Modernism

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104 Terms

1
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french portrait - title, date, artist and movement

woman in a hat - 1905, Matisse, Fauvsism

2
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What nationality is Matisse

French

3
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What did Matisse lead (with Picasso) in Paris

avant-garde

4
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where did Matisse grow up

bohain

5
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what was bohain

a small weaving town

6
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as a result of growing up where he did, what was Matisse influenced by

Patterns and colour

7
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how did matisse discover painting

got given watercolours by mother when he was ill

8
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when did Matisse go to paris and why

1892 to learn to paint

9
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where did Matisse want to learn art but failed exam

ecole de bozart

10
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who invited matisse to join his studio

gustav moreau

11
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who was gustav moreau

symbolist

12
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what did moreau use bravely

colour

13
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what three things did moreau tell Matisse to do + quote

copy the work of the old masters at the louvre, be individual, use colour '“colour ought to be thought, dreamed and imagined”

14
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Where did Matisse go in 1895

Belle-ile in Britanny

15
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who did matisse meet in britanny

John Peter Russell

16
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what did matisse start doing as a result of russell’s influence

used brighter colours and looser brush strokes

17
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what is matisse often dubbed

‘master of colour’

18
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what work of cezanne’s did matisse buy and when

three bathers 1899

19
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when did matisse begin exhibiting work

1900

20
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where did matisse begin exhibiting work

salon des independants and salon de temps

21
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other than salons where did matisse start showing work

private galleries like vollard’s

22
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what does vollards gallery show about art market

emerging market for art dealers

23
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when was matisse first solo exhibition

1904

24
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what did the solo exhibition give matisse

attention and contact with paul signac

25
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what was signacs book called

from delacroix to neo-impressionism

26
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what was signac trying to get people to do

join pointalism

27
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which pointalist painting did matisse do as a result of signac

luxe, calme et volupte 1904/5

28
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when did matisse see a van gogh exhibition and what did he realise

late 1904, colour is a form of expression

29
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when did Matisse go to Colioure

1905

30
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what characterised fauvism

messy, rejected imitative colour

31
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what does fauvsim translate to

wild beasts

32
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matisse quote about fauvsim

‘one can’t live in a house too well kept […] one has to go off to the jungle and find simpler ways which won’t stifle the spirit”

33
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dates of fauvism

1904-1907

34
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what was woman in a hat exhibited alongside

open window at collioure

35
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when was woman in a hat exhibited

salon d’automne 1905

36
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what did vauxcelle say at the salon d’automne 1905

a donatello among wild beats

37
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who is the subject of woman in a hat

amelie matisse

38
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when exhibited woman in a hat was very _____ therefore ___ (matisse is the new britney spears)

controversial, therefore the tabloids wrote about it a lot

39
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stylistic characteristics of woman in a hat (6 - no saucy pasta cos im fat)

non-representational colour conveying emotion, simplified form/lack of detail (value colour over form + painting not pic), flattened space and depth, impasto, no chiaroscuro, no perspective

40
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tell me about the eyes in woman in a hat

styalised, influenced by african masks of japonese prints

41
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what can be seen on her chin in woman in a hat

use of tone as shadow

42
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where can the lack of foreshortening be seen in woman in a hat

her arm

43
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where can the lack of detail be seen in woman in a hat

the fan

44
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what do we learn from woman in a hat

there seems to be passion and love behind the painting even though we don’t learn anything directly about amelie matisse

45
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what is notabke about the background in woman in a hat

of equal importance than the subject

46
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what seems to be the focal point in woman in a hat

the eyes

47
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what was the conventions of portraiture

achieve mimetic likeness

48
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which of van gogh’s works may have influenced woman in a hat

self portrait with bandaged ear

49
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where could african masks be seen in the late 1800s and early 1900s

curiosity shops

50
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what did african masks use that fascinated matisse and picasso

signifiers

51
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non french portrait - title, date, artist and movement

self-portrait as wounded soldier, 1915, Kirchner, german expressionism

52
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what german expressionist group did kirchner help found

die brucke

53
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what was die brucke about

art influenced by the past moving into the future - why they called themselves the bridge

54
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what were the characteristics of german expressionsim (5 - paint palette for dirk cresswell)

bright, expressive, non-representational colour; violent paint application; crude, primitive drawing; pessimistic; distorted form

55
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which philosopher was die brucke influenced by

nietszche

56
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when did die brucke publish their manifesto

1906

57
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which art critic helped die brucke create a name for themselves

dr rosa schapire

58
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what is dresends ethnographic museum inspired kirchner

carved wooden beams from micronesian island of palau

59
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which other wood cuts inspired die brucke

15th century german woodcuts

60
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when did die brucke disband

1913

61
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self portrait as wounded soldier was a reaction to what

war

62
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what mental state was kirchner in when he painted self portrait as wounded soldier

one of his lowest points in life

63
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tell me about kirchners experience in ww1

1915 became artillery driver as he was reluctant to fight. had a nervous breakdown and was exempt from army duties. got perscribed morphine and sleeping pills but got addicted

64
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what other painting likely influenced self portrait as wounded soldier

self portrait with bandaged ear

65
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parallels between self portrait with bandaged ear and self portrait as wounded soldier (painting in corner)

over shoulder is a painting (symbol of creativity) turned away from it. kirchner without a hand can’t hold a palette - shows failing artistic career, labelled as degenerate.

66
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parallels between self portrait with bandaged ear and self portrait as wounded soldier (technique)

painterly, visibe brushtrokes, heightened colour, simplified/flattened form, no perspective, no chiaroscuro

67
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which colours are dominant in self portrait as wounded solider

yello, vermillion and blue - primary colours: not harmonious, overwhelming, claustrophobic, uncomfortable

68
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tell me about the eyes in self portrait as wounded soldier

hollow, african mask - creates sense of him feeling empty

69
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what do the shoulders create in self portrait as wounded solider

downwards pull

70
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what does the composition of self portrait as wounded soldier paralell

medieval images of martyrdom

71
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which painting is a start contrast to self portrait as wounded soldier and why

self portrait with model, 1907/8. sensual, post-coital atmosphere; warmer, happier colours; looks rounder and healthier; robust pipe vs slender cigarette

72
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landscape french title, date, artist, movement

open window at collioure, 1905, matisse, fauvsim

73
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main characteristics open window at collioure

simplified form, non-representational/hreightened colour

74
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tell me about the colours in open window at collioure

influenced by van gogh, chevreuls colour wheel, telling us he’s happy

75
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what creates perseption of depth in open window at collioure

tone - darker walls in foreground + orthogonal lines on windows

76
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marks creating the boats in open window at collioure are

staccato

77
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tell me about scale in open window at collioure

not accurate

78
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other than calling him a wild beast what did vauxcelles say about matisse’s work

‘the concern for form suffers’

79
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NEW TERM: in open window at collioure there is no….

verisimilatude

80
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how is the fauve brushstroke different to neo-impressionist brushstrokes

more fluid

81
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modern/urban life nonfrench - painting title, date, artist, movment

potsdamer platz, 1914, Kirchner, german expressionism

82
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characteristics of postdamer platz

abstract form, removed from reality, distorted perspective, non-representational colour, sickly palette, angular

83
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subjects of postdamer platz

erna and gerda schilling

84
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what happened to erna and gerda schilling

erna became lifelong companion of kirchner, gerda dissapeared

85
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86
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postdamer platz is part of what series by kirchner

streetwalker paintings about prostitutes and a city on the verge of collapse (angular, balancing awkwardly)

87
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characteristics of streetwalker paintings

jarring colours and perspective

88
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what did kirchner say about origins of streetwalker paintings

originated in one of the lonliest times of my life

89
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