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Griffins- role of immortals
the gods are involved in battle as passionately as the humans
Edwards-gods and mortals
divine intervention adds glory to the heroes
E.V Rieu- immortals and mortals
when dealing with mankind the gods are far from amusing
Jenkyns- gods
they have no sense of numinous. They are purely for literary and emotional effect.
Jones-mortals and immortals
The gods work to the extremes. They either love you, hate you support you or detest you
Jones- gods and mortals
Homer shows people are capable of making up their minds without divine intervention
Hammond- gods
the divine world mirrors the world of humans without real pain or consequences
Jones- heroism
a man is a hero because a god supports him
Silk- Achilles
Achilles is an uncomfortable and even destructive force in the heroic world
Silk-heroism
Homer’s heroes are static. They seem to show no capacity for development.
Jones- kleos, death, heroism
they kill and are killed in search of kleos
Jones-heroism
they would rather not have to fight at all
Clarke- heroism, timê
the driving force behind manhood is the need for praise and admiration
E.V Rieu- heroism, family
Homer sets his heroes within a larger framework- their families
Jenkyns- death,heroism
the purpose of a homeric hero is to die
Duffy-fate
fate and the will of Zeus are identical
Jones-fate
Homer has no rational theory to explain the relationship between fate and free will
Farron-Andromache, women
Like all the women in the Iliad, all she can do is watch
Farron-women
Homer’s women are all tragic
Farron-men and women
there is little regard for women by men in the iliad
Farron- slaves, women
female war captives are treated virtually as inanimate objects
Haynes- role of women
men lose their lives, women lose everything else
Hauser- role of women
women inform us about the world of men
Easterling- women
Women are desired objects
Edwards-immortals and mortals
goddesses are equal to men
Hall- role of women
it is the woman’s role to express the pain
Hauser- women
Homer’s women are complex, they push against expected norms
Hammond- women
the women and children suffer and grieve
horace- role of homer
Homer tells us what is good, what is bad, what is useful and what is not
Hammond- death
the main theme in the Iliad is not heroism or war but human suffering and death
Southey- war
book after book of butchery
Edwards- Achilles, timê
Achilles is torn between concern for the battered greeks, restoration of his own honour and above all, safety for patroclus
E.V Rieu-war
the iliad is written not to glorify war but to emphasise it’s tragic futility
Silk- Agamemnon and Achilles, greek war camp
the heroes quarrel is set out to bring death and destruction
Clarke- gods, death
the gods are exempt from the bonds of death
Jauregui- death
the theme of death is overwhelming in the last two books
Clarke-heroism,death
heroism and death are tied together
Hall- greek war camp
The iliad is more greeks vs greeks than greeks vs trojans
Snider- reconciliation
the Iliad is a series of reconciliations
Silk- reconciliation
on earth no reconciliation can be done until most of the damage is done
Leigh- Achilles, timê
for Achilles the cost of his glory is Patroclus’ death
Hammond-Hector
we sympathise with Hector because he sympathises with others
Knights-life in troy,women
inside the city is portrayed as the realm of women
Snider-reconciliation
it masters it’s conflicts and turns them into harmony
Knights- family, parents and children
relationship between parents and children is central to the iliad
knights-friendship
heroes in the Iliad are friends in the sense that they are companions in war
Schein- Hector
Hector is presented as quintessentially social and human
Jordan- Achilles
Achilles is brutal, vain and pitiless
Sowerby- Achilles
Achilles is not good in any sense other than physical prowess
Hall- menis
it is not just Achilles’ anger but everyone’s anger that drives the poem
Swift-Achilles
a man without pity and obsessed with violence