MAPEH 2ND QUARTER EXAMS

Line

a dot that movees or continuous mark

Shape

an enclosed space; formed whent the 2nd lines meet

Monochromatic color harmony

Uses one color only. It can vary in shades and tints

Analogous color harmony

Uses colors that are placed beside each other on the color wheel

Complementary color harmony

uses color that are opposite each other on the color wheel

Value

Refers to the light and dark areas of a picture

Texture

It is the surface quality

Pointillism

Is a technique done by applying small dotss to asurface to form a picture

Hatching

cross hatching

Space

The distance around between, above, below and within an object

Positivie space

area being occupied

Negative

background

Balance

Eqqual distribution of visual weight on either side of a composiion's center

Emphasis

An area or obect within the artwork that draws attetion and becomes a focal point

Unity

combination of all the elements nd principles to make a balanced harmonious and complete whole

Rhythm

repeats elements in an artwork to create a visual tempo

Pattern

Repetition of elemnts or combinations of elements in a recognizable organization

Type of patterns

repeating alternating

Contrast

refers tot he arrangement of opposite elemnts, light s dark colors, in a piece so as to create visual interest excitement and drama

Movement

combines elements in an artwork to create the illusion of action

In the ancient sanskirt language of hinduism and buddhism mandal means

circle. traditanlly a mandal is a geomertric design or pattern that represents the cosmos or eities in various heavenly worlds. It's all about finding peace in the symmetry of the deisng of the universe Suadamini Madra

Southeast asian arts

the literary, performing, and visual arts of Southeast Asia.

Although the cultural development of the area was once dominated by

Indian influence, a number of cohesive traits predate the Indian influence.

Wet-rice (or padi) agriculture, metallurgy, navigation, ancestor cults, and worship associated

with mountains were both indigenous and widespread, and certain art forms not derived from India—for example, batik textiles, gamelan orchestras, and the wayang puppet theatre—remain popular.

Cambodia

Silk fabric

silk weaving in cambodia dates to as erly as first vedntury since fabric is used for trading

Stone carving

has been both a passion and lvelihood for cambodian sculptors

Angkor wat

the largest rligous structure in the world measuring 162.6 hectars

Wayang ku;it

shadow puppetry is famous in indonesia

Wayang

indoensian word means show or perform. Other sau that wayang is also attribute to indonesian word abyang which means shadow

Kulit

means skin a reference to the leather material that figures are curved off

Thailand

is the third largest country in Southeast Asia after Indonesia and Myanmar.

In ancient times up to the early modern period in Thailand, Thai craftsmen were considered the

"true artists". They were thought to possess superior intellect, a full understanding of culture, and a wide ranging wisdom.

is a phrase whose original usage was the name of a government department comprising of craftsmen assigned to ten departmental divisions.

The old Thai phrase, "chang sip mu" or "ten divisions of craftsmen"

Drawing

his is done by craftsmen, drawers, illustrators, pictorial gilders, lacquer craftsmen, painters, muralists, and manuscript illustrators.

Sculpting

This is done by paper and plaster sculptors, decorative fruit and vegetable carvers.

Engraving

his is done by woodcarvers, engravers and the woodblock cutters, silversmiths, goldsmiths and jewelers, enameling, inlay, embossing, architectural woodcarvers.

Modelling

This is done by bronze casters, figure modelers, mask and puppet makers, stucco sculptural and architectural modelers.

Figuring

This is done by figure assemblers and lantern makers.

Turning

his is done by lathe workers, carpenters and joiners, and ivory carvers.

Plastering

This is done by plaster craftsmen, stucco workers, and sculptors.

Moddelling

This is done by makers of Buddha images, bronze and metal casters, and clay and bee's wax modelers.

LACQUERING

This involves lacquer work, gilding, glass mosaic, mother-or-pearl inlay work, Buddha image making, carving of wooden panels and pictorial gilding.This involves lacquer work, gilding, glass mosaic, mother-or-pearl inlay work, Buddha image making, carving of wooden panels and pictorial gilding.

Beating

This is done by metal beaters, monk's bowl makers, jewelers, and silversmiths.

Thai artisans over the centuries have excelled in each of these arts. Although less has been written about these arts than Thai mastery of ceramics, painting, and some of the better known fine arts, each of these fields provided a major opportunity for artistic accomplishment.

A deep understanding of Thai art therefore demands a full study of each of the ten divisions.

has one of the most developed and active art scenes in the region. It is home to some of the most exciting and interesting artists who have developed their body of work within the country, the region as well as other continents.

Malaysia

artists like Dr. Jolly Koh, Khalil Ibrahim, and Datuk Ibrahim Hussein

are considered masters in the art scene where their work has traveled across the world and garnered a lot of interest among collectors.

History of malay art

AVING HAD AN INTERESTING PAST AND BEING A PART OF THE INTERNATIONAL SPICE ROUTE MANY HUNDREDS OF YEARS AGO, MALAYSIA HAS TURNED INTO A MOSAIC OF CULTURES.

EVERYTHING FROM ITS PEOPLE TO ITS ARCHITECTURE REFLECTS A COLORFUL HERITAGE AND AN

AMALGAMATED CULTURE.

MALAYS, CHINESE, INDIANS, AND MANY OTHER ETHNIC GROUPS HAVE LIVED TOGETHER IN MALAYSIA FOR GENERATIONS. ALL THESE CULTURES HAVE INFLUENCED EACH OTHER, CREATING A TRULY MALAYSIAN CULTURE.

AS MOST ARTISANS ARE MUSLIMS, MALAYSIAN HANDICRAFT DESIGNS ARE HEAVILY INFLUENCED BY ISLAM. RELIGION PROHIBITS THE DEPICTION OF THE HUMAN FORM IN ART. HENCE, MOST DESIGNS ARE BASED ON NATURAL ELEMENTS SUCH AS THE INTERLACING OF LEAVES OR VINES, FLOWERS, AND ANIMALS.

Wau bulan

Wau' is believed to have been derived from the Arabic letter 'Wau', because the shape of the wing resembles the outline of that particular letter

Farmers used the Wau as a sort of

lying scarecrow to ward off birds from their paddy fields. The most popular of all the Wau's is indeed the "Wau Bulan".

As for most traditional kites around the world, the framework is made

from split bamboo

Wau Bulan.

Also known as the Moon Kite since the crescent-shaped lower sail looks a little like a moon in the sky.

Tracing the history of Batik in Malaysia requires us to embark

on a voyage to the South Eastern States of Asia in the 16th century when maritime trade between the East and the West flourished.

Batik

which means a cloth with little dots with the suffix 'tik' meaning little dot, drop, point or to make dots.

The process of waxing and dyeing cloth is known as

'batiking'. So, batik is actually a cloth that is traditionally made using a manual wax-resist dyeing technique.

Koalam

he different variations of kolam popping up in and around the Klang Valley

Kolam is a sign of

enerosity

In the olden days, the motifs were drawn in rice flour or made with edible grains for ants, birds or other small creatures.

Deepavali

s the time of year when we'll start seeing the different

Kolam is also

n invitation to prosperity

This is in line with Hindu teachings that instruct its followers to show charity and be generous,

even to little creatures. Eventually, coloured rice - from colourings or dyes - replaced the rice flour and grain

Sahasara

This ancient symbol unites the soul with a divine sense of force.

Hindus beliee

that the kolam welcomes Lakshmi, the Hindu Goddess of Prosperity into the home. That's why the decorative rice motif is usually drawn in front of the house. Plus, it's always a nice sight that welcomes visitors to Deepavali open houses.

Henna

n Malaysia, Henna has been used to adorn women's palms as part of wedding celebrations as it is believed to bring luck as well as joy to the bride.

Peacock

The proud peacock symbolizes beauty.

Swans

Symbolize success and beauty.

Birds

Birds serve as the messengers between heaven and earth.

Dragon lies and butterflies

change and rebirth

Joget

is intrsically linked to a danc eof the same name

Henna is used for?

Typically it's used (in Malaysia) as part of a series of wedding rituals. For Malays the 'malam berinai' (henna night) takes place before the wedding where the bride, and even the groom, have their hands stained with henna.

It is believed the joget was derived from a Portuguese dance known as

the branyo which is practised today by the Eurasian communities in Malaysia and Singapore, usually sung and danced to the tunes of the popular folk tune, Jinkli Nona.

Baju karung

COMPRISES TWO PARTS: A BLOUSE AND A LONG SKIRT. THE BLOUSE IS LOOSE-FITTING AND VARIES IN LENGTH BETWEEN THE HIP AND THE KNEE.

Tudung

IS A MALAY TERM FOR THE HEADSCARF, VEIL, OR SHAWL THAT COVERS THE HAIR, NECK, AND CHEST AREA, AND LEAVES ONLY THE WOMAN'S FACE EXPOSED.

Bajuu mealayu

THE TRADITIONAL ATTIRE FOR MALAY MEN.

IT CONSISTS OF A LOOSE LONG-SLEEVED TOP WORN OVER TROUSERS AND A SAMPIN, OR SHORT SARONG WRAPPED AROUND THE HIPS.

Kemban

LONG PIECE OF CLOTH, THAT WAS WRAPPED AROUND THE BODY AND LEFT THE SHOULDERS BARE.

Sampin

IS WORN SIMILAR TO THE KEMBAN, EXCEPT THAT IT IS WORN AT EITHER THE WAIST OR THE HIPS. AFTER SLIPPING INTO THE CENTRE OF THE CIRCULAR SARONG AND PULLING IT UP TO WAIST LEVEL, FOLD THE TWO ENDS INWARDS SO THAT THE SARONG IS WRAPPED SNUGLY AROUND YOU.

Indonesia

is having the opportunity to learn about and collect Indonesian arts and handicrafts. The diversity evident in Indonesia's 300-plus ethnic groups is reflected in the diversity of its art forms.

Just as every ethnic group

throughout the archipelago has its own language/dialect, cuisine, traditional dress, and traditional homes and they have also developed their own textiles, ornaments, carvings, and items for daily use and special celebrations. The rich cultural heritage of art and handicrafts is one of Indonesia's true national riches.

Inodoneisan art forms

can include designs traced back to early animistic beliefs, ancestor worship, Hindu or Buddhist-influenced motifs brought by Indian traders, and Chinese or Islamic symbols and beliefs. Foreign influence on Indonesian art forms was brought about by centuries of exposure to other cultures through trade. Immigrants from China, India, the Arab world, and later Europe traveled to the archipelago in search of the unique spices grown in Indonesia. These traders settled and brought with them rich artistic traditions which influenced the development of local art.

Indonesian art forms

can include designs traced back to early animistic beliefs, ancestor worship, Hindu or Buddhist influenced motifs brought by Indian traders, Chinese or Islamic symbols and beliefs.

Foreign influence on Indonesian art forms was brought about by centuries of exposure to other cultures through trade.

Indoensian crafts and arts are very diverse

jewelry, beadwork, batik, pottery, metal, baskets, wood carving, leather puppet, stone carving, and painting. local artists spent hours creating these pieces through extensive skills. Any leather puppet show, any wood carving ornament, any colorful batik is a piece of art reflecting Indonesia's heritage.

Topeng

is a dramatic form of Indonesian dance in which one or more mask-wearing, ornately costumed performers interpret traditional narratives concerning fabled kings, heroes and myths, accompanied by gamelan music.

Topen is a

shamanistic burial and initiation rites.

Topeng dance is a type of

storytelling or drama dance from Indonesia accompanied with music. Dancers wear masks and bright costumes that represent characters in the play.

It appeared in 15th century in Bali and Java where is prevalent still but it can also be found in other islands of Indonesia

Topeng dance originated from tribal dances held in the honor of ancestors, where dancers with masks were playing roles of messengers of gods. In the beginning, prevailing themes of Topeng dance were nature and ancestral spirits.

They express their characters and story only through the dance and movement.

All the storytelling is done by characters of servants or jesters that wear half-masks that do not cover the mouth so they could talk. They are each telling their view of the story and lead the audience through it.

Later themes became wider and "The Adventures of Prince Panji"

became popular. After arrival of Hinduism, "Mahabharata" and "Ramayana" were adapted for performing as a Topeng dance.

openg dance is usually performed at "odalan"

temple anniversary celebration. It begins with appearance on the stage by characters that may not be related to the story. They all wear masks.

haracters of noble backgrounds wear

beautiful white or golden masks

while a half mask of jesters is more

grotesque

There are also masks of demons and animals that share common animalistic

c features and there are masks of gods. Strong characters have masks painted in red

Shapes of masks

are defined by the local tradition.

Masks in Central Java are triangular in shape

in East Java they are archaically stylized while masks in Cirebon are very stylized and have faces reduced almost to a symbol.

n the Topeng dance, the whole play is played by four to five actors that play all characters, even the female ones

One actor plays many roles in one play with different masks. An actor can have about 40 Topeng masks that are only his and it is believed that there is a special kind of bond between the actor and his mask that allows him to infuse life in it and represent a wide specter of emotions throug

It is also believed

that when actors puts his mask on he is connected to the spirit realm and is in a form of trance.

Wood carvng

The small items included decorations of deities like Buddha or Ganesh, or masks.