Temple C at Selinus, Metopes

0.0(0)
studied byStudied by 0 people
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/23

flashcard set

Earn XP

Description and Tags

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

24 Terms

1
New cards
<p>Where was Temple C located?</p>

Where was Temple C located?

Selinus in Sicily

2
New cards
<p>When was Temple C built?</p>

When was Temple C built?

In the late sixth century BCE

3
New cards

What was the purpose of Temple C?

It is representative of the values of the state of Selinus and the people’s devotion to the gods

4
New cards

What were the ten metopai sculpted in and framed by?

The metopai were sculpted in high relief and framed at the top and bottom by blank slabs to make them stand out. They were separated by triglyphs.

5
New cards
<p>Name the figures in this composition from left to right</p>

Name the figures in this composition from left to right

Athene, Perseus, Pegasus and Medusa

6
New cards
<p>What narrative does this metope depict?</p>

What narrative does this metope depict?

Perseus cutting off Medusa’s head with Athene standing by, while Pegasus, the winged horse, is born from Medusa’s blood.

7
New cards
<p>When is this metope dated to?</p>

When is this metope dated to?

C575-550 BC

8
New cards

How tall is this metope?

1.47m high

9
New cards
<p>What material is this metope made from?</p>

What material is this metope made from?

Limestone

10
New cards
<p>Is the composition aesthetically pleasing or not? Give 1 positive and 1 negative</p>

Is the composition aesthetically pleasing or not? Give 1 positive and 1 negative

POSITIVE:

  • Sense of symmetry and unity with the 3 frontal facing vertical figures with profile legs

NEGATIVE:

  • Pegasus fills awkward space but now makes the scene appear overcrowded

11
New cards
<p>How is detail created in the figure of medusa? (2 Points)</p>

How is detail created in the figure of medusa? (2 Points)

  • Kneeling pose e.g. bent knees, curled toes → Reflects power balance between the figures and superiority of the heroes and gods. Medusa is physically below them.

  • Frontal face with stylistic archaic features to emphasise her frightening nature e.g. insectoid eyes, archaic smile, phallic nose

12
New cards
<p>How is detail created in the figure of Perseus? Good and Bad (3 Points)</p>

How is detail created in the figure of Perseus? Good and Bad (3 Points)

  • Defined and exaggerated muscles highlights his arete and characterises him as a hero e.g. large thighs highlighted by his his profile legs, large biceps stretched out in display by his action arms

  • Detailed hem line on the drapery of his skirt BUT it is very short

  • Impossible twist at the waist→ Movement is VERY rigid and static, not very realistic

13
New cards
<p>How does the figure of Athene undermine the metope?</p>

How does the figure of Athene undermine the metope?

Athene’s rigid drapery and unrealistic facial features make her appear jarring and unrealistic compared to Perseus and Medusa

14
New cards
<p>Does this metope have good unity of theme?</p>

Does this metope have good unity of theme?

Yes because it shows the power of gods and heroes over monsters. Therefore representing the values of the society and showing the triumph of civilisation over barbarism.

15
New cards
<p>Is this metope prescribed or not?</p>

Is this metope prescribed or not?

UNPRESCRIBED

16
New cards
<p><strong>Scholarly Quote</strong></p><p>What does Osbourne say about the Metope of <em>Perseus and Medusa</em>?</p>

Scholarly Quote

What does Osbourne say about the Metope of Perseus and Medusa?

‘The frontality of all the figures makes the decapitation a state of affairs’ conveying the idea that ‘the worshipper’s proper activity is to reflect the power of gods and heroes back against monsters’

17
New cards
<p>What is the narrative displayed on this metope?</p>

What is the narrative displayed on this metope?

Once when Herakles was asleep the two Kerkopes stole his weapons. Herakles caught them and tied them upside down to a pole and carried them over his shoulders. The Kerkopes made jokes about Herakles bottom and he was so amused he let them go.

18
New cards
<p>When is this metope dated to?</p>

When is this metope dated to?

575-550 BC

19
New cards
<p>What material is this metope made from?</p>

What material is this metope made from?

Limestone

20
New cards
<p>How tall is this metope?</p>

How tall is this metope?

1.47m high

21
New cards
<p>Is the composition of the metope aesthetically pleasing or not? Give 2 positives and 1 negative</p>

Is the composition of the metope aesthetically pleasing or not? Give 2 positives and 1 negative

Positives:

  • Symmetry is created through the 3 frontal faces of the figures AND the two mirrored poses of the Kerkopes

  • Series of verticals and horizontals (the bodies of the Kerkopes and upper body of Herakles) contrasts Herakles diagonal legs

Negative:

  • Awkward gap at the bottom of the metope frame

22
New cards
<p>What is aesthetically pleasing about this metope? (2 Points)</p>

What is aesthetically pleasing about this metope? (2 Points)

  • The playful nature of the Kerkopes e.g the beaded pigtails reacting the gravity, mirrored poses and the mischievous archaic smiles

  • Symmetrical nature of the composition

23
New cards
<p>What is not aesthetically pleasing about this metope?</p>

What is not aesthetically pleasing about this metope?

  • Poor attempt to cover up the impossible twists at the waist with the figures arms→ Makes it appear rigid and unrealistic

24
New cards
term image