a more Filipino flavor

  • Anit japanese guerilla

    • Pogo and tugo

    • How they mock the Japanese

  • Comedic scenes that have sarcasm to mock the Japanese

Post war

  • Continuation

    • Anglo-amrican theater

    • Continue the pre-war practice of staging plays in english

    • Bumalik si Shakespeare

    • Nagka greek tragedies

    • Carlos Palanca Memorial Awards (for play writers)

  • Changes

    • Social realism in plays

    • Ex. Ang huling el bimbo

    • The world in an apple

    • Bubungang lata

    • Moses, Moses

    • Vida

Marcos Regime

  • stage plays denouncing the three root evils of ph society

Post marcs regime

  • filipinization

    • Bodabil and other countries but the music and the theme is FIlipino

  • Democratization

    • Equal opportunities for support

    • Exposure for artists of all sections and wider access to CCP

  • Decentralization

    • Participation of regional artists

    • Di lang mga taga luzon na puede gumamait ng mga buildings and establishments

    • lahat na ng parte ng bansa

Contemporary period

  • continuous changes

  • Basic expectations for national theater

    • Pagpapakita ng realoded ng buhay pIlipino

    • Expression of Filipino needs and concerns

    • Use of dramatic styles that are rooted in Filipino ethnic and folk tradition

What makes theater important

  • Opens opportunity for artists to move into cinema

contemporary period

  • continuous changes

  • basic expectations of a national theater include interpretation of the realities FIlipinos settle with

  • expression of Filipino needs, concerns, and admirations