beethoben symphony no 9 choral

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21 Terms

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Beethoven

A composer who bridged the Classical and Romantic eras of music, influential to later composers.

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9th Symphony

A long and complex orchestral work by Beethoven, featuring multiple movements and the famous 'Ode to Joy'.

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Allegro in D minor

The first movement of Beethoven's 9th Symphony, characterized by a dramatic interpretation of sonata form.

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Scherzo

A fast, spirited movement; the second movement of Beethoven's 9th Symphony is a Scherzo in D minor.

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Adagio

A slow and expressive movement; the third movement of Beethoven's 9th Symphony.

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Ode to Joy

The choral finale of Beethoven's 9th Symphony, featuring vocal soloists and a choir.

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Double Fugue

A complex contrapuntal composition that utilizes two themes; employed in Beethoven's 9th Symphony.

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Tonic Resolution

The point in a piece of music where the harmonic tension resolves to the home key; the finale of Beethoven's 9th Symphony ends with tonic resolution.

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Romantic Sensibilities

Musical qualities that emphasize emotion and expressiveness, infused by Beethoven into classical conventions.

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Structural Innovation

Beethoven's approach to composition, which often blurred traditional distinctions between movements and sections.

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Hemiola

A rhythmic feel created by shifting accents, evident in the second movement of Beethoven's 9th Symphony.

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Quasi-operatic Passages

Sections of orchestral music in Beethoven's 9th Symphony that are reminiscent of operatic elements.

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Dissonant Opening

The initial sound in Beethoven's 9th Symphony, marked by violent and harsh harmonies.

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Coda

A concluding section of a piece of music, which in Beethoven's 9th Symphony is complex and extended.

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Large Orchestra

Beethoven's use of a bigger orchestral arrangement, including instruments not typically found in classical symphonies.

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Motivic Ideas

Distinct musical phrases or themes used throughout a composition; Beethoven often included a variety of these in his works.

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Narrative and Drama

Musical characteristics that give a story-like quality to a composition, evident in Beethoven's symphonies.

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Conventions

Established norms and practices in music composition; Beethoven expanded on classical conventions.

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Recitative

A style of delivery in opera and oratorio where the singer adopts the rhythm and pitch of speech; featured in the finale of Beethoven's 9th Symphony.

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Timps

Timpani or kettledrums; used in Beethoven's 9th Symphony with unconventional tuning.

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Eroica

Beethoven's Third Symphony, notable for its innovative use of form and structure.