Art Appr. Study Guide for Midterm

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27 Terms

1
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Craftspeople

Makers of Gudea Figures are regarded as craftspeople because they mass produced the figures instead of making one statue.

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Scholar-painters

Qian Xuan was a member of a group of artists known as scholar-painters or literati, recognized for his understanding of poetry and Confucian ideals.

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Gee’s Bend quilters

Folk artists who create utilitarian or decorative objects and learn through local traditions and cultural heritage.

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Mimesis

A concept in ancient Greek art that sometimes prioritizes representation over originality, potentially leading to a lack of personal expression.

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Tolstoy’s theory of communication of feeling

A theory that may overlook the complexities of emotion, as feelings can vary across different audiences and cultures.

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Clive Bell's theory of Significant Form

A theory that can disregard the emotional responses of viewers beyond formal qualities, limiting appreciation of non-conforming artworks.

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Institutional or Artworld theory

A theory by George Dickie and Arthur Danto that can narrow the definition of art, emphasizing institutional approval over intrinsic value.

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Outsider artists

Artists operating outside the mainstream who often lack formal training but create significant and challenging work.

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Twisted wire sculptures

Artworks created by an unknown individual that can evoke emotional or conceptual responses, demonstrating potential significant form.

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Sympathetic magic

A belief that images and objects created before written language played a role in prehistoric rituals.

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Marjane Satrapi’s Persepolis

A graphic novel detailing Satrapi's childhood in Iran during the Islamic Revolution, exploring themes of identity and resilience.

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Auguste Rodin’s The Burghers of Calais

A sculpture that conveys emotional turmoil and moral complexity concerning heroism and despair.

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Maya Lin's Vietnam Veterans Memorial

A memorial designed to reflect on the sacrifices of veterans, utilizing minimalism to evoke remembrance and healing.

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Art for Art's Sake

A philosophy adopted by James Abbott McNeil Whistler emphasizing art's intrinsic value independent from social obligations.

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Aesthetics

Refers to feelings of pleasure and displeasure that influence judgments of value or merit in art.

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Craftwork vs Fine Art

Craftwork may be considered fine art when it exhibits high skill and creativity, blurring the lines between utilitarian and expressive works.

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James Abbott McNeil Whistler's 'claptrap' statement

Refers to art being independent of external narratives or moral implications, focusing solely on aesthetic qualities.

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Cultural wilderness in art

The idea that art reflects the struggle between traditional values and modern challenges, as illustrated in Kootz's artwork.

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Function of artwork

A distinguishing characteristic of artwork is to satisfy human needs and gratify desires, provoking thought and dialogue.

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Diversity of art styles

Explained by individual artists who bring personal experiences, resulting in a wide array of artistic expressions.

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Sciences in art

Scientific principles enhance understanding and appreciation of art, integrating disciplines to provide deeper insights.

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Enhancing appearances

People enhance their appearances to express individuality and group membership, reflecting identity and connecting to communities.

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IDEAL

Considered the most perfect example of a quality or concept, serving as a model to strive towards in art and life.

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Louis Sullivan’s principle

'Form Follows Function' implies that ornamentation should enhance the functionality of a building, emphasizing practicality.

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Propaganda posters

Examples of art used to persuade and influence public opinion, conveying political messages visually.

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Art as human aspiration

Reflects societal values and emotions, serving as a communication tool to express complex ideas and inspire change.

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Creativity

Defined as action taken to give visible form to thoughts, feelings, or ideas.