Stage OPC
Performed in an Ampitheatre
at the festival of Dionysus
seated an audience of 15,000
Stage Brecht
distance the spectator
create alienation
break the fourth wall
Set OPC
Architectural Skene
Eccyclema
Thymele
Set Brecht
projections
placards
Versatile and symbolic use of set
Lighting OPC
conforms to unity of time
set from dawn until dusk
completely reliant on sunlight
Lighting Brecht
clinical, open white - illuminate the truth/ show the showing
show source of lighting
bold colour washes - jolt, colour symbolism
Sound OPC
live music
instruments - kithara, aulos, drums
Sound Brecht
pertinent lyrics
jolt spectator
push sociopolitical message
politicise audience
create spass
Costume OPC
all male cast
masks - represent gender/ status
Chitons and Cothurni - visual aids to audience
prosterneda and progastreda
Costume Brecht
archetypal costume
actors multi-rolling and changing on stage
symbolic or gestic use of costume
Characterisation OPC
declamatory acting style
movement by Chorus to progress scene
Characterisation Brecht
demonstrating of character
archetypes
gestus
spass
multi-rolling
use of narrator / Coryphaeus
Chorus OPC
all male cast
masks to represent everyman
consists of 12 members - Sophoclese increased to 15
their role is to reflect attitude of spectators and to ask questions on their behalf
Everyman
build a bridge between the actors and the audience
represent everyone
ages
heritages
genders
socioeconomic status
Archetypes
a very typical example of a certain person or thing - the soldier, beggar, mother
Gestus
gesture communicating social meaning
Spass
By presenting a serious subject in a funny way, it makes the audience laugh, and then question why they laughed
Brecht phrases
Think not feel
Jolt the spectator
Illuminate the truth
Show the showing
Unity of time
action in a tragedy should occur over a period of no more than 24 hours
Entrances and exits (actors)
stage left: wilderness
stage right: civilised society
center: women
Entrance and exit (chorus)
entrance: parados (after prologue)
exit: exodus