Art Appr. Study Guide for Midterm
Makers of Gudea Figures are regarded as craftspeople because they mass produced the figures instead of making one statue.
Qian Xuan became a member of a group of artists known as scholar-painters or literati, and was welcomed to the court of the Yuan Dynasty because he demonstrated a profound understanding of poetry and connection to Confucian ideals through his art.
Folk artists or craftspeople like the Gee’s Bend quilters who create objects and images for utilitarian or decorative purposes often learn about the materials, techniques, and procedures they use from friends, family, and fellow community members. True or false
true because they often draw on local traditions and cultural heritage to inform their work, passing down knowledge through generations and fostering a deep sense of community.
A short coming of the ancient Greek’s choice to practice Mimesis is that it can sometimes prioritize representation over originality, resulting in works that lack personal expression and innovation.
A short coming of Tolstoy’s theory of communication of feeling is that it may overlook the complexities of individual interpretation, as emotions can vary widely among different audiences and cultural contexts.
A short coming of Clive Bell theory of Significant Form is that it tends to disregard the emotional response elicited from viewers outside of the formal qualities of the artwork itself, potentially limiting the appreciation of artworks that do not conform to Bell's definitions.
A short coming of George Dicke’s and Arthur Danto’s Institutional or Artworld is that it can lead to a narrow definition of what constitutes art, prioritizing institutional approval over the intrinsic value or merit of the work itself, which may alienate non-traditional artists and audiences.
Outsider” are artist who operate outside the mainstream art world, often lacking formal training or recognition, yet produce compelling and significant work that challenges conventional definitions of art.
Twisted wire “sculptures” discovered in a dumpster in the city of Philadelphia, created by an unknown individual may be considered artworks if they invoke an emotional or conceptual response in viewers, thus demonstrating the potential for significant form beyond established art institutions.
We know for a fact that all images and objects created before humans devolved written language played a role in rituals of sympathetic magic. True or False
True, as these early forms of expression were integral to the cultural and spiritual practices of prehistoric societies, serving as mediums for communication and belief.
Marjane Satrapi’s Graphic novel Persepolis tells the story of her childhood and early adult years in Iran during and after the Islamic Revolution, using stark black-and-white illustrations to convey complex themes of identity, politics, and personal resilience.
Auguste Rodin’s sculpture tilted The Burghers of Calis is intended to convey the emotional turmoil and moral complexity faced by the men of Calais during their sacrifice for the greater good, embodying themes of heroism and despair.
Maya Lin designed the Veit Nam Veteran’s Memorial in response to needs and desires for a reflective space that honors the sacrifices of those who served in the Vietnam War, utilizing minimalist design elements to evoke a sense of remembrance and healing.
In his efforts to break away from what he believed to be inhibiting restraints imposed by what was thought to be the “right way” or the “best way” to make art, to teach art and introduce art to the public James Abbott McNeal Whistler’s adopted the philosophy of "Art for Art's Sake," which emphasized the intrinsic value of art independent from social or moral obligations, pushing boundaries to prioritize aesthetic experience over traditional expectations.
Aesthetics refers to feelings of pleasure and displeasure that influence judgments of value or merit. True of False
True. Aesthetics plays a key role in how we interpret and appreciate various art forms, impacting not only individual tastes but also broader movements within the art world.
Craftwork may be regarded as fine art or fine craft when it exhibits a high level of skill, creativity, and attention to detail, blurring the lines between utilitarian objects and expressive works. This distinction can be subjective, often influenced by cultural context and the intent behind the creation.
When James Abbott McNeil Whistler said, “Art should be independent of all “claptrap”, he was refereeing to the idea that art should not be bound by or dependent on external narratives, moral implications, or emotional appeals, but rather should stand on its own aesthetic qualities.
A wilderness can be not only physical but also cultural. All of us wander through a wilderness that threatens the human spirt. It is the responsibility of the youth of every generation to bring culture forward through a threatening wilderness are themes illustrated in the artwork titled "The Two Ways of Life" by Samuel M. Kootz, which presents contrasting images of youth engaging in societal roles and the struggle between traditional values and modern challenges.
It may be said that a primary function or distinguishing characteristic of artwork is to satisfy human needs and gratify human desires True or False
The answer is True, as art often seeks to fulfill the emotional, psychological, and aesthetic needs of its audience, serving as a reflection of both individual and societal experiences. Additionally, art can provoke thought and spark dialogue about pressing issues, encouraging viewers to engage with the world around them in more meaningful ways.
The diversity of styles of art can be explained by the fact that it was and is created by an individual human being who processes their own unique range of sensibilities True or False
The answer is True, as each artist brings their own personal experiences, cultural backgrounds, and emotional depth into their creations, resulting in a wide array of artistic expressions that resonate differently with various audiences. The interpretation of art can be subjective and varies from person to person, which further enriches the dialogue surrounding art and its many forms.
Sciences have no place in the description or definition of art True or False
The answer is False, as scientific principles, such as color theory, anatomy, and perspective, play a crucial role in the understanding and creation of art. Furthermore, interdisciplinary approaches that integrate science and art can enhance appreciation and provide deeper insights into artistic processes and techniques.
Two reasons people enhance their appearances are to express their individuality as well as their membership in a group True or False
The answer is True, as personal expression through appearance often reflects individual identity and values, while also connecting individuals to cultural or social groups. This dual purpose allows people to communicate aspects of their personality and align themselves with communities that share similar beliefs or aesthetics.
If something is IDEAL it is often considered to be the most perfect example of a concept or quality, serving as a model to strive towards in both art and life.
Louis Sullivan’s principle of “Form Follows Function” implies that ornamentation appearing on a building should serve as an enhancement of its functionality, rather than merely for decorative purposes, emphasizing the importance of practicality in architectural design.
Propaganda posters are examples of art being employed for the purpose of persuasion and influence, as they aim to shape public opinion, galvanize support for specific causes, and convey political messages in a visually impactful manner.
Art is a sign of human aspiration and creativity, reflecting societal values, beliefs, and emotions through various mediums and styles. It serves as a powerful tool for communication, enabling individuals to express complex ideas and inspire change.
Creativity may be defined as ACTION TAKEN to give visible thoughts, feelings or ideas True or False
True: Creativity involves the process of turning imagination into reality through various forms of expression, such as visual arts, performance, and literature.