HIST 343 Part V: Racial Relations During the Harlem Renaissance

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10 Terms

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Racial Consciousness
* New Black identity led to a greater social consciousness, and African-American become players on the word stage, expanding intellectual and social contacts internationally
* The progress -both symbolic and real- during this period, became a point of reference from which the African-American community gained a spirit of self-determination that provided a growing sense of both Black urbanity and Black militancy as well as a foundation for the community to build upon for the Civil Rights struggles in the 1950s and 1960s
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Racial Pride
* Marcus Garvey inspired racial pride among working-class black in the U.S in the 1920s
* With the close of World War I, African-American soldiers  returned home from the European front with a new sense of pride and purpose, and drove efforts to improving their communities and delving deep into expanding their social order through cultural accomplishments
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Blackness’ Assertion
* African-American paintings, writings, and jazz became absorbed into mainstream culture
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The New Negro Movement
* Also known as the Harlem Renaissance
* cultural phenomenon that arose from specific historical and political events culminating in the self-definition and further development of African-American culture through literature, music, and theatre
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Black Nationalism
* Malcom X
* Racial pride
* Black separatism
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Marcus Garvey
* Jamaican-born black nationalist
* inspired racial pride among working-class black in the U.S (1920)
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Alain Locke
* A new black cultural identity (1926)
* He declared that through art, “Negro life is seizing its first chances for group expression and self-determination”
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Dubois’ Double Consciousness
* always looking at one's self through the eyes of others, of measuring one's soul by the tape of a world that looks on in amused contempt and pity
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Du Bois’ *The Souls of Black Folk*
* American literature
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Locke’s *The New Negro*
* Locke's “New Negro” transformed “social disillusionment to race pride.”