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Introduction
In Othello, Shakespeare explores the tension between appearance and reality, illustrating how characters manipulate perception to conceal who they are
Through Iago, Othello, and Cassio apparent, Shakespeare critiques the dangers of relying on appearances in a society
Paragraph Focus
Para 1 = Iago’s Deceptive Nature
Para 2 = Othello’s Internalised Public Persona
Para 3 = Cassio’s Nepotism Fuels his Misperception
Iago’s Deceptive Nature
AO1 + AO2
‘I am not what I am’
‘honest Iago’ ‘Iago is most honest’
‘reputation is an idle and most false imposition’
‘men should be as they seem’
AO3
AO4 + AO5
Honigmann ‘Iago plays the fool to mask his true character and to show off his cleverness’
Othello’s Internalised Public Persona
AO5
Gardner ‘Othello’s mind was already disordered by his fatal flaw of jealousy, and Iago simply releases the disorder’
Cassio’s Nepotism Fuels his Misperception
AO1 + AO2
‘preferment goes by letter and affection, not by old graduation’
‘a great arithmetician, one Michael Cassio, a florentine’
‘this counter-caster’
AO3
In the Elizabethan military hierarchy, promotion was often influenced by patronage and social favour rather than purely meritocratic advancement.
Cassio’s position as a young, educated, courtly officer contrasts with Iago’s experienced soldier persona.