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Sonata Form
Standard way to organize first and sometimes last movements, includes exposition, development, and recapitulation
Ritornello Form
A musical structure often used in Baroque concertos, where a main theme alternates with contrasting sections played by a soloist, the main theme (the ritornello) serves as an anchor throughout the piece
ABBA form
Musical structure where the sections follow the pattern A-B-B-A, meaning the first section (A) is repeated after a contrasting section (B) is played twice
Rondo form
Musical structure characterized by the recurrence of a main theme that alternates with contrasting sections, often used in final movements of sonatas and concertos
Symphony
A musical genre that evolved from opera overtures, the initial form was three movements with the tempi being fast-slow-fast, but minuet and trio movements in the position of the third, leading to the now standard four movement form
Villancico
Genre that is now associated with Christmas, the form is ABBA, the A section is known as the estribillo, and the B sections are the cobras
Concerto
A musical genre that consists of a soloist or group of soloists playing with a large ensemble
Oratorio
A genre designed to replace opera during lent, essentially an unstaged opera on a sacred subject, “The Passion” is an oratorio about Jesus’ suffering
Cantata
Replaced the madrigal as main vocal genre, new genre that emerged during Baroque era
Basso Continuo
Form of musical accompaniment that was used in the Baroque era, it involves a bass line played by one or more instruments (such as cello or bassoon), with harmonies improvised or realized by a chordal instrument (like harpsichord or organ)
Mehter
Refers to Ottoman military band, considered one of the oldest forms of military music in the world, features heavy percussion and wind instruments
Recitative
A style of singing associated with speech used in operas, oratorios, and cantatas; uses minimal instrumentation because the primary focus is clearly delivering the text
Aria
A solo vocal piece with instrumental accompaniment, used in operas, oratorios, and cantatas; text is delivered in a more musical way than recitative
Seconda Prattica
Style of Baroque composition, emphasizes expression of emotion over strict contrapuntal rules, often allows dissonances and freer harmonies to enforce the meaning of the words
Patronage
Refers to financial support provided by wealthy individuals, nobles, or institutions (like the church) to composers and musicians
Baroque Era
From 1600-1750, the term originally came from art history and means “misshapen pearl”, associated with exaggerated forms of expression and extreme architectural ornamentation, music became more focused on expressing emotion
Classical Era
From 1750-1825, the term is associated with quality, excellence, and classical antiquity, musicians began to rely more on audiences than patronage from nobility, new idea emerged that music could carry ideas and meaning without words