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steps to easel painting
supports
ground
priming
underdrawing
paint medium

what is this?
cradle
what kind of wood was used in flanders in the 15th and 16th c.?
oak

1-5
oak - popular - limewood - walnut - softwood

what is each layer? outside to inside
bark/bast
sapwood
heartwood
pith

what are these spots?
medullary rays
what are medullary rays?
longitudinal arrangement of fibers density
which one is the transverse, tangential and radial way of cutting?
transverse: case 1
tangential: case 5
radial: case 4

transverse

radial

tangential
how to make a panel
selecting the wood
seasoning
cutting
splitting
planing
what is seasoning and why is it done?
wood is left to dry
is done to prevent warping and breaking

what kind of joineries are these?
butt join connection with dowels
butt join with smooth surface
butt join with rough surface

what kind of joineries are these?
butt join reinforced by key
dovetail/butterfly-key join
lip join
lip join
wedge shaped join
tongue and groove join

what kind of joins?
lip join
tongue and groove join
wedge shaped join

what kind of frames are these?
integral frame
frame pegged to the panel
panel slotted into groove of the frame
panel placed against the rebate of the frame
what is barbe
the part of the painting that is hidden behind the frame and doesnt have any paint on it. so the frame was placed before the painting process.

what was done to the back of this panel?
shaved off

what was done to the back of this panel?
chiseled

painted back

marbling
coat of arms

marks
what is ground layer made of?
NL: chalk
germany: sometimes dolomite
cennino: gesso grosso, anhydrite
cennino: gesso sottile: calcium sulfate dihydrate
gypsum is component in gesso
how is the ground layer applied
wide bristles in transversal layers
sanded smooth

which layer is the ground layer?
the yellow one
priming properties
not always present
thin
can be unpigmented or coloured
can be above or below the underdrawing
primuersel or insulation layer
van mander > an overlaying translucent flesh colored layer on the white preperation layer
imprimatura
a colored covering layer on the ground
underdrawing how to see?
infrared photography and infrared reflectography
sometimes the paint layers become transparant so the underdrawing shows through
underdrawing materials
carbon based pigments
iron-oxide-based ink > not detectable with IRR
black chalk
red chalk > not detectable with IRR
underdrawing transfer methods
pouncing
tracing
squaring
white pigments
gypsum
chalk
lead white
zinc white > from 1834
titanium white > from 1920
blue pigments
natural ultramarine
artificial ultramarine
azurite
smalt
indigo
prussian blue > 1704
cobalt blue > 1802
green pigments
verdigris
copper resinate
malachite
green earth
viridian > 1859

what white pigment was used?
leadwhite

natural ultramarine
yellow pigments
lead-tin yellow
ochre
orpiment
yellow lake
indian yellow
chromium yellow > 1809, 1818
cadmium yellow > 1817, 1846
sienna
red pigments
madder
vermillion
minium red lead
carmine
dragon’s blood
red earth
cadmium red > 1892
what are lakes?
brown pigments
umber
Van Dyck Brown
bitumen
black pigments
bone black
lamp black
charcoal
binding media
oil > like linseed or walnut
tempera > which uses eggs, glue or gum arabic
tempera
water based
opaque layer
little sheen
oils in oilpaints
linseed
walnut oil
poppy seed oil
turpentine > thins the paint
diluents: spike oil
sicative=lead oxide
oil paint tools
pointed bristle
flat brush
palette knife
oil paint techniques
wet on wet
translucent paint film
gilding
water gilding > burnished leaf on red bole
mordant gilding > unburnished leaf applied over an adhesive
shell gold > gold ground into a powder and used in effect like gold paint
what is varnish made off?
natural resin
what weave is used for canvasses?
plainweave
twill weave
herringbone weave
what are alternative supports for paintings other than panel and canvas?
vellum
stone
metal
buon fresco
true fresco
applied while everything was wet
prepatory drawing > sinopia
intonaco
the wet plaster applied for a day’s work
giornata
a day’s work
fresco secco
dry plaster
easier and more flexible
mezzo fresco
nearly dry intonaco
arriccio
basis pleisterlaag
pontata
horizontal strok at the height of the stelling