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QUOTE: rhetorical question, auditory imagery, colloquialism, superlative, time imagery
“the decade ahead of my loud, possessive yell was the best one, eh?“
QUOTE: single-word sentence, period
“Marilyn.“
QUOTE: synecdoche, sexual imagery, direct address
“your polka-dot dress blows round your legs“
QUOTE: polysyndeton, repetition, tricolon
“sparkle and waltz and laugh“
QUOTE: direct address, personal pronouns, time imagery, distance imagery
“I’m ten years away from the corner you laugh on“
QUOTE: rhetorical question, colloquialism, sexual imagery, direct address
“whose small bites on your neck, sweetheart?“
QUOTE: ‘r’ alliteration, colour imagery, synecdoche, caesura
“red shoes, relics“
QUOTE: expanded noun phrase, time imagery
“fizzy, movie tomorrows“
QUOTE: tense shift, religious imagery, direct address
“you’d teach me the steps on the way home from Mass“
FORM AND STRUCTURE [5]:
dramatic monologue
four regular quintains
free verse
enjambment
circular structure
FORM AND STRUCTURE: dramatic monologue
suggests a journey of personal discovery
FORM AND STRUCTURE: four regular quintains
represents stringent gender roles
FORM AND STRUCTURE: free verse [2]
creates a conversational tone suggesting a natural relationship
suggests freedom within stringent gender roles
FORM AND STRUCTURE: enjambment
creates a conversational tone suggesting a natural relationship
suggests freedom within stringent gender roles
FORM AND STRUCTURE: circular structure
suggests completed journey of discovery and close relationship
CONTEXT [3]:
written by Carol Ann Duffy
raised in the 1950s as a Roman Catholic, under stringent expectations of women
poetry often explores the lives of those dispossessed by society
THEMES [7]:
memory
childhood
gender roles
aging
filial love
maternal/parental relationships
distance